- St. Annen Museum
The monastery of Saint Annen in
Lübeck -Germany is a former monastery of theAugustinians . It is now part of the Lübeck's museum for history of art and culture. It is located near theSaint Giles Church and next to thesynagogue in the south eastern town of Lübeck.History of the Building
The monastery and the associated church, which was constructed rather quirkily due to lack of space, were built 1502 - 1515 in late brick gothic style. The monastery was used mainly for the accommodation of unmarried women who were citizens in Lübeck. Following the suggestion of Lübeck's bishop the monastery and the church were consecrated to
Saint Anna . A few years later the monastery was closed during thereformation , in 1532 the last of the nuns left. In 1610 a poorhouse was established, later, parts of the monastery were used as a prison. For this purpose another wing was built in 1778, the so called "Spinnhaus" (Spin house). The care for the poor and the prisoners existed under the one umbrella.In 1843 parts of the monastery and the church were burnt out. During the restoration of the monastery building, the church was torn down except for a few fragments that stayed in ruin.
Most of the rooms on the ground floor of the monastery are preserved in their original condition: the
cloister , the refectories, the "Remter" (the largest room of the monastery, probably the working and day room of the nuns, from 1733 the refectory of the poorhouse), thechapter house , and thesacristy of the monastery church. In the south western corner of the cloister is the calefactory.Museum for history of art and culture
In 1912 the senate of the Hanseatic city decided to reconstruct the monastery into a museum. This caused changes of the ground plan in order to adopt floorboards and wainscots of private town-houses. The opening of the museum took place in 1915 with some delay due to
World War I . From 1920 to 1933, Carl Georg Heise managed the museum. In this era the acquisition of theBehnhaus and the assembly of its collection took place.Collections
acral art of the Middle Ages
Thanks to an early decree of the senate for the preservation of "Memorials of the Antiquity and Art" (1818) and the resulting collection practice of Carl Julius Milde in the 19th century, the museum houses the largest collection of medieval
polyptych s (altarpiece s) inGermany . It possesses the "Grönauer Altar", the only preserved gothic high altar of a church in Lübeck. The other preserved altars mostly were donated byguild s ormerchant s to monastery churches, e.g. to the church of the castle monastery or to the Saint Catherine Church. Among them are
*the altar of Luke, made by the painterHermen Rode ,
*the altar of the traveller toScania , made byBernt Notke ,
*the altar of Saint Anthony, made byBenedikt Dreyer ,
*the altar of passion, made byHans Memling and was originally donated to theLübeck Cathedral by the Greverade family, and finally
*a private altar, thetryptych of the councilman Hinrich Kerckring, made byJacob van Utrecht , which found its adventurous way from the collection of Friedrich Wilhelm Brederlo inRiga to Lübeck.Another outstanding piece is the "Group ofSaint George " (1504), which was initially made for the "Saint Jürgen chapel" at the "Ratzeburger Allee" by the sculptor Henning von der Heyde. The work of Hans Kemmer, a pupil of Cranach, embodies the changes of thereformation and theRenaissance in Lübeck.Besides the carved and painted objects, the museum also shows – like a
lapidary – sculptures of the Romanesque and the Gothic, the most precious piece is the "Madonna of Niendorf", which was made by Johannes Junge and was found in 1926 in a barn in Lübeck-Niendorf. Also remarkable is theParable of the Ten Virgins , which was initially set up in the church of the castle monastery.The Memling-Altar in LübeckCouncil, guild, and church silverware
A special collection of representative cups, goblets, pots, utility objects and derivative pieces give praise to the high technical skills of Lübeck's gold and silversmiths and the wealth of their customers. The date of origin for these objects is generally presumed to be after the reformation, due to Lübeck's mayor
Jürgen Wullenwever ordering the melting down of medieval silverware in order to finance the war againstDenmark (Count's Feud ).Lübeck's home decor
The development of the middle-class home decor from the
Renaissance to theClassicism can be seen in several rooms, which are partially made of Lübeck's private town-houses. In front of the background of contemporary art — amongst others byGodfrey Kneller andThomas Quellinus , who made the bust of the councilman Thomas Fredenhagen in the baroque high altar of St. Mary's Church —, which reflects the taste of Lübeck's citizens, and the appropriate decor, made of porcelain byFürstenberg and Meissen, one can well emphasize the depicted era. The greatest influence has a completely conserved baroque floorboard made in 1736. Annexed to this part of the exhibition is a special collection ofFaience fromNorthern Germany in the upper floor, emphasizing themanufacture s inKellinghusen ,Stockelsdorf , andStralsund . Further, a collection oftoy s sheds light on past time activities of young Hanseatics. But the oldesthobby horse of the museum is within a group of children on the "Altar der Gertrudenbrüderschaft der Träger" (around 1509), which originates from the circle of Henning von der Heyde.Chamber of paraments
