- All Tomorrow's Parties (novel)
-
All Tomorrow's Parties 
Cover of the British edition.Author(s) William Gibson Country United Kingdom Language English Series Bridge trilogy Genre(s) Postcyberpunk Publisher Viking Press Publication date October 7, 1999 Media type Print (hardback and paperback) Pages 320 ISBN 0670875570 OCLC Number 42136184 Preceded by Idoru All Tomorrow's Parties is the final novel in William Gibson's Bridge trilogy.[1] Like its predecessors, All Tomorrow's Parties is a speculative fiction novel set in a postmodern, dystopian, postcyberpunk future. The novel borrows its title from that of a song by Velvet Underground. It is written in the third-person and deals with Gibsonian themes of emergent technology.
Contents
Plot summary
The book has three separate but overlapping stories, with the repeated appearance of shared characters. The San Francisco/Oakland Bay Bridge, the overarching setting of the trilogy, functions as a shared location of their convergence and resolution.
The first story features former rent-a-cop Berry Rydell, the protagonist of Virtual Light. Rydell quits a temporary job as a security guard at the Lucky Dragon convenience store to run errands for atrophied computer hacker Colin Laney (the protagonist of Idoru), who lives in a cardboard box in a subway in Shinjuku, Tokyo. As a child, Laney was the subject of pharmaceutical trials, which damaged his nervous system.[2] As a result, he suffers from a form of attention deficit disorder but gains ability to discern nodal points in the undifferentiated flow of information, and hence a certain predictive faculty.[3] This makes him ideal for the role of "netrunner" or data analyst.[2] A side effect of 5-SB, the drug administered to Laney, causes the user to become attached to strong personalities. As a result, Laney has become obsessed with media baron Cody Harwood of Harwood/Levine, a powerful public relations firm.[4] He spends his life surfing the net from his enclave in the subway, searching for traces of Harwood in the media. From this, Laney foresees a crucial historical shift which may precede the end of the world. He predicts that Harwood, who had also taken 5-SB before (albeit voluntarily, with the knowledge of the consequences), knows this and will try to shape this historical shift to his liking. To stop Harwood, Laney hires Rydell under the guise of a courier to travel to San Francisco where he believes the next nodal point will unfold.
The second story concerns ex-bicycle messenger Chevette Washington, also from Virtual Light, who is on the run from her ex-boyfriend. She escapes to her former home, San Francisco's bridge community, to find refuge and revisit her past. She is accompanied by Tessa, an Australian media sciences student who visits the bridge to film a documentary on "interstitial communities".
The third story follows a mysterious, left-handed swordsman named Konrad. Although Konrad is employed by Harwood, he appears to be directed by his own motives. In particular, Konrad aligns his movements with the Tao, the spontaneous, universal energy path of Taoist philosophy.
Characters
- Colin Laney – Data analyst with an ability to sense nodal points (previously appeared in Idoru).
- Chevette Washington – an ex-bike messenger who lived on the Bridge for several years and is on the run from an abusive boyfriend (Virtual Light).
- Berry Rydell – A rent-a-cop and former lover of Chevette who is working as a security guard at a convenience store Lucky Dragon in Los Angeles (Virtual Light).
- Shinya Yamazaki – Self-described "student of existential sociology" (Virtual Light, Idoru).
- The Suit – an impoverished ex-salaryman who lives in the Tokyo subway and repaints his suit daily instead of purchasing a fresh one.
- Konrad – Taoist assassin hired by Harwood.
- Tessa – Chevette's media student roommate, who drives Chevette to the Bridge in her van in order to make a documentary on its inhabitants.
- Boomzilla – A street impresario with designs on Tessa's balloon camera.
- Silencio – A mute savant boy with a fascination with watches.
- Fontaine – A Bridge resident and pawn-shop owner who takes Silencio into his care. (Virtual Light)
- Rei Toei – A holographic idol (the beautiful "emergent system" from Idoru).
- Buell Creedmore - An alcoholic/drug addicted country singer with a short temper and a knack for being in the wrong place at the right time. Although he tries to pass himself off as a native Southerner, he later reveals he was born and raised in New Jersey.
