Miller (typeface)

Miller (typeface)
Miller font.png
Category Serif
Classification Transitional serif
Designer(s) Matthew Carter
Foundry Font Bureau
Date released 1997

Miller is a transitional serif typeface released in 1997 by the Font Bureau, a U.S.-based digital type foundry. It was designed by Matthew Carter, based on the "Scotch Roman" style which originates from types cut by Richard Austin in Scottish type foundries in the early 19th century.

The general purpose versions of Miller are Miller Text and Miller Display, though since their release they have given rise to a number of variants, including Miller Daily, Miller Headline and Miller Banner, as well as some variants commissioned for use in specific publications. The Miller family is widely used, mostly in newspapers and magazines.

Contents

Background

The Miller family was designed by Matthew Carter and developed by Carter with the assistance of the Font Bureau's Tobias Frere-Jones and Cyrus Highsmith,[1] and the encouragement of James Mosley, a librarian at St Bride Library.[2]

Miller is a "Scotch Roman"—a style which originated in types cut by Richard Austin at the Scottish type foundries of Alexander Wilson and William Miller in the period of 1810–1820.[3] Although Miller remains faithful to the Scotch Roman style (for example, in having both roman and italic small caps), it is not based on any single historical example.[4] Mosley described Carter's revival of Miller as follows:

Matthew Carter's Miller is not a facsimile of Miller's Scotch Roman, any more than his Galliard was a facsimile of any one type by Robert Granjon. What it has done is to capture the good color, and the generous breadth and modelling of its model, and to bring a valid version of 'Scotch Roman' back into current use after a lapse [in England] of some decades. Miller was made with current production needs in mind, of which the two versions, 'Display' and the more robust 'Text' versions are evidence, and so is its relatively large x-height.[5]

Variants

As well as the general purpose versions of Miller, Miller Text and Miller Display, numerous variants designed by Carter and others have been added to the Miller family. Variants include:

  • Miller Daily is an expanded series of Miller News, an adaptation of Miller designed by Carter for The Guardian.[6] It was released by the Font Bureau in 2002 alongside the Miller Headline series.[5]
  • Miller Headline was designed by Carter and Highsmith specifically for use in newspaper headlines.[7] It was released by the Font Bureau in 2002 with the Miller Daily series.[5]
  • Miller Banner was designed by Richard Lipton for use in large settings, over 100 points. It has sharper hairlines and softer contrast.[8]

Usage

Miller and its variants are widely used in newspapers, magazines and other publications around the world. Miller Daily is used for body copy in The Washington Post,[3] while Miller Banner features in Glamour magazine.[8] Another Miller variant, Miller News, was commissioned by Simon Esterson of The Guardian for his 1998 redesign of the newspaper,[9][10] Miller Globe was designed for The Boston Globe,[11] and Bibliographical Miller was commissioned by the University of California, Los Angeles for use in its Aldine Press incunable collection.[2] The Miller family has also been used in the National Post, The Straits Times, The Dallas Morning News, Hindustan Times and the San Jose Mercury News.[5]

A 2005 survey by Ascender Corporation found Miller to be the tenth most popular typeface featured in American newspapers.[12] As of 2010, it is Carter's biggest source of royalties amongst the fonts to which he owns the rights.[13]

References

  1. ^ Kegler, Richard; Grieshaber, James; Riggs, Tamye (2002). Indie fonts: a compendium of digital type from independent foundries. 1 (Illustrated ed.). Rockport Publishers. pp. 80–81. ISBN 1592531237. 
  2. ^ a b "Matthew Carter's Type Revivals Talk at the TDC". APHA Newsletter (American Printing History Association) (173). 2010. http://www.printinghistory.org/publications/newsletter/APHA-newsletter-173.pdf. Retrieved January 22, 2011. 
  3. ^ a b Lew, Kent (October 29, 2009). "New Faces in Washington". Font Bureau. http://type101.fontbureau.com/new-faces-in-washington/. Retrieved January 22, 2011. 
  4. ^ "Miller". FontShop. http://www.fontshop.com/fontlist/families/miller/. Retrieved January 22, 2011. 
  5. ^ a b c d "Font Bureau Announces Miller Daily & Miller Headline". Font Bureau. November 10, 2002. http://www.fontbureau.com/news/2002/11/miller-daily-and-headline/. Retrieved January 22, 2011. 
  6. ^ "Miller Daily". Font Bureau. http://www.fontbureau.com/fonts/MillerDaily/. Retrieved January 22, 2011. 
  7. ^ "Miller Headline". Font Bureau. http://www.fontbureau.com/fonts/MillerHeadline/. Retrieved January 22, 2011. 
  8. ^ a b "Miller Banner". Font Bureau. http://www.fontbureau.com/fonts/MillerBanner/. Retrieved January 22, 2011. 
  9. ^ Schwartz, Christian. "Guardian Text Egyptian". www.christianschwartz.com. http://www.christianschwartz.com/gdntegyp.shtml. Retrieved January 22, 2011. 
  10. ^ Glaister, Dan (April 19, 1999). "Design to create pages people want to read". The Guardian. http://www.guardian.co.uk/uk/1999/apr/19/danglaister. Retrieved January 22, 2011. 
  11. ^ Apple, Charles (September 18, 2010). "A profile on typeface designer Matthew Carter". American Copy Editors Society. http://apple.copydesk.org/2010/09/18/a-profile-on-typeface-designer-matthew-carter/. Retrieved January 22, 2011. 
  12. ^ Berry, John D. (January 10, 2005). "Front-Page Fonts". www.creativepro.com. http://www.creativepro.com/node/59125. Retrieved January 22, 2011. 
  13. ^ "The most-read man in the world". The Economist. December 2, 2010. http://www.economist.com/blogs/babbage/2010/12/doyen_type_design. Retrieved January 22, 2011. 

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