The Goblins

"The Goblins" is a Caroline era stage play, a comedy written by Sir John Suckling. It was premiered on the stage in 1638 and first published in 1646.

Performance and publication

The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on November 17, 1638, and performed at Court three days later, on November 20, by the King's Men, who also acted the work at the Blackfriars Theatre. [Gurr, pp. 229, 287.] It was entered into the Stationers' Register on July 24, 1646, and published in quarto later that year by the bookseller Humphrey Moseley.

Theatre rivalry

"The Goblins" was a significant element in the so-called "Second War of the Theatres" of the 1630s. Like the original Poetomachia or War of the Theatres of three decades earlier, the Second War of the Theatres involved Ben Jonson on one side and a set of rivals on the other. In the Second case, Ben Jonson and his supporters, notably Richard Brome, represented professional playwrights arrayed against the courtly amateurs like Suckling. Suckling's ridicule of the recently-deceased Jonson in "The Goblins" provoked Brome to ridicule Suckling in his "The Court Beggar."

The plot

In the mythical kingdom of Francelia, [Suckling employs "Francelia" as the name of heroines in his other plays, "The Sad One" and "Brennoralt"—a compliment to Frances Cranfield, Countess of Dorset.] a band of robbers (the "goblins" of the title), led by their chieftain Tamoren, masquerade as devils and have the land in an uproar with their pranks. They mete out a kind of rough justice, much in the tradition of Robin Hood. As is true of many other plays of the later Caroline era, almost everything in "The Goblins" seems to have some precedent in other, earlier, better plays of English Renaissance theatre. The rivalry of two noble families immediately suggests "Romeo and Juliet," for example. The play, rich in action, songs and dances, also shows the influence of "The Tempest;" Suckling's heroine Reginella is a version of Miranda, and the antics of the goblins depend on the precedent of Ariel.

In the Restoration

In the Restoration era "The Goblins" was revived at the Theatre Royal, Drury Lane in January 1667. Samuel Pepys saw the King's Company production on May 22, 1667; Charles II saw it on November 21 of the same year. A century later, Richard Brinsley Sheridan adapted material from "The Goblins", including the song "Here's to the nut-brown lass."

Notes

References

* Gurr, Andrew. "The Shakespeare Company, 1594–1642." Cambridge, Cambridge University Press, 2004.
* Sanders, Julie. "Beggars' Commonwealths and the Pre-Civil War Stage: Suckling's "The Goblins", Brome's "A Jovial Crew", and Shirley's "The Sisters"." "Modern Language Review", Vol. 97 No. 1 (January 2002), pp. 1-14.
* Stephen, Sir Leslie, and Sidney Lee. "The Dictionary of National Biography." Vol. LV, London, Smith and Elder, 1898.
* Wallerstein, Ruth. "Suckling's Imitation of Shakespeare: A Caroline View of His Art." "Review of English Studies" 19 (1943), pp. 290-5.