Staunton chess set

The Staunton chess set is composed of a particular type of chess pieces used to play the game of chess. According to the rules of chess, this style is to be used for competitions. Nathaniel Cook is credited with the design, and they are named after Howard Staunton. The first 500 sets were hand signed and numbered by Staunton Harvcol|Just|Burg|2003|p=225. This style of set was first made available by Jaques of London in 1849, and they quickly became the standard. They have been used around the world since harvcol|Kasparov|2003|p=17.

Old style chess sets

The increased interest in the game of chess, particularly in international play during the late 18th century and early 19th century, brought about a renewed demand for a more universal model for chess pieces. The variety and styles of the conventional form begun in the 15th century had expanded tremendously by the beginning of the nineteenth century. Some of the more common conventional types popular during the period included the English Barleycorn chess set, the St. George chess set, the French Regence chess set, named after the Café de la Régence in Paris and the central European Selenus chess set. Most pieces were tall, easily tipped and cumbersome during play, but their major disadvantage was the uniformity of the pieces within a set. A player's unfamiliarity with an opponent's set could alter the outcome of a game.

taunton chess set

By the early decades of the 19th century, it was all too clear that there was a great need for a chess set with pieces that were easy to use and universally recognized by chess players of diverse backgrounds. The solution, first released in 1849 by the purveyors of fine games, John Jaques of London, sport and games manufacturers, of Hatton Garden, London England, was to become known as the Staunton chess set after Howard Staunton (1810-1874), the chess player and writer who was generally considered the strongest player in the world from 1843 to 1851.

Although Nathaniel Cook has long been credited with the design, it may have been conceived by his brother-in-law and owner of the firm, John Jaques.

First theory

The "first theory" of the development of the set is that Mr. Cook had used prestigious architectural concepts, familiar to an expanding class of educated and prosperous gentry.Fact|date=March 2008 London architects strongly influenced by the culture of Greece and the culture of ancient Rome were designing prestigious buildings in the neoclassical style. The appearance of the new chessmen was based on this style and the pieces were symbols of "respectable" Victorian society: a distinguished bishop's mitre, a queen's coronet and king's crown, a knight carved as a stallion's head from the Ancient Greece Elgin Marbles and a castle streamlined into clean classical lines, projecting an aura of strength and security. The form of the pawns was based on the Freemasons Square and Compasses, however; another theory reflects the pawns form is derived from the balconies of Victorian architecture. There were also practical innovations: for the first time a crown emblem was stamped onto a rook and knight of each side, to identify their positioning on to the king's side of the board. The reason for this is that in descriptive chess notation, the rooks and knights were often designated by being the "queen's knight", the "king's rook", etc.

econd theory

The "second theory" is that Jaques, a master turner, had probably been experimenting with a design that would not only be accepted by players but could also be produced at a reasonable cost. In the end, he most likely borrowed and synthesized elements from sets already available to create a new design that used universally recognizable symbols atop conventional stems and bases. Moreover, the pieces were compact, well balanced and weighted to provide a playing set that was as useful as it was understandable.Fact|date=March 2008

Third theory

The "third theory" is it was a combination of both theories with the synergy of Mr. Cook the entrepreneur and Mr. Jaques the artisan. Fact|date=March 2008

Design

The ebony and boxwood sets were weighted with lead to provide added stability and the underside of each piece was covered with felt. This afforded the players the illusion that the chessmen were floating across the board. Some ivory sets were made from African ivory. The king sizes ranged from 3½ inches to 4½ inches and the sets typically came in a caron-pierre case, each one bearing a facsimile of Staunton's signature under the lid.

The Staunton pieces broadly resemble columns with a wide molded base. Knights feature the sculpted head and neck of a horse. Kings, the tallest pieces, top the column with a stylised closed crown topped with a cross pattée. Queens are slightly smaller than kings, and feature an coronet topped with a tiny ball. Rooks feature stylised crenellated battlements and bishops a Western-style mitre. Pawns are the smallest and are topped by a plain ball that represents a human head.Fact|date=January 2008

Patent

Jaques then approached his brother-in-law for advice. At the Patent Office, on March 1, 1849, Nathaniel Cook, 198, Strand, London, England, registered an Ornamental Design for a set of Chess-Men, under the Ornamental Designs Act of 1842. At that date, there was no provision for the registration of any design or articles of ivory, registration was limited to Class 2, articles made chiefly of wood.

