Christine Weidinger

Christine Weidinger

Christine Weidinger (born 31 March 1946[1]) is an American operatic soprano who has had an active international career in operas and concerts since the early 1970s. Her career started at the Metropolitan Opera, after which she was active as a resident artist with opera houses in Germany during the late 1970s and 1980s. From the 1970s through the 1990s she worked as a guest artist with many leading opera houses throughout Europe, South America, and the United States.

Life and career

Born in Springville, New York, Weidinger grew up in New York and Arizona. She studied singing with Marlene Delavan at Grand Canyon University, Richard Dales at Arizona State University, David Scott at San Fernando Valley State College, and Margaret Harshaw at the Jacobs School of Music at Indiana University.[1][2] In April 1972 she won the Metropolitan Opera National Council Auditions; which was followed just a few months later by her professional opera debut as Cherubino in Wolfgang Amadeus Mozart's The Marriage of Figaro at the Central City Opera in Colorado.[1][3] She performed the same role in July 1972 for her debut with the New York City Opera with conductor Ernst Märzendorfer.[4]

On November 24, 1972 Weidinger made her debut at the Metropolitan Opera House as Ortlinde in Richard Wagner's Die Walküre with conductor Erich Leinsdorf, Birgit Nilsson as Brünnhilde, Jon Vickers as Siegmund, and Gwyneth Jones as Sieglinde. She performed regularly at the Met through the Spring of 1976 where she was heard in mainly supporting roles like Elvira in Gioachino Rossini's L'italiana in Algeri, Frasquita in Georges Bizet's Carmen, Gianetta in Gaetano Donizetti's L'elisir d'amore, the High Priestess in Giuseppe Verdi's Aida, Naiad in Richard Strauss' Ariadne auf Naxos, Stéphano in Charles Gounod's Roméo et Juliette, and Woglinde in Wagner's The Ring Cycle among others. She did occasionally sing some more prominent parts like Gretel in Engelbert Humperdinck's Hänsel und Gretel, Marzelline in Ludwig van Beethoven's Fidelio, and Musetta in Giacomo Puccini's La bohème.[5]

Following her early career at the Met, Weidinger became a resident artist at the Staatsoper Stuttgart (1976–1980; debut as Susanna in The Marriage of Figaro) and the Bielefeld Opera (1981–1989). She also appeared as a guest artist at major opera houses and festivals internationally, including the Aix-en-Provence Festival, the Bavarian State Opera, the Deutsche Oper Berlin, the Hamburg State Opera, La Fenice, La Scala, the Liceu, the Los Angeles Opera, the Municipal Theatre of Santiago, the Opéra de Monte-Carlo, the Salzburg Festival, the Vienna State Opera, and the Welsh National Opera among others.[6] In 1988 she performed the role of Eupaforice in Carl Heinrich Graun's Montezuma at the Spoleto Festival USA.[7] After a 16 year absence, she returned to the Metropolitan Opera in 1992 to sing the title role in Rossini's Semiramide.[8]

Some of the many other roles Weidinger has sung on stage are Amina in La sonnambula, Arminda in La finta giardiniera, the Countess in Le comte Ory, Gilda in Rigoletto, Konstanze in The Abduction from the Seraglio, Leonora in Il trovatore, Violetta in La traviata, and the title role in Lucia di Lammermoor. She married North Carolina native and opera director Kenneth Smith, then assistant house manager of the Metropolitan Opera, in 1976.[9] They currently reside in Laurinburg, North Carolina.[10]

Recordings

Year Work Cast Conductor,
Opera House and/or Orchestra
Notes Label
1977 L'Africaine
Giacomo Meyerbeer
Montserrat Caballé,
Christine Weidinger,
Plácido Domingo
Antonio de Almeida,
Gran Teatre del Liceu Orchestra and Chorus
Legato Classics
1989[11] Rinaldo
George Frideric Handel
Marilyn Horne,
Cecilia Gasdia,
Christine Weidinger,
Ernesto Palacio,
Natale de Carolis
John Fisher,
Orchestra of La Fenice
Live recording from June 1989 which was first released in 1992 and re-issued in 2009 Nuova Era

References

  1. ^ a b c "California Soprano Wins Met Opera Auditions". Daytona Beach Morning Journal. Apr 10, 1972. http://news.google.com/newspapers?id=eL8hAAAAIBAJ&sjid=NJ0FAAAAIBAJ&pg=786,3030689&dq=christine-weidinger&hl=en. 
  2. ^ Weidinger "Christine Weidinger". Operissimo concertissimo. http://hosting.operissimo.com/triboni/exec?method=com.operissimo.artist.webDisplay&id=ffcyoieagxaaaaablnps&xsl=webDisplay&searchStr=Christine Weidinger. 
  3. ^ McCandlish Phillips (March 24, 1973). "The Met Auditions: An Exciting, Enervating Day at the Opera". The New York Times. http://select.nytimes.com/gst/abstract.html?res=F00E12FC3E5C1A7A93C6AB1788D85F478785F9&scp=2&sq=%22Christine+Weidinger%22&st=p. 
  4. ^ Donal Henahan (July 16, 1972). "Opera: Central City Presents 'Figaro'". The New York Times. http://query.nytimes.com/mem/archive/pdf?res=F20814F83E5E127A93C4A8178CD85F468785F9. 
  5. ^ Metropolitan Opera Archives
  6. ^ Jim Rathgeber (January 25, 2004). "Opera Concert Set at UNCP". The Robesonian. http://news.google.com/newspapers?id=Be1VAAAAIBAJ&sjid=FUENAAAAIBAJ&pg=5101,2269478&dq=christine-weidinger&hl=en. 
  7. ^ Donal Henahan (May 27, 1988). "Review/Opera; Graun's 'Montezuma'". The New York Times. http://www.nytimes.com/1988/05/27/arts/review-opera-graun-s-montezuma.html?scp=1&sq=%22Christine+Weidinger%22&st=nyt. 
  8. ^ Edward Rothstein (October 28, 1992). "Review/Opera; Plot Is as Plot Does; Rossini Celebrates The Expressive Voice". The New York Times. http://www.nytimes.com/1992/10/28/arts/review-opera-plot-is-as-plot-does-rossini-celebrates-the-expressive-voice.html?scp=4&sq=%22Christine+Weidinger%22&st=nyt. 
  9. ^ "Christine Weidinger, Met Soprano, Bride". The New York Times. July 7, 1976. http://select.nytimes.com/gst/abstract.html?res=FB0713F63C5A167493C5A9178CD85F428785F9. 
  10. ^ "Stellar Cast to Perform at The Opera Company of North Carolina's An Evening of Carolina Voices at Durham's Carolina Theater on February 20, 2004.". PR Newswire. February 11, 2004. http://goliath.ecnext.com/coms2/gi_0199-685920/Stellar-Cast-to-Perform-at.html. 
  11. ^ Sadie, Stanley (May 2003). "Handel: Rinaldo". Gramophone: p. 78. http://www.gramophone.net/Issue/Page/May%202003/78/807973/HANDEL#header-logo. 

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