- The Billy Barnes Revue
Infobox Musical
name= The Billy Barnes Revue
caption= Cover of Original Cast Recording
music= Billy Barnes
lyrics= Billy Barnes
book= Bob Rodgers
productions=
awards=The "Billy Barnes Revue" is a 1959 musical comedy revue with
music andlyrics byBilly Barnes and sketches byBob Rodgers that transferred from a successful run inLos Angeles to theoff-Broadway York Playhouse on June 9, 1959 and subsequently opened on Broadway at theJohn Golden Theatre on August 4, 1959. After 87 performances, the show played three additional weeks at theLyceum Theatre and then reopened off-Broadway for another six weeks at theCarnegie Hall Playhouse .The show is best remembered for its acclaimed cast of newcomers, including
Bert Convy ,Ken Berry ,Ann Guilbert ,Jackie Joseph ,Len Weinrib andJoyce Jameson . Later cast replacements includedJo Anne Worley ,Charles Nelson Reilly andLarry Hovis . One of the show's songs, "Too Long At The Fair" was recorded byBarbra Streisand ,Sue Raney andPatti Page , among others.A follow-up revue, "The Billy Barnes People", opened at the
Royale Theatre June 13, 1961 and closed four days later after only seven performances. Barnes continued to produce successful revues in Los Angeles, but none of his later shows moved to Broadway.Background
In 1952, actress Joyce Jameson graduated from UCLA and married songwriter Billy Barnes. Their first collaboration was a new musical comedy called "Baby Face O'Flynn", for which she wrote the book and played the lead role and he wrote the music and lyrics. The show opened in the summer of 1952 at the Gallery Stage Theatre in Los Angeles. The run of the show was cut short when Jameson became pregnant. ["Kansas City Star", April 20, 1958, "Her Comedy Is Based On Actions Of Real People", pg 10D] For the next few years, Jameson found work, first by writing television scripts, and then by playing small parts in films and on television shows. She and Barnes were divorced during this period, but would continue to work together into the 1960s.
Los Angeles Production
In 1956, Barnes and sketch writer/director Bob Rodgers opened "The Billy Barnes Revue" at the "hole-in-the-ground"
Cabaret Concert Theatre inLos Angeles . According to Barnes, "It's a nightclub, and people said that’s where we belonged. We were advised not to get ambitious." ["Kansas City Star", August 30, 1959, "Billy Barnes Plays the Long Shots – and Wins" by Jim Morse, pg 4E] Producer Paul Gregory planned to bring the production to New York in January of 1957 under the title "Focus No. 1", but the transfer did not happen. ["Press Telegram" (Long Beach, CA), September 19, 1956, "New York to See Delightful Hollywood Revue"]At one point, some producers decided to tour the show throughout California with just the music and no sketches, a venture which was quickly dropped. Meanwhile, the original show continued performances at the Cabaret Concert Theatre for nearly two years. It then played briefly at the
Mocambo and the Crescendo in Los Angeles and at thehungry i inSan Francisco . In 1958, Jameson, who had left the show to pursue her television career, returned to Los Angeles from New York City (where she had been appearing as the "honey girl" on TheSteve Allen Show and as a regular onSpike Jones ' NBC series, "Club Oasis"), [ [http://www.imdb.com/title/tt0050004/combined Internet Movie Database] Spike Jones' NBC series, "Club Oasis"] ). She rejoined the cast of the show when it opened at theLas Palmas Theater in October 1958. ["Lima (Ohio) News", August 13, 1960, Entertainment Section page 11, "Joyce Jameson Is A Girl Of Many Faces"] When the original cast took the show toNew York City eight months later, a new cast, includingJo Anne Worley , continued the run for a total of 48 weeks.Off-Broadway Production
The "Billy Barnes Revue", with original cast members
Joyce Jameson ,Bert Convy ,Patti Regan ,Ken Berry ,Ann Guilbert ,Jackie Joseph ,Len Weinrib and sketch writer/directorBob Rodgers , opened at theYork Playhouse (First Avenue and East 64th Street) inNew York City on June 9, 1959. [ [http://select.nytimes.com/mem/archive/pdf?res=F20D17F63A58137B93C7A8178ED85F4D8585F9 "The New York Times"] , Sam Zolotow column, May 15, 1959] The production was produced byGeorge Eckstein (Ann Guilbert's husband) in association withBob Reese . Billy Barnes was the musical director, with Armin Hoffman on the second piano."
