- Pange Lingua Gloriosi Corporis Mysterium
Pange Lingua Gloriosi Corporis Mysterium is a hymn written by St.
Thomas Aquinas (1225-1274) for the Feast of Corpus Christi (now called the Solemnity of the Holy Body and Blood of Christ). It is also sung onHoly Thursday , during the procession from the church to the place where the Blessed Sacrament is kept until Good Friday. The last two stanzas, called separatelyTantum Ergo , are sung atBenediction of the Blessed Sacrament . The hymn expresses the doctrine oftransubstantiation , in which, according to the Roman Catholic faith, the bread and wine are changed into the Body and Blood of Christ.The opening words recall another famous
Latin sequence, "Pange Lingua Gloriosi Proelium Certaminis ", byVenantius Fortunatus .Latin text and English version
There are many English translations, of varying
rhyme scheme and meter. Fr. Edward Caswall authored the following translation [H.T. Henry, [http://www.newadvent.org/cathen/11441c.htm "Pange Lingua Gloriosi,"] "The Catholic Encyclopedia, Vol. XI"] :Text of "Pange lingua gloriosi", with doxology
Pange lingua in music history
There are two
plainchant settings of the Pange Lingua hymn. The better known is aPhrygian mode tune from the Roman liturgy, and the other is from theMozarabic liturgy from Spain. The Roman tune was originally part of theGallican Rite .The Roman version of the Pange Lingua hymn was the basis for a famous composition by
Renaissance composerJosquin des Prez , the "Missa Pange lingua ." An elaborate fantasy on the hymn, the mass is one of the composer's last works and has been dated to the period from1515 to1521 , since it was not included by Petrucci in his 1514 collection of Josquin's masses, and was published posthumously. In its simplification, motivic unity and close attention to the text it has been compared to the late works of Beethoven, and many commentators consider it one of the high points of Renaissancepolyphony .Juan de Urrede , a Flemish composer active inSpain in the late15th century , composed numerous settings of the Pange Lingua, most of them based on the original Mozarabic melody. One of his versions for four voices became one of the most popular pieces of the16th century , and was the basis for dozens of keyboard works in addition to masses, many by Spanish composers.Building on Josquin's treatment of the hymn's third line in the Kyrie of the "
Missa Pange Lingua ", the "Do-Re-Fa-Mi-Re-Do"-theme became one of the most famous in music history.Simon Lohet ,Michelangelo Rossi ,François Roberday ,Johann Caspar Ferdinand Fischer ,Johann Jakob Froberger [Siegbert Rampe: Preface to "Froberger, New Edition of the Complete Works I", Kassel etc. 2002, p. XX and XLI (FbWV 202).] ,Johann Kaspar Kerll ,Johann Sebastian Bach ,Johann Fux wrote fugues on it, and the latter's extensive elaborations in the "Gradus ad Parnassum " made it known to every aspiring composer - among themWolfgang Amadeus Mozart , whose "Jupiter" [William Klenz: Per Aspera ad Astra, or The Stairway to Jupiter; The Music Review Vol. 30 Nr. 3, August 1969, pp.169-210.] theme borrows the first four notes.The last two verses of Pange Lingua are often separated out. They mark the end of the procession of the monstrance in Holy Thursday liturgy. Various separate musical settings have been written for this, including one by
Giovanni Pierluigi da Palestrina and one byWidor .Pange Lingua has been translated into many different languages for worship throughout the world. However, the Latin version remains the most popular. The Syriac translation of Pange Lingua was used as part of the rite of
benediction in theSyro-Malabar Church ofKerala ,India , until the 1970s.External links
* [http://www.youtube.com/watch?v=LcoNeAzDtk0 Rondo Histriae] mixed choir from Croatia chant Pange lingua by Anton Bruckner - (video)
* [http://www.indussociety.org/cmsindia Christian Musicological Society of India] produces audio recordings ofSyriac music .
*web cite|url=http://www.newadvent.org/cathen/11441c.htm|title=Pange Lingua Gloriosi|work=Catholic Encyclopedia References
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