Surely another area worth noting is the chamber of
parament s, which exhibits old liturgical clothes of some of Lübeck's churches and the main part of the parament treasure of St. Mary's Church inGdańsk .Photo collection
Among the treasures that are not shown to the public is a collection of
photograph s. The collection was built up during the 1920s by Carl Georg Heise; included are approx. 450 artistic photos, among them are 212 photos byAlbert Renger-Patzsch . It is the "Collection Showing the History of Photography" and the "Collection of Ideal Photography". Both collections were not continued after Heise's resignation in 1933 and fell in oblivion for a long time. A few years ago they were brought back into circulation, because the "Collection of Ideal Photography" is the most comprehensive collection of photographs of theNew Objectivity in German (amongst others are works are opus by Renger-Patzsch,Hugo Erfurth , Umbo, andRobert Petschow ).Kunsthalle St. Anna
Besides the St.Annen museum the monastery also contains the "
Kunsthalle St. Anna". The architecture of the Kunsthalle, which was built modernly in 2004 and has the ruins of the former church and the monastery that burnt down in 1843, was a gift of thePossehl Foundation . In 2003 the architecture of the Kunsthalle, which was planned by the architects "Konermann Siegmund" fromHamburg /Lübeck , received the quadrennial star prize of the "Bund Deutscher Architekten" (Federation of German Architects) ofSchleswig-Holstein . The Kunsthalle exhibitsmodern art of the 20th century.Emphasis on self-portraits of modernity
In September 2005, through the medium of
Björn Engholm , the Kunsthalle St. Annen received the inimitable collection of Leonie von Rüxleben (1920-21/9/05). This collection is the largest of its type in Germany. This collection enables the Kunsthalle to show approx. 1300self-portrait s ofmodernity in different exhibitions. But recently there appeared a conflict between the heirs of von Rüxleben and the museum's administration concerning the management of the inheritance.Exhibitions
* "Exil und Moderne" (Exile and Modernity): 50 classical exhibits of classical modernity from the collection of the
Washington University inSt. Louis ,Missouri ,September 4 2005 andJanuary 29 2006 .Bibliography
* Karl Schaefer, "Führer durch das Museum für Kunst- und Kulturgeschichte zu Lübeck", 1915
* Max Hasse, "Der Lübecker Passionsaltar Hans Memlings als Denkmal mittelalterlicher Frömmigkeit" in: "Vom Lübecker Dom", Lübeck 1958, p. 33 ff
* Wolfgang J. Müller, "Lübeck um 1250 - Kunsthistorische Betrachtungen zum neuen Stadtmodell" in: "Politik, Wirtschaft und Kunst des staufischen Lübeck", Lübeck 1976, p. 51 ff
* Jürgen Wittstock [Ed.] , "Kirchliche Kunst des Mittelalters und der Reformationszeit: die Sammlung im St.-Annen-Museum" (Museum catalogues of Lübeck, Vol. 1). Lübeck: Museum für Kunst u. Kulturgeschichte, 1981, ISBN 3-9800517-0-6
* Hildegard Vogler, "Madonnen in Lübeck", Museum für Kunst und Kulturgeschichte, Lübeck 1993
* "Die neue Sicht der Dinge". Carl Georg Heise's collection of photographs from the 1920s. Catalogue of the exhibition 1995, published by the Hamburger Kunsthalle and the Museum für Kunst und Kulturgeschichte of the Hanseatic city Lübeck.
* Anna Elisabeth Albrecht: "Steinskulptur in Lübeck um 1400: Stiftung und Herkunft." Reimer: Berlin 1997. ISBN 3-496-01172-6
* Hildegard Vogler, "Das Triptychon des Hinrich und der Katharina Kerckring von Jacob van Utrecht", Museum für Kunst und Kulturgeschichte, Lübeck 1999
* Ulrich Pietsch, "Die Lübecker Seeschiffahrt vom Mittelalter zur Neuzeit", Lübeck 1982, ISBN 3-9800517-1-4 (exhibition catalogue)
* Thorsten Rodiek, "Kunsthalle St. Annen in Lübeck" Ed. Herbert Perl, Junius Verlag Hamburg 2003, ISBN 3-88506-537-1
* Uwe Albrecht, Jörg Rosenfeld, and Christiane Saumweber: "Corpus der Mittelalterlichen Holzskulptur und Tafelmalerei in Schleswig-Holstein, Band I: Hansestadt Lübeck, St. Annen-Museum". Kiel: Ludwig, 2005. ISBN 3933598753External links
in German
* [http://www.luebeck.de/tourismus_freizeit/sehenswuerdigkeiten/objekte/stannen.html St. Annen Museum]
* [http://www.initiativefortbildung.de/pdf/provenienz2004/walter.pdf Restitution of Looted Art in Lübeck]In German and English
* [http://www.museen-sh.de/ml/digicult.php?mab_id=10010000849 Exhibits of the St. Annen Museums within the portal of museums in Schleswig-Holstein]
* [http://www.museen-sh.de/ml/digicult.php?mab_id=10010001669 Exhibits of the St. Annen Museums within the portal of museums in Schleswig-Holstein]In English
* [http://www.sacred-destinations.com/germany/eisleben-st-annen-anne-church.htm Sacred Destinations Travel Guide for St. Annen ]
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