Major themes
Major recurring Gibsonian themes which feature heavily in All Tomorrow's Parties are the sociological impact of emergent technology (notably nanotechnology and artificial intelligence), millennial alienation, the commodification of the counterculture,[5] the existence of nodal points in history (most notably the dawn of the nuclear age in 1911), and the notion of the interstitial.[6][7] The author's fascination with Japanese culture is also exhibited in the novel.[7]
Literary significance and reception
The novel was critically well-received, with particular note given to Gibson's vivid, well-realised setting and dense prose,[8][9] though reviewers found its ending to be anti-climactic.[10][11][12][13] Sci Fi Weekly reviewer Curt Wohleber praised the "precision and economy" of All Tomorrow's Parties in comparison to its sometimes dull predecessors.[10][14]
Gibson scholar Tatiana Rapatzikou located the novel's significance in the fact that it had several motifs, themes and characters in common with Virtual Light and Idoru "without being sequential".[15]
In the words of The Guardian journalist Steven Poole, the novel completed Gibson's development "from science-fiction hotshot to wry sociologist of the near future".[8]
References
- ^ a b Sullivan, James (October 19, 1999). "Bridge To Tomorrow". San Francisco Chronicle. http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/1999/10/19/DD42761.DTL&type=books. Retrieved March 12, 2009.
- ^ a b Botting, Fred (1999). Sex, Machines and Navels. Manchester: Manchester University Press. pp. p.212. ISBN 071905625X.
- ^ Nayar, Pramod (2004). Virtual Worlds. Thousand Oaks: Sage Publications. pp. 118–119. ISBN 0761932291.
- ^ Brusso, Charlene. "The SF Site Featured Review: All Tomorrow's Parties". SF Site. http://www.sfsite.com/11a/all68.htm. Retrieved March 12, 2009.
- ^ Alderman, John. "Apocalypse Later". MetroActive Bench. http://www.metroactive.com/papers/sfmetro/10.25.99/gibson-9941.html. Retrieved March 12, 2009.
- ^ Schabe, Patrick. "All Tomorrow's Parties". PopMatters. http://www.popmatters.com/books/reviews/a/all-tomorrows-parties.shtml. Retrieved March 12, 2009.
- ^ a b Linne, William (December 26, 1999). "William Gibson Hot On the Trail of `Tomorrow'". San Francisco Chronicle. http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/1999/12/26/RV4162.DTL. Retrieved March 12, 2009.
- ^ a b Poole, Steven (October 30, 1999). "Nearing the nodal". The Guardian. guardian.co.uk. http://www.guardian.co.uk/books/1999/oct/30/sciencefictionfantasyandhorror.williamgibson. Retrieved March 12, 2009.
- ^ Powers, Sienna. "Dark Party". January Magazine. http://januarymagazine.com/SFF/gibsonparty.html. Retrieved March 12, 2009.
- ^ a b Wohleber, Curt (October 18, 1999). "All Tomorrow's Parties". Sci Fi Weekly. http://www.scifi.com/sfw/books/sfw4927.html. Retrieved March 12, 2009.[dead link]
- ^ Houston, Frank (October 29, 1999). ""All Tomorrow's Parties" by William Gibson". Salon.com. http://www.salon.com/books/review/1999/10/29/gibson/. Retrieved March 12, 2009.
- ^ Clute, John (October 4, 1999). "Excessive Candour". Science Fiction Weekly 5 (129). http://www.scifi.com/sfw/issue129/excess.html. Retrieved March 12, 2009.[dead link]
- ^ LeClair, Tom (November 21, 1999). "Virtual Novel". The New York Times (The New York Times Company). http://www.nytimes.com/books/99/11/21/reviews/991121.21leclait.html. Retrieved March 12, 2009.
- ^ Burr, Ty (October 29, 1999). "Book Review". Entertainment Weekly. http://www.ew.com/ew/article/0,,271302,00.html.
- ^ Rapatzikou, Tatiana (2004). Gothic Motifs in the Fiction of William Gibson. Amsterdam: Rodopi. p. 175. ISBN 9042017619.
External links
- All Tomorrow's Parties at WilliamGibsonBooks.com
- All Tomorrow's Parties at FantasticFiction.co.uk
- Chapters 1–4 of All Tomorrow's Parties at nytimes.com
William Gibson List of works · List of awards and nominationsNovels Bigend booksOther
Short stories "Fragments of a Hologram Rose" · "Johnny Mnemonic" · "The Gernsback Continuum" · "Hinterlands" · "New Rose Hotel" · "The Belonging Kind" · "Burning Chrome" · "Red Star, Winter Orbit" · "The Winter Market" · "Dogfight" · "Skinner's Room" · Burning Chrome collectionNonfiction Characters Tessier-Ashpool · Molly Millions · Bobby Newmark · Rei Toei · Konrad · Cayce Pollard · Hubertus BigendStory elements Derivative works Categories:- 1999 novels
- Bridge trilogy
- Cyberpunk novels
- Dystopian novels
- Novels by William Gibson
- 1990s science fiction novels
Wikimedia Foundation. 2010.