The New York Times " review byLewis Funke started out well ("A crisply played and highly polished little entertainment called "The Billy Barnes Revue" arrived at the York Theatre on First Avenue last night), but found the material lacking ("...the trouble is that they have not given the material the edge, sharpness and point of view that would have made it truly comic"). Although Funke had high praise for the cast, he added "...Too often are the performers superior to the writers and the composers." [ [http://select.nytimes.com/mem/archive/pdf?res=F70610FF3F59127A93C2A8178DD85F4D8585F9 "The New York Times"] review by Lewis Funke, Singing Revue; Billy Barnes' Show Opens at the York, Wednesday, June 10, 1959, Page 42] Overall, however, the reviews were largely positive, and 35 additional investors contributed the extra money needed to move the show from the York Playhouse to Broadway. [ [http://select.nytimes.com/mem/archive/pdf?res=F10D15F83F5F1A7B93C0AB178CD85F4D8585F9 "The New York Times"] , Sam Zolotow column, "Revue Will Move To Golden Theatre" July 22, 1959]Broadway Production
"The Billy Barnes Revue" moved to the
John Golden Theatre on August 4, 1959. Barnes was so unknown in New York, that many people confused him with the actressBinnie Barnes . "It's discouraging to stand in front of the theatre before the show," Barnes told a reporter, "and hear people say, 'I'm looking forward to seeingBinnie Barnes again. I haven't seen her in years.'" ["Kansas City Star", August 30, 1959, “Billy Barnes Plays the Long Shots – and Wins” by Jim Morse, pg 4E]Decca Records released an Original Cast Album of the production in September.To make way for the British revue, "
At the Drop of a Hat ", the show closed on September 26th at the Golden and transferred on September 28 to the Lyceum Theatre, where it had to close on October 17th to make way for a new play, "The Flowering Cherry". [ [http://en.wikipedia.org/w/index.php?title=Wikipedia:Sandbox&action=submit "The New York Times"] , September 21, 1959, "Barnes Revue" Gets Home"]Off-Broadway Again
Following its three week run at the Lyceum Theatre, rather than closing down for good, the showed moved off-Broadway again to the Carnegie Hall Playhouse on October 20, 1959. Producers George Cayley, George Brandt and Samuel J. Friedman acquired the rights [ [http://select.nytimes.com/mem/archive/pdf?res=FA0A17F63858137B93C7A8178BD95F4D8585F9 "The New York Times"] , October 15, 1959, "Billy Barnes To Move"] from Eckstein, who remained with the production as stage manager and performed the role vacated by Bert Convy (who had recently gotten married). [ [http://select.nytimes.com/mem/archive/pdf?res=FA0F10F63F551B7B93CAA9178BD95F4D8585F9 "The New York Times"] , Photo caption, October 8, 1959, "Cupid's Partner"]
A controversy erupted when Barnes, Guilbert, Berry, Joseph, Regan, Rodgers, Weinrib and Eckstein flew to Chicago to tape an episode of ABC-TV's "
Playboy's Penthouse ", produced byHugh Hefner 's Playboy Magazine, and failed to make their flight back to New York in time for the Tuesday, October 27th performance. As a result, the Tuesday night performance was cancelled and $800 had to be returned to the ticket holders.Eckstein sent a telegram to the producers stating that the cast had made a "frantically conscientious effort to return to New York by curtain time as numerous impartial witnesses can testify; a dispatching error resulted in misconnections," but rather than simply recognizing the value of the network television publicity, the management filed a complaint with
