Dance of the Hours

For the Pirates of the Caribbean prequel novel, see Pirates of the Caribbean: Jack Sparrow: Dance of the Hours.

Dance of the Hours (Italian, Danza Delle Ore) is a short ballet from Act 3, Scene 2 of the opera La Gioconda composed by Amilcare Ponchielli. It depicts the hours of the day through solo and ensemble dances. The opera was first performed in 1876 and was revised in 1880. Later performed on its own, the Dance of the Hours was at one time one of the best known and most frequently performed ballets.^[1][2] It became even more widely known after its inclusion in the 1940 Disney animated film Fantasia where it is depicted as a comic ballet featuring anthropomorphized ostriches, hippos, elephants, and alligators.

Description

The ballet, accompanied by an orchestra, appears at the end of the third act of the opera, in which the character Alvise, who heads the Inquisition, receives his guests in a large and elegant ballroom adjoining the death chamber. The music and choreography represent the hours of dawn, day, twilight, night and morning. Costume changes and lighting effects reinforce the progression. The dance is intended to symbolize the eternal struggle between the forces of light and darkness. Altogether it is about 10 minutes long.

Structure

The piece begins with an introduction in G major, with vocal assistance in the form of a recitative which is omitted in the symphonic version. Then follows in sequence: the dance of the hours of dawn, the hours of day, the hours of the night and the morning.

The episode devoted to dawn (in E major) merges with the extensive introduction to the episode dedicated to daytime hours, anticipating the rhythmic structure of four notes, which characterizes the episode. The transition point between the two episodes, where it marks the birth of the day, coincides with the intervention in fortissimo of the chorus ("Prodigio! Incanto!"), which follows a slow chromatic passage, typical of the author's style.

After a brief episode in C sharp minor devoted to the night, based on figuration in staccato, a connected and expressive melody in E minor, played by cellos, introduces the morning. A new pathetic melody in A minor extends to a broad phrase with initial tone in E minor.

Derivative works

The tune is remembered by the character Leopold Bloom in James Joyce's novel Ulysses (1922) while he is idly imagining poisoning his wife.^[3]

The Dance of the Hours is one of the most frequently parodied pieces of classical music.

An extract was first used by the Disney studio in one of its earliest cartoon series, Silly Symphonies. In a short 6 minute film called Springtime (1929), bugs and birds dance to melodies until a rainstorm breaks out. When the rain stops, the dancing recommences, but now the tune is "Dance of the Hours".^[4]

The ballet was used in full in the Walt Disney animated film Fantasia (1940), albeit with ballet-dancing hippos (complete with tutus), ostriches, alligators and elephants.^[5] Some of the orchestration was revised by conductor Leopold Stokowski. Disney picks up on the structure of the ballet and divides it into five segments: 1) ostriches, early morning; 2) hippopotami, mid-day, 3) elephants, dusk, 4) alligators, night, and 5) finale, night.^[6]

It was the source of the tune for the song "Like I Do", a hit for Maureen Evans in 1962 in the UK and Teresa Brewer in 1963 (as "She'll Never Love You (Like I Do)") in the USA. This song was probably first released by Nancy Sinatra in early 1962 (as "Like I Do").

The piece may best be recognized from one segment of it that formed the basis for the hit song "Hello Muddah, Hello Fadduh" (1963) and its sequel "Return to Camp Granada" (1965) by Allan Sherman.

The rendition by Spike Jones and His City Slickers in Spike Jones Is Murdering the Classics. (1971) included several segments of the melody, although presented out of order to suit the presentation of the record, a parody of the Indianapolis 500 that was effectively a sequel to their William Tell Overture. The tune is executed by banging pipes and honking bicycle horns, with each individual "clang" or "honk" producing the proper pitch of the note.

In History of the World Part I, a 1981 film written, produced and directed by Mel Brooks, Madeline Kahn selects slaves for her entertainment by singing a song based on the final melody of Dance of the Hours.

In the UK most people will remember this as the tune to the excellent Mini Cheddars advert (1985).

The music also appeared in an episode of Garfield and Friends entitled "The Garfield Opera" (1992), in which Garfield and the others sing to the music's tune.

In the animated cartoon series Animaniacs (1993 - 1998), the character Wakko belches the tune to Dance of the Hours.

The tune is heard in the beginning of an episode of Camp Lazlo (2005 - 2008) an animated comedy about a summer camp.

That familiar segment has been used in television advertisements (Velveeta, K-9 Advantix, et al.) as recently as 2005.

Choreographer Christopher Wheeldon created a new rendition of Dance of the Hours for his ballet company, Morphoses. The work was featured in the company's New York debut, in 2006 at the Metropolitan Opera House, New York.^[7]

References

1. ^ Dance of the Hours Flutetunes.com, 2010-08-04. Accessed October 2010]
2. ^ New Jersey Symphony Orchestra Program notes. January 2010.
3. ^ Ulysses annotated: notes for James Joyce's Ulysses By Don Gifford, Robert J. Seidman, University of California Press, 2008, ISBN 0520253973. Page 81
4. ^ More Silly Symphonies: Volume Two Ultimate Disney. Accessed October 2010
5. ^ Allan, Robin (1999). Walt Disney and Europe. Indianapolis: Indiana University Press US. p. 149. ISBN 9780253213532. 
6. ^ Slapstick Onto-logic in Dance of the Hours by Bill Benzon , 02/22/07, The Valve. Accessed October 2010.
7. ^ Dance of the Hours Morphoses dance company. World Premiere: September 26, 2006, The Metropolitan Opera, Metropolitan Opera House, New York, New York. Accessed Octobet 2010.

See also

The opera is pre-dated by "The Dancing Hours", a famous design on Wedgwood pottery. "The Dancing Hours" depicts the classical Horae, personifications of the hours of the day, and the design is attributed to the eighteenth-century sculptor John Flaxman.[1]

External links

• La Gioconda: Free scores at the International Music Score Library Project.
• Full libretto of La Gioconda at Impressrio by Kernkonzepte, 2005
• Dance of the Hours ballet performance Choreography by Victoria Lyras at YouTube. Accessed 24 October 2010