- Lawrence Welk
Infobox Celebrity
name = Lawrence Welk
image_size = 300px
caption = Lawrence Welk during a taping of "The Lawrence Welk Show"
birth_date = birth date|1903|3|11
birth_place = Strasburg,North Dakota ,United States
death_date = death date and age|1992|5|17|1903|3|11|mf=y
death_place = Santa Monica,California ,United States
occupation =Musician ,accordion ist,bandleader , andtelevision impresario
salary =
networth =
spouse =Fern Renner (August 26 ,1903 -February 13 ,2002 )
children = Shirley, Donna and Lawrence, Jr ("Larry")
website = [http://www.welkmusicalfamily.com/ Welk Musical Family]
footnotes =Lawrence Welk (
March 11 ,1903 –May 17 ,1992 ) was amusician ,accordion ist,bandleader , andtelevision impresario , hosting "The Lawrence Welk Show " from 1951 to 1982. His style came to be known to his large number ofradio ,television , and live-performance fans as "champagne music." He is a 1961 inductee ofNorth Dakota 'sRoughrider Award .Beginnings
Lawrence was born in Strasburg,
North Dakota , as one of nine children toCatholic , German-speakingimmigrants from the French portion ofAlsace-Lorraine , via Odessa,Ukraine .The family lived on a
homestead outside of town, which today still stands as a tourist attraction. The first year they lived there, they spent the cold North Dakota winter underneath an upturned wagon covered in sod.Fact|date=June 2007 Never intent on being afarmer , Welk became interested in a career inmusic , convincing his father to purchase amail-order accordion for $400 [http://www.lib.ndsu.nodak.edu/grhc/history_culture/lawrence_welk/wirereports.html] . He made a promise to his father that he would continue to work on thefarm until he turned twenty-one; in exchange for the accordion, he would work on the farm and any money he made working elsewhere, whether doing farmwork or putting on a show, would go to his family.Welk didn't learn English until he was 21 because he always spoke German at home; thus, he spoke with a noticeable German accent for the rest of his life. When he was asked about his
ancestry , he replied always with "Alsace-Lorraine,Germany " (Alsace-Lorraine is currently inFrance ; at the time of Welk's birth up until the end ofWorld War I it belonged to Germany). This information is explained in hisautobiography , entitled "Wunnerful, Wunnerful!"Early career
On his twenty-first birthday, Welk, having fulfilled his promise to his father, left the family farm to pursue a career in music. During the 1920s, he performed with the
Luke Witkowski ,Lincoln Boulds , andGeorge T. Kelly bands, before starting his ownorchestra . He led big band engagements inNorth Dakota and eastern South Dakota. These bands included the Hotsy Totsy Boys and later the Honolulu Fruit Gum Orchestra [http://www.redhotjazz.com/welk.html] . His band was also the station band for popular radio station, WNAX, inYankton, South Dakota . In 1927, he was graduated from theMacPhail School of Music in Minneapolis,Minnesota . [ [http://www.macphail.org/history.html History] , MacPhail Center for Music, "AccessedMay 21 ,2007 ."]While many
jazz musicians scorn Welk, he did one notable recording in that style in November 1928 forIndiana -basedGennett Records . "Spiked Beer" featured Welk and his Novelty Orchestra.During the 1930s, Welk led a traveling
big band , specializing in dance tunes and "sweet" music. The term "Champagne Music" was derived from an engagement at theWilliam Penn Hotel inPittsburgh , when a dancer referred to his band's sound as "light and bubbly as champagne." The band performed in many places across the country, particularly in theChicago area. In the early 1940s, the band began a regular 10-year stint at the Trianon Ballroom in Chicago, regularly drawing crowds of nearly 7,000.His orchestra also performed frequently at the Roosevelt Hotel in New York City during the late 1940s. In 1944 and 1945, Welk led his orchestra in many
motion picture "Soundies ," considered to be the early pioneers ofmusic videos Fact|date=June 2007, and the band had its own syndicatedradio program , sponsored by "The Champagne of Beers"Miller High Life .The Lawrence Welk Show
