Guto Puw

Guto Pryderi Puw (born 1971) is a Welsh composer, university lecturer and conductor. He is considered to be one of the most promising Welsh composers of his generation and a key figure in current Welsh music. His music has been broadcast on BBC Radio 3 and been featured on television programmes for the BBC and S4C. He has twice been awarded the Composer's Medal at the National Eisteddfod. His works include pieces for unusual combinations of instruments, such as a tuba quartet or a trio consisting of harp, cello and double-bass, as well as more traditional forces such as solo baritone and piano, choir or orchestra. He is particularly associated with the BBC National Orchestra of Wales as Resident Composer, the first holder of this title, from 2006 to 2009. He has written an Oboe concerto as part of this association, and his latest composition for the orchestra was premiered at the 2007 Proms. His Welsh identity is a recurrent theme in his music: some of his pieces set Welsh-language poetry to music and one of his pieces, "Reservoirs", is written about the flooding of Welsh valleys to provide water for England.

Biography

Born in Parc (a village in Gwynedd near Bala), [http://www.cc-cw.org/guto_puw_english.htm Puw's entry on the Composers of Wales website] ] Puw studied at Bangor University with John Pickard, Andrew Lewis and Pwyll ap Siôn. [http://www.bangor.ac.uk/music/staff/guto_puw.php.en Puw's profile on the Bangor University website] ] He was awarded a M.Mus. degree in 1996 and a Ph.D. degree in 2002. He was then awarded an Arts Council of Wales bursary and studied with the composer John Metcalfe. He was appointed in 2006 as a Lecturer in Music at Bangor University; prior to that he was a Teaching Fellow in Music from 2004. He is a Welsh speaker and is the Welsh Medium Teaching Fellow for the School of Music. [http://www.bangor.ac.uk/music/staff/index.php.en Bangor University staff list] ] In addition, he is Chairman and Artistic Director of the Bangor New Music Festival. He conducts _cy. Cor Cyntaf i'r Felin, a Welsh-language choir based in Y Felinheli near Bangor. [http://www.corcyntafirfelin.co.uk/yr-arweinydd Cor Cyntaf i'r Felin website (in Welsh)] ]

He has received commissions from (amongst others) BBC Radio 3, the Welsh baritone Jeremy Huw Williams, the Bangor New Music Festival and the North Wales International Music Festival. He was appointed the first Resident Composer with BBC National Orchestra of Wales (BBC NOW) in 2006 and will hold this position until 2009. During this time he will write three works for the orchestra: the first, an oboe concerto, was premiered in 2006; the second was performed at the 2007 Proms; and the third will be performed in 2008. [http://www.bbc.co.uk/wales/now/sites/orchestra/pages/resident_composer.shtml BBC National Orchestra of Wales website] ]

Music

Puw's music is rooted in the language and literature of Wales, with a particular affinity to the poetry of R. S. Thomas. [http://www.valeofglamorganfestival.org/2005_text_composers.htm Vale of Glamorgan Festival composers 2005] ] Many of his compositions have Welsh titles, or are settings of poetry in Welsh. He has won the Composer's Medal at the National Eisteddfod of Wales twice. He first won it in 1995 for a harp piece, "Ffantasia II". In 1997, when the Eisteddfod was held in Bala, he won the Medal for a string quartet, " _cy. Mecanwaith" ("Mechanism") – this piece was later featured in S4C's television series " _cy. Y Cyfansoddwyr" ("The Composers"). " _cy. Mecanwaith" has also been performed by the Duke Quartet at the 1998 Bath International Music Festival and the 1999 Huddersfield Contemporary Music Festival.

Many of Puw's compositions have unusual instrumentation and performance techniques, some of which require elements of improvisation from the performers. In 1998 he composed "X-ist", a piece for IST (the Improvising String Trio, consisting of harp, cello and double-bass). It was described by reviewers as a "frighteningly frantic" and "challenging" piece. [http://www.brucesfingers.co.uk/catalogue/bf28reviews.html Review by Walter Horn, Cadence, of the recording of "X-Ist" by IST] ] "X-ist" uses a graphic score and includes written directions to the players that act as "creative stimuli", containing notes and motifs to be followed. The piece also requires the cellist and double-bassist to tap their instruments, as well as use normal playing methods. [http://www.jazzword.com/nova/showreview.pl?item=file&filename=103204.xml Review by Ken Waxman, Jazzword.com, of the recording of "X-Ist" by IST] ] Another piece requiring improvisation by performers was his commission for the 2001 Bangor New Music Festival, " _cy. Trioled", which was written for ensemble (saxophone, guitar, harp, keyboard, cello, piano) and optional dancer. In his performing notes, Puw describes the pieces as a "stimulus for musical improvisation" in which any notes, normal or extended musical techniques and / or percussive effects may be applied. [http://wmic.org/cgi-bin/fullwork.cgi?id=464&f=c Notes on " _cy. Trioled" on the Welsh Music Information Centre website] ] _cy. "Trioled" has two contrasting sub-sections, a and b, arranged in the form a-b-a-a-a-b-a-b to match the Welsh poetic measure of the same name, with the strings playing calmly in the "a" sections, and saxophone and keyboard (gradually joined by the other instruments) playing in a more lively manner in the "b" sections. The musicians and the dancer are required to react to each others' contributions in each section to create a "multi-media" experience.