Actors Equity Association and theAmerican Federation of Musicians (of which Barnes was a member). "There’s no excuse for missing a show," declared the producers' lawyer, Benjamin Schankman. "They shouldn't have gone to Chicago if they could not arrange to get back in time. An agreement is an agreement." [New York Times, October 29, 1959, "Revue Producers Censure Its Cast"]Although one of the producers, Samuel J. Friedman, denied that their decision was a retaliatory action, two weeks later, the entire cast (except Virginia de Luce, who had replaced Jameson) was replaced by Ronnie Cunningham, Arlene Fontana, Jane Johnston,
Larry Hovis , James Inman, Tom Williams andCharles Nelson Reilly . [ [http://select.nytimes.com/mem/archive/pdf?res=F20915F6345F1A7B93C0A8178AD95F4D8585F9 "The New York Times"] , November 12, 1959, Sam Zolotow column, "New Cast Signed for Barnes Revue"]The cast change proved to be a major mistake and the show closed on Saturday, November 28th after just six weeks at the Carnegie Hall Playhouse. Ironically, the promotional appearance on "
Playboy's Penthouse " by the original cast members did not air until Saturday, December 5th, one week after the show had closed. [ [http://select.nytimes.com/mem/archive/pdf?res=FA071FFD3B58137B93C2AA178AD95F4D8585F9 "The New York Times"] , November 30, 1959, "Revue Members To Appear On TV"]A few months later,
Charles Nelson Reilly would get his first Broadway credit as stand-by toDick Van Dyke in "Bye Bye Birdie ". Several of the original cast members (Berry, Joseph, Jameson and Regan) returned to Los Angeles and began work on a new show, "The Billy Barnes People", which would play only seven performances on Broadway in June of 1961. Jackie Joseph and Ken Berry were married on May 29, 1960 (they divorced in 1976). Bert Convy appeared in the movie "Susan Slade " and on several TV shows, then returned to Broadway as Perchik in "Fiddler on the Roof " (1964) and Cliff in "Cabaret" (1966). Ann Guilbert played next-door-neighbor Millie Helper on "The Dick Van Dyke Show " from 1961 to 1965. Ken Berry would later star as Captain Wilton Parmenter on "F Troop " and Sam Jones on "Mayberry RFD ".ketches and Musical Numbers
;ACT ONE
* "Do a Revue" (The Company)
* "Where Are Your Children?" (Ken Berry, Bert Convy, Jackie Joseph, Ann Guilbert, Patti Regan and Len Weinrib)
* "Las Vegas"
** Herman (Rob Rodgers)
** Girl with Hat (Ann Guilbert)
** Tanya (Joyce Jameson)
** Her Fellas (Bert Convy and Ken Berry)
* "Medic"
** Surgeon (Len Weinrib)
** Staff (Ann Guilbert and Patti Regan)
* "Foolin' Ourselves" (Bert Convy and Ken Berry)
* "Safari à la Marilyn"
** Papa (Len Weinrib)
** Arthur (Bob Rodgers)
** Marilyn (Joyce Jameson)
* "The Pembrooke Story"
** Arthur (Ken Berry)
** Edythe (Ann Guilbert)
** Miss O'Brien (Jackie Joseph)
** John (Bert Convy)
** Peter (Len Weinrib)
* "Whatever" (Patti Regan)
* "City of the Angels"
** Lily (Joyce Jameson)
** Lolly (Ann Guilbert)
** Dolly (Jackie Joseph)
* "Listen to the Beat!"