In 1951, Welk settled in Los Angeles. That same year, he began producing "
The Lawrence Welk Show " onKTLA in Los Angeles where it was broadcast from the Aragon Ballroom in Venice Beach. After being a local hit, the show was picked up by ABC in the spring of 1955.During its first year on the air, the Welk hour instituted several regular features. To make Welk's "Champagne Music" tagline visual, the production crew engineered a "bubble machine" that spouted streams of large soap bubbles across the bandstand. Whenever the orchestra played a polka or waltz, Welk himself would dance with the band's female vocalist, the "Champagne Lady" (
Alice Lon , at the time). Novelty numbers would usually be sung by Rocky Rockwell. Welk also reserved one number for himself, and would solo on his accordion. These features became so predictable that satiristStan Freberg lampooned all of them in his topical comedy record, archly titled "Wunnerful, Wunnerful!" (In Freberg's version, the "Near Beer Lady" dances all over the maestro's accordion, and the hyperactive bubble machine goes haywire and floats the entire Aragon Ballroom out to sea!) Welk evidently took the satire to heart, because survivingkinescopes from the following season show the bubble machine being used less often, and Welk's accordion solos also scaled back.Billy May , who arranged the Freberg recording, used top-notch studio musicians who played Welk-like arrangements and used their talents to play them as badly as possible. May had done a similar spoof during his days with theCharlie Barnet Orchestra, on a tune he titled "The Wrong Idea," mocking bandleaderSammy Kaye . Welk was not pleased by the Freberg recording. Again taking it to heart, he complained to Freberg, who recounted the story in his autobiography, that the record should have had Welk and the band "rescued" when the ballroom went out to sea.Welk's
television program had a policy of playing well-known songs from previous years, so that thetarget audience would only hear numbers with which they were already familiar. Rarely, in the TV show's early days, the band would play a tune from the current charts, but strictly as a novelty number. Two examples occurred during the same broadcast, onDecember 8 ,1956 : "Nuttin' for Christmas" became a vehicle for Rocky Rockwell, dressed in a child's outfit; andElvis Presley 's "Don't Be Cruel" was sung byviolin istBob Lido , wearing fake Presley-stylesideburns ).Welk never lost his affection for the hot
jazz he'd played in the 1920s, and when a dixieland tune was scheduled, he would enthusiastically lead the band.The type of music on "The Lawrence Welk Show" was almost always conservative, concentrating mostly on
popular music standards,polka s, andnovelty song s, delivered in a smooth, calming, good-humoredeasy listening style and "family-oriented" manner. Although described by one critic as "the squarest music this side of Euclid,"Fact|date=June 2007 this strategy proved commercially successful, and it remained on the air for 28 years.Much of the show's appeal was Welk himself. His unusual accent appealed to the audience. (On one 1955 show, he mentioned
Danny Thomas 's series, "Mek Room fur Deddy.") While Welk's English was passable, he never did grasp the English "idiom " completely, and was thus famous for his "Welk-isms," such as "George, I want to see you when you have a minute, right now," and "Now for my accordion solo, Myron, will you join me?" His TV show was recorded as if it were a live performance, and was sometimes quite free-wheeling. Another famous "Welk-ism" was his trademark count-off, "A one and a two..." which was immortalized on his California automobilelicense plate that read "A1ANA2" [http://starbulletin.com/2002/05/05/business/story2.html] . This plate is visible on the front of aModel A Ford in one of the shows from 1980.He often took ladies from the audience for a turn around the dance floor. During one show, Welk brought a cameraman out to dance with one of the ladies and took over the camera himself.
