- Joachim Raff
.
Biography
Raff was born in Lachen in
Switzerland . He was largely self-taught in music, studying the subject while working as a schoolmaster. He sent some of his piano compositions toFelix Mendelssohn who recommended them toBreitkopf and Härtel for publication. They were published in 1844 and received a favourable review inRobert Schumann 's journal, the "Neue Zeitschrift für Musik ", which prompted Raff to go toZürich and take up composition full time.In 1845, Raff walked to
Basel to hearFranz Liszt play the piano. After a period inStuttgart where he became friends with the conductorHans von Bülow , he worked as Liszt's assistant atWeimar from 1850 to 1853. During this time he helped Liszt in theorchestration of several of his works, claiming to have had a particularly big part in orchestrating thesymphonic poem "Tasso". In 1851, Raff'sopera "König Alfred" was staged in Weimar, and five years later he moved toWiesbaden where he largely devoted himself to composition. From 1877 he was the first Director of, and a teacher at, theHoch Conservatory inFrankfurt am Main . There he employedClara Schumann and a number of other eminent musicians as teachers, and established a class specifically for female composers (this was at a time when women composers were not taken very seriously). His pupils there includedEdward MacDowell andAlexander Ritter . He died inFrankfurt am Main .Raff was very prolific, and by the end of his life was one of the best known German composers, though his work is largely forgotten today (only one of his pieces, a
cavatina for violin and piano, is performed with any regularity today, sometimes as an encore). He drew influence from a variety of sources - his eleven symphonies, for example, combine the Classical symphonic form, with the Romantic penchant forprogram music and contrapuntal orchestral writing which harks back to the Baroque. Most of these symphonies carry descriptive titles including "In the Forest" (number three), "Lenore" (No. 5) and "To the Fatherland" (No. 1), a very large-scale work lasting around seventy minutes. His last four symphonies make up a quartet of works based on the four seasons.The "Lenore" symphony, famous in its time, was inspired by a
ballad byGottfried August Bürger that also inspired works by several other composers, includingMaria Theresa von Paradis (1789), Henri Duparc,Franz Liszt (late 1850s, mentioned by Alan Walker in his Liszt biography vol. 2), for example.Raff also composed in most other genres, including
concerto s,opera ,chamber music and works for solo piano. His chamber works include twopiano sonata s, fiveviolin sonata s, acello sonata , apiano quintet , twopiano quartet s, astring sextet and fourpiano trio s. Many of these works are now commercially recorded. He also wrote numerous suites, some for smaller groups (there are suites for piano solo and suites for string quartet), some for orchestra and one each for piano and orchestra and violin and orchestra.Works
Raff's works include:
Symphonies
* Symphony No. 1 in D major, Op. 96 "An das Vaterland"
* Symphony No. 2 in C major, Op. 140
* Symphony No. 3 in F major, Op. 153 "Im Walde"
* Symphony No. 4 in G minor, Op. 167
* Symphony No. 5 in E major, Op. 177 "Lenore"
* Symphony No. 6 in D minor, Op. 189 "Gelebt, Gestrebt, Gelitten, Gestritten, Gestorben, Umworben"
* Symphony No. 7 in B flat major, Op. 201 "In den Alpen"
* Symphony No. 8 in A major, Op. 205 "Frühlingsklänge"
* Symphony No. 9 in E minor, Op. 208 "Im Sommer"
* Symphony No. 10 in F minor, Op. 213 "Zur Herbstzeit"
* Symphony No. 11 in A minor, Op. 214 "Der Winter"Concertos
*Konzertstück "La Fée d'amour", for violin and orchestra Op. 67
*Konzertstück "Ode au printemps" in G major, for piano and orchestra, Op. 76
*Violin Concerto No. 1, Op. 161
*Suite for Violin and Orchestra, Op. 180
*Piano Concerto in C minor, Op. 185 (Allegro; Andante; Finale: Allegro)
*Cello Concerto No. 1, Op. 193
*Suite for Piano and Orchestra in E-flat, Op. 200
*Cello Concerto No. 2, WoO. 45
*Violin Concerto No. 2, Op. 206Suites
*Suite for Orchestra No. 1, Op. 101
*Italian Suite for Orchestra, WoO. 36
*Suite for Orchestra No. 2 "In ungarischer Weise", Op. 194
*Suite for Orchestra "Aus Thüringen", WoO. 46Other orchestral works
*Orchestral pieces, Op. 85
*Jubilee overture, Op. 103
*Festival overture, Op. 117
*Concert overture, Op. 123
*"A mighty fortress is our God:" Overture to a drama about the Thirty Years War, Op. 127
*Rhapsody for Orchestra "Abends", Op. 136b
*Festival March, Op. 139
*Sinfonietta, Op. 188
*Elegy for Orchestra, WoO. 48
*Orchestral Prelude to Shakespeare's "The Tempest", WoO. 50
*Orchestral Prelude to Shakespeare's "Macbeth", WoO. 51
*Orchestral Prelude to Shakespeare's "Romeo and Juliet", WoO. 52
*Orchestral Prelude to Shakespeare's "Othello", WoO. 53
*Grand Fugue for Orchestra, WoO. 57
*Overture to "Benedetto Marcello"
*Overture to "La Parole"
*Overture to "Dame Kobold"
*Orchestration of Bach's Chaconne from Violin Partita No. 2Chamber Music
*String Quartet No. 1, Op. 77
*String Quartet No. 2, Op. 90
*Piano Trio No. 1, Op. 102
*Piano Quintet, Op. 107
*Piano Trio No. 2, Op. 112
*String Quartet No. 3, Op. 135
*String Quartet No. 4, Op. 136
*String Quartet No. 5, Op. 137
*Piano Trio No. 3, Op. 155
*Piano Trio No. 4, Op. 158
*String Octet, Op. 176
*String Sextet, Op. 178
*Sinfonietta for 10 Wind Instruments, Op. 188 (2fl, 2ob, 2cl, 2bn, 2hn)
*String Quartet No. 6, Op. 192 No. 1 "Suite in Ancient Style"
*String Quartet No. 7, Op. 192 No. 2 "The Maid of the Mill" [Die Schŏne Mŭllerin]
*String Quartet No. 8, Op. 192 No. 3 "Suite in Canon Form"
*Piano Quartet No. 1, Op. 202 No. 1
*Piano Quartet No. 2, Op. 202 No. 2External links
*An encyclopedic site devoted to Raff's works, with reviews, sound clips, and discussion forums [http://www.raff.org Raff.org]
* [http://www.editionsilvertrust.com/music-books-n-to-r.htm Sound-bites from String Quartet Nos.1 & 7, String Octet, and Piano Trio Nos.3 & 4]Sheet music
*
*IckingArchive|idx=Raff|name=Joachim RaffRecordings
* Kunst der Fuge: [http://kunstderfuge.com/classical/r.htm#Raff Johann Joachim Raff - MIDI files]
* [http://valentinaseferinova.com Valentina Seferinova] : Solo Piano: Trois Morceaux Op. 2 (1877); Fantasie Sonata Op. 168 in D minor (1871); Grande Sonate Op. 14 in E flat minor (2nd version - 1881) - CD Cameo-Classics CC9024CD
Wikimedia Foundation. 2010.