** Host (Len Weinrib)
** Jack (Ken Berry)
** Mary Lou (Ann Guilbert)
** Dean (Bert Convy)
** Sarah (Joyce Jameson)
** The Prophet (Len Weinrib)
** Beatniks (Bob Rodgers, Patti Regan and Jackie Joseph)
* "Home in Mississippi"
** Maggie (Patti Regan)
** Big Daddy (Len Weinrib)
** Big Mama (Ann Guilbert)
** Brick (Bob Rodgers)
** No-neck Monsters (Themselves)
* "Tyler My Boy" (Bert Convy)
* "Whatever Happened" (Patti Regan)
* "The Thirties"
** Narrator (Bob Rodgers)
** Peddler (Patti Regan)
** Fred (Ken Berry)
** Ginger (Joyce Jameson)
** Forgotten Woman (Ann Guilbert)
** Forgotten Man (Len Weinrib)
** Shirley (Joyce Jameson)
** Daddy (Bert Convy)
** Step-Mommy (Patti Regan)
** Gold Digger (Jackie Joseph)
** J.N. (Len Weinrib)
** Sam (Ken Berry)
** Ruby (Ann Guilbert)
** Dick (Bert Convy)
** Jeanette (Joyce Jameson)
** Nelson (Bob Rodgers);ACT TWO
* "A Dissertation on Transportation; or, It All Started with the Wheel"
** Principal (Bob Rodgers)
** P.T.A. Principal (Joyce Jameson)
** Teacher (Patti Regan)
** Sweet Little Girl (Jackie Joseph)
** Sour Little Girl (Ann Guilbert)
** Teacher's Pet (Ken Berry)
** Bully (Len Weinrib)
** Bert Convy (Bert Convy)
* "The Fights" (Introduced by Ann Guilbert)
** Shirley (Joyce Jameson)
** Harry (Bob Rodgers)
* "The Vamp and Friends"
** Vamp (Ann Guilbert)
** Champ (Ken Berry)
** Tramp (Patti Regan)
** Camp (Len Weinrib)
* "Blocks"
** Husband (Bob Rodgers)
** Wife (Jackie Joseph)
* "Hellahahana"
** Natives (Bert Convy, Ken Berry, Joyce Jameson, Len Weinrib and Jackie Joseph)
** Turista (Ann Guilbert)
* "What Ever Happened To" (Patti Regan)
* "World at Large"
** Moderator (Bert Convy)
* World at Large No. 1
** Rosabelle Haley (Joyce Jameson)
** Warden (Len Weinrib)
** Matron (Ann Guilbert)
* Station Break
** Fire Prevention Queen (Patti Regan)
* World at Large No. 2
** Mr. Lernstein (Bob Rodgers)
** Choral Group (Choral Group)
* World at Large Preview
** Oed (Ken Berry)
** Jo (Patti Regan)
* "Too Long at the Fair" (Joyce Jameson)
* "Once of Those Days"
** Poor Soul (Len Weinrib)
** Ads (Bert Convy, Jackie Joseph and Ken Berry)
* Finale (The Company)elections on the Cast Album
;Act I
* Do A Revue (The Company)
* Where Are Your Children? (The Company)
* Foolin' Ourselves (Bert Convy and Ken Berry)
* Las Vegas (Joyce Jameson with Bert Convy and Ken Berry; Introduction by Rob Rodgers and Girls
* What Ever Happened? No. 1 (Patti Regan)
* Too Long At The Fair (Joyce Jameson with Soprano Obbligato by Jackie Joseph)
* Listen To The Beat (The Company featuring Len Weinrib);Act II
* City of the Angels (Joyce Jameson, Ann Guilbert and Jackie Joseph)
* Blocks (Bob Rodgers and Jackie Joseph)
* What Ever Happened? No. 2 (Patti Regan)
* The Fights (Joyce Jameson and Bob Rodgers)
* Tyler My Boy (Bert Convy)
* What Ever Happened? No. 3 (Patti Regan)
* One of Those Days - Finale (Jackie Joseph, Bert Convy, Ken Berry and Company)References
External links
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