Marketing

Mr. Cook was the editor for the Illustrated London News where Howard Staunton published chess articles and convinced the champion to endorse the chess set. The advertisement possibly written by Mr. Staunton published as follows:

Staunton not only endorsed the product for Jaques of London but promoted it to an extraordinary degree including the lambasting and derision of any other design of chessmen then proposed. This may have been the first time that a celebrated name was used to promote a commercial product. The Staunton as it became known, became available to the general public on September 29 1849. The Staunton style was soon the standard on which most tournament playing pieces have been made and used around the world ever since. The low cost to produce the Staunton set allowed the masses to purchase sets and helped to popularize the game of chess.

The Staunton set obtained the stamp of approval of FIDE, the World Chess Federation, when in 1924 it was selected as their choice of set, for use in all future international chess tournaments.

Modern times

For over a century and a half, this chess set has been valued by players around the world. [ cite book | author=Kasparov, Garry | title=My Great Predecessors, Part I | date=2003 | publisher=Everyman Chess | page=p. 17 | id=ISBN 1-85744-330-6 ] One of the reasons for its success is the well-balanced and easily recognized pieces. It is currently recognized as the official standard for tournament chess pieces. [cite web | url=http://www.fide.com/info/handbook?id=16&view=category | title=Standards of Chess Equipment and tournament venue for FIDE Tournaments | publisher=FIDE | accessdate=2008-06-19] Anthony Saidy and Norman Lessing wrote that, "if a vote was taken among chess-players as to which pieces they most enjoyed playing with, there can be no doubt that the Staunton chessmen would win by an overwhelming margin. They are invariably used in major chess tournaments. No self-respecting chess club would be without them. They afford the most pleasing combination of utility and aesthetic appeal." [cite book | author=Saidy, Anthony and Lessing, Norman | title=The World of Chess | publisher=Random House | page=p. 88 | year=1974 | id=ISBN 0-394-48777-X ]

A modern Staunton set, in wood

kingImage:StauntonQueen2.jpg|queenImage:StauntonBishop2.jpg|bishopImage:StauntonKnight2.jpg|knightImage:StauntonRook2.jpg|rookImage:StauntonPawn2.jpg|pawn

A modern Staunton set, in plastic

Variations

Even among sets of the standard Staunton pattern, the style of the pieces varies. The knights vary considerably. Here are some variations.

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ee also

* Lewis chessmen
* Chess pieces

Notes

References

* [http://www.geocities.com/SiliconValley/Lab/7378/staunton.htm History of Staunton Chess Pieces by Sean Evans] - original article placed here by author and inter-wiki linked.

* citation
last1=Hooper | first1=David | authorlink1=David Vincent Hooper
last2=Whyld | first2=Kenneth | authorlink2=Kenneth Whyld
year=1992
title=The Oxford Companion to Chess
edition=2nd
publisher=Oxford University Press
isbn=0-19-280049-3
*Citation
last1=Just|first1=Tim
last2=Burg|first2=Daniel B.
year=2003
title=U.S. Chess Federation's Official Rules of Chess
edition=5th
publisher=McKay
ID=ISBN 0-8129-3559-4

*Citation
last=Kasparov|first=Garry|authorlink=Garry Kasparov
year=2003
title=My Great Predecessors, part I
publisher = Everyman Chess
ID=ISBN 1-85744-330-6

Further reading

*Schafroth, Colleen. (2002). "The Art of Chess". ISBN 0810910012
*Williams, Gareth John. (2000). "Master Pieces: The Architecture of Chess". ISBN 0670893811
*Fersht, Alan. (2007). "Jaques Staunton Chess Sets 1849-1939". ISBN 9780955732508

External links

* [http://www.geocities.com/siliconvalley/lab/7378/staunset.htm Bill Wall: Staunton chess set]
* [http://www.houseofstaunton.com/history.html House of Staunton: History of Staunton chess sets]
* [http://www.chessantiques.com/antiquejaques.html House of Staunton: Chess Museum]
* [http://www.jaques.co.uk/chess_section/the_dawn_of_chess.htm Jaques of London]
* [http://www.eldrbarry.net/hatr/chess/convent.htm Styles of sets 1700-1849]
* [http://www.fersht.com dedicated Jaques Staunton site]