Welk's musicians were always top quality, including accordionist
Myron Floren , concert violinist Dick Kessner, guitaristBuddy Merrill , andNew Orleans Dixieland clarinet istPete Fountain . Though Welk was occasionally rumored to be very tight with a dollar, he paid his regular band members top scale - a very good living for a working musician. Long tenure was very common among Welk's regulars. For example, Floren was the band's assistant conductor throughout the show's run. He was noted for spotlighting individual members of his band and show. His band was well-disciplined and had excellent arrangements in all styles.Fact|date=June 2007 One notable showcase was his album with the noted jazz saxophonistJohnny Hodges . Welk had a number of instrumental hits, including a cover of the song "Yellow Bird". His highest charting record was his recording of "Calcutta". Welk himself was indifferent to the tune, but his musical director,George Cates said that if Welk did not wish to record the song, he, (Cates) would. Welk replied, "Well, if it's good enough for you, George, I guess it's good enough for me."Fact|date=June 2007 Despite the emergence ofrock and roll , "Calcutta" reached number 1 on the U.S. pop charts in 1961, and was recorded in only one take.Fact|date=June 2007However, Welk's insistence on wholesome entertainment led him to be a somewhat stern taskmaster at times. For example, he fired
Alice Lon , the original "Champagne Lady" because he believed she was showing too much leg.Post-Intelligencer News Services. "Maestro of bubbly is gone: Lawrence Welk dies at age 89," "Seattle Post-Intelligencer",May 19 ,1992 , page A1.] Welk told the audience that he would not tolerate such "cheesecake" performances on his show; he later tried unsuccessfully to rehire the singer afterfan mail indicated overwhelmingly that viewers disagreed with her dismissal. Highly involved with his stars' personal lives, he often arbitrated their marriage disputes."Post-Intelligencer" obituary]"The Lawrence Welk Show" embraced changes on the musical scene over the years. The show continued to feature fresh music alongside the classics for as long as it existed, even music originally not intended for the big band sound. During the 1960s and 1970s, for instance, the show incorporated material by such contemporary sources as
The Beatles ,Frank Zappa ,Burt Bacharach andHal David ,The Everly Brothers and Paul Williams, albeit in Welk's signature "Champagne" style. The show, which was originally produced in black and white, was recorded onvideotape starting in 1957, and it switched to color for the fall TV season that started in September of 1965. In time, it would feature synthesized music and, toward the end of its run, earlychroma key technology would add a new dimension to the story settings sometimes used for the musical numbers. He referred to his blue screen effect in one episode as "the magic of television."Fact|date=June 2007During its network run, "The Lawrence Welk Show" aired on ABC on Saturday nights at 8 p.m. (Eastern Time). In fact, Lawrence headlined two weekly prime time shows on ABC for three years. From 1956 to 1958, he hosted a show entitled "Top Tunes and New Talent", which aired on Monday nights. The series moved to Wednesdays in the Fall of 1958 and was renamed "The Plymouth Show", which expired in May, 1959. During that time, the Saturday show was also known as "The Dodge Dancing Party". ABC cancelled the show in the spring of 1971, citing an aging audience. However, it continued on as a syndicated show on 250 stations across the country (including many ABC affiliates, but at an earlier time), until the final original show was produced in 1982.
Personal life
Welk was married for 61 years, until his death, to Fern Renner, with whom he had three children. One of his sons, Lawrence Welk, Jr., ended up marrying fellow "Lawrence Welk Show" performer
Tanya Falan (they later divorced). Welk left many grandchildren and great-grandchildren. One of them, grandson Lawrence Welk III who usually goes by "Larry Welk", is a reporter andhelicopter traffic pilot forKCAL-TV andKCBS-TV in Los Angeles.Known as an excellent businessman, the maestro, thanks to wise investments in
real estate and music publishing, was the second wealthiest entertainer inHollywood , the wealthiest beingBob Hope .Fact|date=July 2008 Today (2007) as one travels from Victorville to San Diego on I-15 one passes by many properties that Welk either owned at one time or helped develop.Fact|date=July 2008He enjoyed playing
golf , which he first took up in the late 1950s, and was often a regular at many celebrity pro-ams such as the Bob Hope Desert Classic.Later years
After retiring his show and from the road in 1982, the maestro continued to air reruns of his shows which were repackaged first for syndication and starting in 1986 for public television. Welk also starred and produced a pair of
Christmas specials in 1984 and 1985.He died from
pneumonia inSanta Monica, California in 1992 at age 89 and was buried in Culver City's Holy Cross Cemetery.Honors
In 1961, was inducted as a charter member of the
Roughrider Award from his nativeNorth Dakota .Served as the
Grand Marshal for the Rose Bowl'sTournament of Roses parade in 1972.In 1994, he was inducted into the [http://www.internationalpolka.com/welk.htm International Polka Music Hall Of Fame] .