"Visages", his 1999 piece for 2 tubas and 2 euphoniums, was described as "astringent, often whimsical but well written for these instruments". [http://www.musicweb-international.com/classrev/2001/june01/Tubulate.htm Review by Philip Scowcroft, MusicWeb International, of the recording of "Visages" by Tubalaté] ] Puw said that in the piece "Freedom is granted to the performers to make any subtle facial expressions that add to the musical interpretation". [http://wmic.org/cgi-bin/fullwork.cgi?id=595&f=c Notes on "Visages" from the Welsh Music Information Centre website] ] Puw describes " _cy. Ffantasia III" (a piece for solo piano, composed for the 2000 Bangor New Music Festival) as an "intimate reflection" upon on the music of, and a tribute to, Robert Schumann, his "intricate compositional style" and "world of delicate expression". [http://wmic.org/cgi-bin/fullwork.cgi?id=593&f=c Notes on " _cy. Ffantasia III" from the Welsh Music Information Centre website] ] The music becomes "simpler and softer" throughout the piece, moving from the "rhythmic complexity" of the opening bars through to slow quavers transforming into triplets. An ensemble piece, "different light" (for clarinet, violin, cello and piano) was "inspired by the idea of moving a picture from one place to another, be it to another house, or from one room to the next, or even from one wall to another." [http://wmic.org/cgi-bin/fullwork.cgi?id=590&f=c Notes on "different light" from the Welsh Music Information Centre website] ] As the picture is moved, it looks the same but is perceived in a different light. Puw attempts to convey this in musical terms by having each instrument enter separately with its own musical phrase in the first part of the piece. Then, in the second part of the piece, all the thematic material is repeated with the instruments playing simultaneously, so that the music is similarly perceived in a different light. "different light" was featured at the 2001 "UKwithNY" festival at the Angel Orensanz Arts Centre in New York. [http://wmic.org/cgi-bin/composerfull.cgi Puw's profile at the Welsh Music Information Centre] ] His 2005 composition for the Bangor New Music Festival, "Stereo Type", was written for amplified typewriters and tape. It was premiered by UWB School of Music students in the Deiniol Shopping Centre, Bangor, on 5 March 2005.

As well as his pieces for unusual ensembles, he has also written for more traditional combinations and for full orchestra. The oboe concerto was commissioned by BBC NOW and was premiered by them at _cy. Theatr Brycheiniog, Brecon, on 27 April 2006, with the orchestra's principal oboist (David Cowley) as the soloist. It takes its inspiration from different qualities of the human voice, including stutters and chatterboxes. [http://icwales.icnetwork.co.uk/0900entertainment/0050artsnews/tm_objectid=16975068&method=full&siteid=50082-name_page.html Western Mail article 21 April 2006] ] Puw has said that "The second movement is inspired by talkative people who won't let you contribute to a conversation", represented by a repeated row of 13 notes played until "it gets rather unbearable". It was broadcast on BBC Radio 3 on 1 March 2007 as part of a programme of music by Welsh composers to celebrate St David's Day. [http://www.bbc.co.uk/radio3/afternoonon3/pip/aoatj/ BBC Radio 3 listings for 1 March 2007] ] His orchestral piece "Reservoirs" was inspired by a 1968 poem [http://abandonedcommunities.co.uk/page77.html] by R. S. Thomas about the drowning of Welsh valleys such as Tryweryn (a few miles from where Puw grew up) and Clywedog to provide water for England. [http://www.valeofglamorganfestival.org/2005_text_programmes.htm Vale of Glamorgan Festival programme notes 2005] ] Puw had a particular affinity with the topic as his grandfather lost farmland in the Tryweryn flooding. [http://news.bbc.co.uk/1/hi/wales/4789372.stm "Tryweryn reservoir 'unnecessary'", BBC News website, 9 March 2006] ] Nevertheless, he has said that he "decided not to take the poem too literally because as a composer you can be subject to criticism for doing that." It was nominated in 2005 in the Large-Scale Composition category of the Royal Philharmonic Society Music Awards. [http://www.royalphilharmonicsociety.org.uk/?page=awards/musicAwards/Wigmorewebrelease.pdf Royal Philharmonic Society press release 11 April 2005] ] The music was used in a BBC2 Wales documentary, "Drowning a Village", broadcast on 9 March 2006. A performance by BBC NOW was broadcast on BBC Radio 3 as part of the 2005 Vale of Glamorgan Festival. [http://www.bbc.co.uk/radio3/hearandnow/pip/o8bk8/ BBC Radio 3 listings for 1 October 2005] ]

As part of his association with BBC NOW, he was commissioned by the BBC to compose for the 2007 Proms. His orchestral piece, " _cy. ... onyt agoraf y drws ..." ("... unless I open the door ...") was premiered on 9 August 2007, conducted by David Atherton.BBC Proms Guide 2007 ISBN 978-1-84607-256-7] It is based on a story from the Mabinogion, a collection of medieval Welsh tales, in which a group of warriors, lately returned from Ireland, feast in Harlech for seven years with the severed head of their leader at the head of the table. They then feast in Penfro for eight years in a hall with three doors, and only remember the dreadful events that happened in Ireland when the third door opens. Each of the three doors in Penfro was represented by an instrument in a box in the Royal Albert Hall.

List of compositions

A list of Puw's major compositions.

References

External links

* [http://www.cc-cw.org/images/Guto_Blodeuwedd_from_Dawns_y_Ser_2.jpgA page from the score of " _cy. Dawns y Sêr"]
* [http://www.cc-cw.org/images/Guto_cylch_gwag_1_a_2_2.jpgA page from the score of " _cy. Cylch Gwag"]

Persondata
NAME = Puw, Guto Pryderi
ALTERNATIVE NAMES =
SHORT DESCRIPTION = Composer
DATE OF BIRTH = 1971
PLACE OF BIRTH = Parc, Bala, Gwynedd
DATE OF DEATH =
PLACE OF DEATH =