Het Loo Palace

Paleis Het Loo
The cour d'honneur and the palace front
General information
Type	Palace
Architectural style	Dutch Baroque
Location	Apeldoorn, Netherlands
Address	Koninklijk Park 1
Coordinates	52°14′03″N 5°56′45″E / 52.234167°N 5.945833°E / 52.234167; 5.945833
Construction started	1684
Completed	1686
Renovated	1976–1982
Technical details
Floor area	36,042 m²
Design and construction
Client	William III of England Mary II of England
Owner	Dutch state
Architect	Jacob Roman Johan van Swieten Daniel Marot

Het Loo and its gardens, more ambitious than they were actually executed, in an early 18th century engraving (watercolor added)

Photograph of the gardens, restored according to Desgotz's design.

The palace, as seen from the gardens

Het Loo Palace (Dutch: Paleis Het Loo, IPA: [pɑlˈɛi̯s ˌɦɛt ˈloʊ̯], meaning "The Woods Palace") is a palace in Apeldoorn, Netherlands. The symmetrical Dutch Baroque building was designed by Jacob Roman and Johan van Swieten and was built between 1684 and 1686 for stadtholder-king William III and Mary II of England. The garden was designed by Claude Desgotz.

The palace was a residence of the House of Orange-Nassau from the 17th century until the death of Queen Wilhelmina in 1962. The building was renovated between 1976 and 1982. Since 1984, the palace is a state museum open for the general public, showing interiors with original furniture, objects and paintings of the House of Orange-Nassau.

Architecture

The Dutch Baroque architecture of Het Loo takes pains to minimize the grand stretch of its construction, so emphatic at Versailles, and present itself as just a fine gentleman's residence. Het Loo is not a palace but, as the title of its engraved portrait (illustration, below) states, a "Lust-hof" (a retreat, or "pleasure house"). Nevertheless, it is situated entre cour et jardin ("between court and garden") as Versailles and its imitators, and even as fine Parisian private houses are. The dry paved and gravelled court, lightly screened from the road by a wrought-iron grill, is domesticated by a traditional plat of box-bordered green, the homey touch of a cross in a circle you'd find in a bougeois garden. The volumes of the palace are rhythmically broken in their massing. They work down symmetrically, expressing the subordinate roles of their use and occupants, and the final outbuildings in Marot's plan extend along the public thoroughfare, like a well-made and delightfully regular street.

Garden

The "Great Garden" lies privately behind. This Dutch Baroque Garden, when miscalled the "Versailles of Holland" serves to show more differences than similarities, still within the Baroque general formula established by André Le Nôtre: perfect symmetry, axial layout with radiating gravel walks, parterres with fountains, basins and statues. The garden as it appears in the engraving (illustration) was designed by Le Nôtre's nephew, Claude Desgotz.^[1] In his military and diplomatic career, William of Orange was the European opponent of Louis XIV, the commander of the combined forces countering those of absolute power and Roman Catholicism. André Le Nôtre's main axis at Versailles, continued by the canal, runs up to the horizon. Daniel Marot and Desgotz's Het Loo garden does not dominate the landscape as Louis' German imitators do, though in his idealized plan (engraving, left), Desgotz extends the axis. The main garden, with conservative rectangular beds instead of more elaborately shaped ones, is an enclosed space surrounded by raised walks, as a Renaissance garden might be, tucked into the woods for private enjoyment, the garden not of a king but of a stadhouder. At its far end a shaded crosswalk of trees disguised the central vista. The orange trees set out in wooden boxes and wintered in an Orangery, which were a feature of all gardens, did double duty for the House of Orange-Nassau.

Outside the garden there are a few straight scenic avenues, for following the hunt in a carriage, or purely for the vista afforded by an avenue. Few of the "green rooms" cut into the woodlands in imitation of the cabinets de verdure of Versailles that are shown in the engraving actually got executed at Het Loo.

The patron of the Sun King's garden was Apollo. Peter the Great would opt for Samson, springing the jaws of Sweden's heraldic lion. William opted for Hercules.

In the 18th century, William III’s baroque garden as seen in the engraving was swept away for a landscape park in the English taste.

Restoration of the garden

In 1960 Queen Wilhelmina declared that when she died the palace would go to the State. She did however request that it would be returned to her family if the Dutch were to abolish the monarchy. The palace became property of the Dutch state in 1962, when Wilhelmina died at Het Loo Palace. After a thorough restoration it now houses a national museum and library devoted to the House of Orange-Nassau in Dutch history. Het Loo also now houses the Museum van de Kanselarij der Nederlandse Orden (Museum of the Chancery of the Netherlands Orders of Knighthood), and books and other material concerning decorations and medals form a separate section in the library.

The lost gardens of Het Loo were fully restored starting in 1970, in time to celebrate its tricentennial in 1984. Its new brickwork, trelliswork and ornaments are as raw as they must have been in 1684 and will mellow with time.

See also

• List of Baroque residences
• De Naald - monument nearby Het Loo

Notes

1. ^ Two proposals by Desgotz for the Great Garden, one substantially as is appears in the engraving, in the National Museum, Stockholm, are illustrated by Runar Strandberg, "The French formal garden after Le Nostre", in The French Formal Garden, Elizabeth B. MacDougall and F. Hamilton Hazlehurst, editors, 1974, (Dumbarton Oaks) figs 15 (substantially as executed) and 16.

External links

Media related to Het Loo Palace at Wikimedia Commons

• (Dutch) Paleis Het Loo
• Paleis Het Loo National Museum / Library