Has a star on the
Hollywood Walk of Fame , located at 6613-1/2 Hollywood Blvd.In 2007, he became a charter member of the
Gennett Records Walk of Fame inRichmond, Indiana .Legacy
His band continues to appear in a dedicated theater in
Branson, Missouri . In addition, the television show has been repackaged for broadcast onPBS stations, with updates from show performers appearing as wraparounds where commercial breaks were during the original shows. The repackaged shows are broadcast at roughly the same Saturday-night time slot as the original ABC shows, and special longer Welk show rebroadcasts are often shown during individual stations' fund-raising periods. These repackaged shows are produced by theOklahoma Educational Television Authority .John Leland. [http://www.nytimes.com/2004/09/11/national/11welk.html?_r=1&adxnnl=1&oref=slogin&adxnnlx=1190585382-6LdWkE6FRJkPOGF/CzKSnw "Old Fans Still Bubble Along to Lawrence Welk,"] "The New York Times",September 11 ,2004 . Accessed12-23-2007 .]A resort community, developed by the maestro and promoted heavily by him on the show, is still named for Welk. Formerly known as "Lawrence Welk Village", the Welk Resort and Champagne Village are just off Interstate 15 north of
Escondido, California , about convert|55|mi|km northeast ofSan Diego . Lawrence Welk Village was where Welk actually lived in a rather affluent "cottage". There are many other homes like this in this community in which notables such asJohn Wayne lived or came to stay to get away fromLos Angeles andSan Diego , as well as folks from his show who lived there, not to mention people in the Hollywood area who also owned or have owned property there. The Village has strict security. The resort is open to the public and contains twogolf courses, dozens of upper class timeshares, and a theatre containing a museum of Welk's life. The Welk Resort Theatre performs live broadway musicals year round.His organization, The Welk Group, consists of his resort communities in Branson and
Escondido ; Welk Syndication which is responsible for broadcasting the show on public television and the Welk Music Group which operates record labels Sugar Hill, Vanguard and Ranwood. From the late 1950s to the mid-1980s, the Welk Group was known as "Teleklew" in which "tele" stood for television and "klew" was Welk spelled backwards.The Live Lawrence Welk Show makes annual concert tours across the
United States andCanada featuring the actual stars from the television series such asRalna English ,Mary Lou Metzger ,Jack Imel ,Gail Farrell ,Anacani andBig Tiny Little .The Welk family homestead in Strasburg is now a popular tourist attraction in
North Dakota .Books
All books written with Bernice McGeehan and published by
Prentice Hall (Englewood Cliffs, N.J.), except where indicated:
* "Wunnerful, Wunnerful: TheAutobiography of Lawrence Welk", 1971, ISBN 0-13-971515-0
* "Ah-One, Ah-Two! Life with My Musical Family", 1974, ISBN 0-13-020990-2
* "My America, Your America", 1976, ISBN 0-13-608414-1
* "Lawrence Welk's Musical Family Album", 1977, ISBN 0-13-526624-6
* Welk with McGeehan, illustrated by Carol Bryan, "Lawrence Welk's Bunny Rabbit Concert", Indianapolis: Youth Publications/Saturday Evening Post Co., 1977, ISBN 0-89387-501-5 (children's book)
* "This I Believe", 1979, ISBN 0-13-919092-9
* "You're Never Too Young", 1981, ISBN 0-13-977181-6External links and references
*imdb name | id=0919785 | name=Lawrence Welk
* [http://www.lib.ndsu.nodak.edu/welk/ Lawrence Welk archives at North Dakota State University]
* [http://www.welkmusicalfamily.com/ Welk Musical Family website]
* [http://welknotes.com/index.htm WelkNotes] fansite
* [http://www.nytimes.com/2004/09/11/national/11welk.html "Old Fans Still Bubble Along to Lawrence Welk" article] ("The New York Times")
* [http://www.welkshow.com/ Welk Show.com]
* [http://welkmusicalfamily.blogspot.com Welk Musical Family blog]
* [http://welk.buffnet.net/ Lawrence Welk Television Show Fan Site]
* [http://www.webspawner.com/users/lawrencewelkfan/ Lawrence Welk Show Website]
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