Augustus John

Infobox Artist
bgcolour = #EEDD82
name = Augustus John


imagesize =
caption = "Artist John," on a 1928 "Time" magazine cover
birthname = Augustus Edwin John
birthdate = birth date|df=yes|1878|1|4
location = Tenby, Pembrokeshire
deathdate = death date|df=yes|1961|10|31 (aged 83)
deathplace = Fordingbridge, Hampshire
nationality = Welsh
field = painter
training =
movement = Post-Impressionism
works =
patrons =
awards = Order of Merit, RA

Augustus Edwin John OM, RA, (4 January 1878 – 31 October 1961) was a Welsh painter, draughtsman, and etcher. For a short time around 1910, he was an important exponent of Post-Impressionism in the United Kingdom.

"Augustus was celebrated first for his brilliant figure drawings, and then for a new technique of oil sketching. His work was favourably compared in London with that of Gauguin and Matisse. He then developed a style of portraiture that was imaginative and often extravagant, catching an instantaneous attitude in his subjects." [ [http://www.bbc.co.uk/wales/arts/sites/art/pages/gwen_augustus_john.shtml BBC - Wales - Gwen and Augustus John ] ]

Life and work

Education

John was born at Tenby in Pembrokeshire, the younger son and third of four children in his family. His father was Edwin William John, a Welsh solicitor; his mother, Augusta Smith from a long line of Sussex plumbers [ [http://books.google.ie/books?id=991tT3wSot0C&pg=PA252&dq=augustus+john&as_brr=3&sig=c0Elbzy6SX4FIkjx_Oa04zVoULA#PPA251,M1 Makers of Modern Culture] ] , died young when he was six, but not before inculcating a love of drawing in both Augustus and his older sister Gwen. [Easton, Malcolm, and Holroyd, Michael: "The Art of Augustus John", page 1. David R. Godine, 1975.] At the age of seventeen he briefly attended the Tenby School of Art, then studied at the Slade School of Art UCL in London (his sister, Gwen, was with him at the Slade and became an important artist in her own right), [One of "a bevy of talented girls" there at the time. Easton and Holroyd, page 2.] where he became the star pupil of drawing teacher Henry Tonks, and even before his graduation was recognized as the most talented draughtsman of his generation. [As witness "The legendary Slade acclamation, 'There was a man sent from God, whose name was John'". Easton and Holroyd, page 2.]

In the summer of 1897, John was seriously injured while swimming, and the lengthy convalescence that followed seems to have actually stimulated his adventurous spirit and accelerated his artistic growth. [Easton and Holroyd, page 2.] In 1898, he won the Slade Prize with "Moses and the Brazen Serpent." John afterward studied independently in Paris where he seems to have been influenced by Puvis de Chavannes. [Easton and Holroyd, page 13.]

Provence

Some time in 1910, John fell in love with the town of Martigues, in Provence, located half-way between Arles and Marseilles, and first seen from a train en route to Italy. [Easton and Holroyd, page 64.] John wrote that Provence ‘had been for years the goal of my dreams’ and Martigues was the town for which he felt the greatest affection. ‘With a feeling that I was going to find what I was seeking, an anchorage at last, I returned from Marseilles, and, changing at Pas des Lanciers, took the little railway which leads to Martigues. On arriving my premonition proved correct: there was no need to seek further.’’ [ [http://www.tate.org.uk/servlet/ViewWork?workid=7119&searchid=8911&roomid=2639&tabview=text From the Tate Collection] ] The connection with Provence continued until 1928, by which time John felt the town had lost its simple charm, and he sold his home there. [Easton and Holroyd, page 184.]

He was, throughout his life, particularly interested in the Roma people (whom he referred to as "Gypsies"), and sought them out on his frequent travels around the United Kingdom and Europe. For a time, shortly after his marriage, he and his family, which included his wife Ida, mistress Dorothy (Dorelia) McNeill, and Johns' children by both women, travelled in a caravan, in gypsy fashion. [Easton and Holroyd, pages 12-13.]

War

During World War I, he was attached to the Canadian forces as a war artist and made a number of memorable portraits of Canadian infantrymen. The end result was to have been a huge mural for Lord Beaverbrook and the sketches and cartoon for this suggest that it might have become his greatest large-scale work. However, like so many of his monumental conceptions, it was never completed. As a war artist, he was allowed to keep his facial hair and therefore, he and King George V were the only officers in the Allied forces to have a beard. [Shone, Richard, "Augustus John", page 15. Phaidon, 1979.] After two months in France he was sent home in disgrace after taking part in a brawl. [ [http://www.bbc.co.uk/dna/h2g2/A622522 'Woman Smiling', BBC] ] Lord Beaverbrook, whose intervention saved John from a court-martial, sent him back to France after he had produced a series of studies for the prospective Canadian War Memorial picture, although the only major work to result from the experience was "Fraternity". [Easton and Holroyd, pages 26, 162.]

