Michael Corris

</ref>

Michael Corris is an artist, art historian and writer on art. He is currently Professor and Chair of the Division of Art, Meadows School of the Arts, Southern Methodist University, Dallas, Texas.^[1] Previously, Corris held the post of Professor of Fine Art at the Art and Design Research Center, Sheffield Hallam University (Sheffield, UK). From 2005-6, he was a Visiting Professor of Art Theory at the Bergen Art Academy (Bergen, Norway).

Corris received his baccalaureate and masters degrees in the United States, studying studio art and art history at Brooklyn College under Harry Holtzman, Jimmy Ernst, Walter Rosenblum, Sylvia Stone, Philip Pearlstein and Carl Holty; and later, painting and art theory at the Hoffberger School of Painting, Maryland Institute College of Art under Grace Hartigan and the poet, Emmanuel Navaretta. In 1970, Corris was awarded a scholarship to attend the prestigious summer program in art at the Skowhegan School of Painting and Sculpture, where he had contact with Kenneth Noland, Jacob Lawrence, Brice Marden and David Diao. For his research on the work of Ad Reinhardt, Corris was awarded a PhD in the History of Art in 1996 by University College London.

Corris began working in late-1971 with the Conceptual art group, Art & Language, in New York; his work was published in 1973 in the group’s journal, Art-Language.^[2] With Mel Ramsden, Ian Burn, Joseph Kosuth, Sarah Charlesworth and others, Corris was a founding editor of The Fox; an artists-run journal that addressed the political and social dimensions of contemporary artistic practice.

Following the dissolution of Art & Language in New York in late-1976, Corris continued to pursue his artistic practice, dividing his energies between the production of artist's books inspired by typographic design and lecturing and writing on contemporary art and art theory[1]. As a member of Art & Language and as an individual artist, Corris's work has been widely exhibited internationally and is part of the permanent collection of, among others, the Museum of Modern Art (New York), the Whitney Museum of American Art (New York), the Victoria and Albert Museum(London), Le Consortium (Dijon) and the J. P. Getty Museum (Los Angeles)[2].

Corris lectures and publishes on the subject of late-modern and contemporary art [3]. Corris’s art criticism has been widely published in journals and magazines devoted to modern and contemporary art, such as Art Monthly, Artforum, FlashArt, Art History, art+text and Mute. In addition, his critical writings have been included in several collections, most notably Alex Alberro and Blake Stimson (eds), Conceptual Art: A Critical Anthology (MIT Press) [4] and John Roberts (ed), Art Has No History! (Verso Press).

Corris's most recent publications include: Conceptual Art: Theory, Myth and Practice (Cambridge University Press, 2004)[5], monographs on David Diao (TimeZone8 Books, Beijing, 2005) and Ad Reinhardt (Reaktion Books, London, 2008), Non-Relational Aesthetics (Artwords Press, 2008)(with Dr Charlie Gere), and Art, Word and Image: 2,000 Years of Visual/Textual Interaction (Reaktion Books, London, 2010)(with John Dixon Hunt and David Lomas)[6][7].

In April, 2010, Corris founded the Free Museum of Dallas; a project and exhibition space occupying his office at SMU [8].

References

1. ^ "Michael Corris Named New Chair of Division of at Art". SMU. 1 October 2009. http://www.smu.edu/Meadows/NewsAndEvents/2009/091001-Corris.aspx. Retrieved 19 January 2011. 
2. ^ Baldwin, Michael; Dreher, Thomas (3 January 2005). "Blurting in A & L". http://blurting-in.zkm.de/. Retrieved 19 January 2011. 

Selected Bibliography

Books

Charles Harrison, Essays in Art & Language. Oxford: Blackwell, 1991

Greg Sholette and Blake Stimson, eds., Collectivism After Modernism. Minneapolis, MN: University of Minnesota Press, 2006

Paul Wood, Conceptual Art. London: Tate Publishing, 2002

David Craven, Abstract Expressionism as Cultural Critique: Dissent During the McCarthy Period. Cambridge Studies in American Visual Culture. Cambridge: Cambridge University Press, 1999

Blake Stimson, “The Promise of Conceptual Art,” in Alexander Alberro and Blake Stimson (eds), Conceptual Art: A Critical Anthology. Cambridge, MA: MIT Press, 1999Tony Godfrey, Conceptual Art. London: Phaidon Press, 1998

John A. Walker, Cultural Offensive: America’s Impact on British Art Since 1945. London: Pluto Press, 1998

Thomas Dreher, Konzeptuelle Kunst in Amerika und England Zwischen 1963 und 1976. Frankfurt: Lang, 1992

Deborah Wye, Committed to Print. New York: Museum of Modern Art, 1988

Clive Phillpot, The Art Press. London: Victoria and Albert Museum, 1976

Journal Articles

Sanda Miller, Review: Ad Reinhardt, The Burlington Magazine, no. 1264 (July 2008)

Chris Gilbert, “Review: Blurting in Art & Language Online,” MUTE, no. 25 (November 2002-May 2003): 131-32

Alex Alberro, “The Fox: One Year Under the Mast,” Artforum (Summer 2003): 162-42, 206

External links

• www.freemuseumofdallas.com
• Michael Corris Papers of the Art & Language New York Group, 1965-2002. Getty Research Institute, Los Angeles, California. The collection documents the activities of the conceptual art group Art & Language New York.

Persondata
Name	Corris, Michael
Alternative names
Short description
Date of birth
Place of birth
Date of death
Place of death