Orfeo (Rossi)

Orfeo (Orpheus) is an opera in three acts, a prologue and an epilogue by the Italian composer Luigi Rossi. The libretto, by Francesco Buti, is based on the myth of Orpheus and Eurydice. Orfeo was first performed at the Palais-Cardinal, Paris on 2 March 1647. It was one of the earliest operas to be staged in France.

Background and performance history

Rossi had already written one opera, Il palazzo incantato, for Rome. This aroused the interest of Cardinal Mazarin, then regent for the young king of France Louis XIV, who was eager to bring Italian culture to Paris. In 1646 Mazarin hired Rossi to write an opera for the Paris carnival the following year. During his stay in France, Rossi learnt that his wife, Costanza, had died and the grief he felt influenced the music he was writing. The premiere was given a magnificent staging, with scenery by Giovan Battista Balbi. It required 200 men to work the theatrical machinery, designed by Giacomo Torelli. The performance, which lasted six hours, was a triumph. However, Rossi proved to be a victim of his own success. The expense of the performance was just one of many reasons stoking popular discontent against Cardinal Mazarin which soon broke out into full-scale rebellion (the Fronde). When Rossi returned to Paris in December, 1647, he found his patron had fled and his services were no longer required.

Roles

Role	Voice type	Premiere Cast
Orfeo/La vittoria (Orpheus/Victory)	castrato (contralto)	Atto Melani
Euridice (Eurydice)	soprano	Anna Francesca Costa
Aristeo (Aristaeus)	castrato (soprano)	Marc'Antonio Pasqualini
Giove (Jupiter)	tenor	Jacopo Melani
Giunone (Juno)	soprano	Margherita Costa
Pluto/Augure (an augur)	bass	Alessandro Cecconi
Proserpina (Proserpine)	castrato (soprano, travesti)	Domenico Dal Pane
Himeneo/Sospetto (Hymenaeus/Suspicion)	castrato (soprano)	Marc'Antonio Sportonio
Caronte (Charon)	tenor	Venanzio Leopardi
Amore (Cupid)	soprano
Venere (Venus)	soprano	Rosina Martini
Endimione (Endymion)	tenor
Momo (Momus)	tenor
Bacco (Bacchus)	soprano (breeches role)
Satiro (satyr)	baritone[1]
Nutrice (nurse)	castrato (soprano, travesti)[2]
La gelosia (Jealousy)	contralto
Mercurio (Mercury)	castrato (contralto)
Apollo	castrato (contralto)
Una vecchia (old woman)	tenor (travesti)
Le grazie the three Graces	sopranos	Marc'Antonio Sportonio, Domenico Dal Pane,[3] (not reported)
Le parche (the three Parcae)	two sopranos and one contralto	Marc'Antonio Sportonio, Domenico Dal Pane,[3] (not reported)

Synopsis

Prologue

The French armies win a glorious battle. Victory predicts France will triumph over evil just as Orpheus triumphed over the powers of the underworld.

Act One

Orpheus and Eurydice are due to be married. But when Eurydice's father, Endymion, takes auguries they forebode trouble. Aristaeus is unhappily in love with Eurydice and calls on the goddess Venus for aid. She tells him the marriage cannot be stopped but she will do her best to seduce Orpheus and Eurydice away from one another. As the wedding takes place, the torches suddenly go out, another evil omen.

Act Two

Venus, dressed as an old woman, tries to persuade Eurydice to love Aristaeus, but she is inflexible. Cupid betrays his mother, Venus's, schemes to Orpheus and he rushes off to warn Eurydice. But Eurydice is bitten by a snake as she is dancing and dies.

Act Three

The grieving Orpheus sets off to rescue Eurydice from the underworld. Eurydice's ghost drives Aristaeus mad and he commits suicide. The goddess Juno persuades Proserpine, the wife of Pluto (the king of the underworld), that she should be jealous of Eurydice's beauty and allow her to return to the land of the living with Orpheus. Proserpine persuades Pluto to release Eurydice and he does so on condition that Orpheus does not turn round to look at her before they have reached the upper world. Orpheus fails in this task and loses Eurydice again. In his grief, he seeks only death but Jupiter appears to tell him he, Eurydice and his lyre will be turned into constellations.

Epilogue

Mercury explains that Orpheus's lyre represents the fleur-de-lys of France. The transformation of Orpheus and Eurydice into constellations is a symbol of the Resurrection. He ends by wishing the young King Louis a long life.

Recordings

• Orfeo Agnès Mellon, Monique Zanetti, Sandrine Piau, Les Arts Florissants, conducted by William Christie (Harmonia Mundi, 1991)

Notes

1. ^ Murata, p. 743. Fabrizio Dorsi states more precisely that "the part of the satyr is written in the unusual baritone clef" (Dorsi, Fabrizio & Rausa Giuseppe, (Italian) Storia dell'opera italiana. 2000: Paravia Bruno Mondadori, Turin, p. 59. ISBN 978-88-424-9408-9)
2. ^ Celletti, Rodolfo, (Italian) Storia del belcanto. 1983: Discanto, Fiesole, p. 131
3. ^ ^{a b} Murata

Sources

• The Viking Opera Guide ed. Holden (Viking, 1993)
• Del Teatro (in Italian)
• Amadeus Online (in Italian)
• Le magazine de l'opéra baroque (in French)
• Booklet notes to the above recording.
• The Oxford Illustrated History of Opera ed. Parker (OUP, 1994)
• Murata, Margaret, Orfeo (ii), in Sadie, Stanley (ed.), The New Grove Dictionary of Opera, Grove (Oxford University Press), New York, 1997, III, pp. 743-744 (ISBN 978-0-19-522186-2)