Portraits

Although well-known early in the century for his drawings and etchings, the bulk of John's later work consisted of portraits, some of the best of which were of his two wives and his children. He was known for the psychological insight of his portraits, many of which were considered "cruel" for the truth of the depiction. Lord Leverhulme was so upset with his portrait that he cut out the head (since only that part of the image could easily be hidden in his vault) but when the remainder of the picture was returned by error to John there was an international outcry over the desecration. [James Joyce complained that John's drawings of him "failed to represent accurately the lower part of his face", and commenting on Lady Ottoline Morrell's determination to hang her portrait in her drawing-room, John observed "Whatever she may have lacked, it wasn't courage." Easton and Holroyd, pages 186, 82.]

By the 1920s John was Britain's leading portrait painter. John painted many distinguished contemporaries, including T. E. Lawrence, Thomas Hardy, W. B. Yeats, Lady Gregory, Tallulah Bankhead, George Bernard Shaw, the cellist Guilhermina Suggia, the Marchesa Casati and Elizabeth Bibesco. Perhaps his most famous portrait is of his fellow-countryman, Dylan Thomas.

It was said that after the war his powers diminished as his bravura technique became sketchier. [Easton and Holroyd, page 24.] One critic has claimed that "the painterly brilliance of his early work degenerated into flashiness and bombast, and the second half of his long career added little to his achievement." "However, from time to time his inspiration returned, as it did on a trip to Jamaica in 1937. [ [http://www.liverpoolmuseums.org.uk/picture-of-month/displayPicture.asp?id=36&venue=2 "The Two Jamaican Girls", by Augustus John (1878 - 1961)] ] The works done in Jamaica between March and May of 1937 evidence a resurgence of his powers, and amounted to "the St. Martin's summer of his creative genius". [Easton and Holroyd, page 194.]

Of his method for painting portraits John explained: [Easton and Holroyd, page 156.]

Family

Early in 1900, he married his first wife, Ida Nettleship (1877 – 1907), with whom he had five children. After her death in 1907, his mistress Dorothy "Dorelia" McNeill took her place and later became his second wife, with whom he had two children. One of his sons (by his first wife) was the prominent British Admiral and First Sea Lord Sir Caspar John. By Ian Fleming's widowed mother, Evelyn Ste Croix Fleming née Rose, he had a daughter, Amaryllis Fleming (1925 – 1999), who became a noted cellist. Another of his sons is the television director Tristan de Vere Cole noted for his contributions to TV series from the Sixties to the Eighties. His son Romilly (1906-1986) was in the RAF, briefly a civil servant, then a poet, author and an amateur physicist.

Later life

In later life, John wrote two volumes of autobiography, "Chiaroscuro" (1952) and "Finishing Touches" (1964). [Easton and Holroyd, pages 41-2.] In old age, although John had ceased to be a moving force in British art, he was still greatly revered, as was demonstrated by the huge show of his work mounted by the Royal Academy in 1954. He continued to work up until his death in Fordingbridge, Hampshire in 1961, his last work being a studio mural in three parts, the left hand of which showed a Falstaffian figure of a French peasant in a yellow waistcoat playing a hurdy gurdy while coming down a village street. It was Augustus John's final wave goodbye.

He joined the Peace Pledge Union as a pacifist in the 1950s, and on 17 September 1961, just over a month before his death, he joined the Committee of 100's anti-nuclear weapons demonstration in Trafalgar Square, London. At the time, his son, Admiral Sir Caspar John was First Sea Lord and Chief of Naval Staff.

He is said to have been the model for the bohemian painter depicted in Joyce Cary's novel "The Horse's Mouth", which was later made into a 1958 film of the same name with Alec Guinness in the lead role.

Michael Holroyd published a biography of John in 1975 and it is a mark of the public's continued interest in the painter that Holroyd published a new version of the biography in 1996.

Honours

He became a leader of the New English Art Club, where he chiefly exhibited. With his vivid manner of portraiture and his ability to catch unerringly some striking and usually unfamiliar aspect of his subject, he superseded Sargent as England's fashionable portrait painter. In 1921 he was made a member of the Royal Academy.

See also

* Vernon Watkins

References

External links

* [http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=1362&page=1 Augustus John collection at the Tate Gallery]
* [http://www.npg.org.uk/live/search/person.asp?search=sa&LinkID=mp02437&role=art Augustus John collection at the National Portrait Gallery London]
* [http://www.museumwales.ac.uk/en/art/online/?action=show_works&item=407&type=artist Augustus John collection at the National Museum Wales]
* [http://www.bbc.co.uk/wales/arts/sites/art/pages/gwen_augustus_john.shtml Article about Gwen and Augustus John in BBC Wales]
* [http://fineart.ac.uk/works/sl020/ John's prize-winning painting Study for Moses and the Brazen Serpent]
* [http://jssgallery.org/Other_Artists/Augustus_John/Elizabeth_Asquith_1919.html Portraits of Elizabeth Asquith by John and others]
* [http://www.robotwisdom.com/jaj/img/1930d.jpgJohn's sketch of the writer, James Joyce]
* [http://libcom.org/history/john-augustus-1878-1961 John's connection with the anarchist movement from libcom.org]