Mosè in Egitto

Mosè in Egitto

Mosè in Egitto (pronounced [moˈzɛ in eˈdʒitto]; English: Moses in Egypt) is a three-act opera written by Gioachino Rossini to a libretto by Andrea Leone Tottola, which was based on a play by Francesco Ringhieri, L'Osiride, of 1760.[1]

It premiered 5 March 1818 at the recently reconstructed Teatro San Carlo, Naples.

Rossini enlarged the work in 1827, this time to a French libretto. Moïse et Pharaon, ou Le passage de la Mer Rouge (pronounced: [mɔiːz e faʁaɔ̃ u lə pasaːʒ də la mɛːʁ ʁuːʒ]; English: Moses and Pharaoh, or The Crossing of the Red Sea) is in four acts, with a ballet. It received its premiere in Paris on 26 March.

Contents

Composition history

The opera was loosely based on the Exodus from Egypt of the Israelites, led by Moses, rendered agreeable to the opera stage by introducing a love theme, in which the Pharaoh's son Amenophis (tenor) plans to prevent their departure, since he loves the Israelite Anaïs (soprano). The opera opens with a darkened stage, as the plague of darkness is dispelled by Moses' prayer, and it ends with the spectacle of the parting of the Red Sea and the drowning of Pharaoh's host, which "elicited howls of derision"[2] at the clumsy machinery of its staging at the premiere, though the opera surmounted its technical failings and was a hit.

Billed as an azione tragico-sacra, the sacred drama with some features of the oratorio circumvented proscriptions of secular dramatic performances during Lent.

Rossini revised the opera for Naples in 1819, when he introduced Moses' prayer-aria '"Dal tuo stellato soglio", which became one of the most popular opera pieces of the day, inspired a set of variations for violin and piano by Niccolò Paganini, and survives in concert performance.

Performance history

Parisian audiences had already seen the work, both in a performance by the Paris Opéra at the Théâtre de l'Académie Royale de Musique and at the Théâtre des Italiens before Rossini revised it for the Paris Opéra, now in four acts with a ballet, where it premiered 26 March 1827, with the title Moïse et Pharaon, ou Le Passage de la Mer Rouge, with translations and additions to the libretto by Luigi Balocchi [3] and Victor Joseph Etienne de Jouy, who would co-write the libretto for Rossini's final opera Guillaume Tell.

Roles

Role
Naples version/Paris version
Voice type Naples premiere cast,
March 5, 1818
(Conductor: Nicola Festa)
Paris revised version premiere,
March 26, 1827
(Conductor: - )
Mosè / Moïse (Moses) bass Michele Benedetti Nicholas-Prosper Levasseur
Faraone / Pharaon (Pharaoh) bass Raniero Remorini Henri-Bernard Dabadie
Amaltea / Sinaide, his wife soprano Frederike Funck Louise-Zulme Dabadie
Osiride / Aménophis, their son tenor Andrea Nozzari Adolphe Nourrit
Elcia / Anaï, a Hebrew girl soprano Isabella Colbran Laure Cinti-Damoreau
Aronne / Elézer (Aaron) tenor Giuseppe Ciccimarra Alexis Dupont
Amenofi / Marie (Miriam), Moses' sister mezzo-soprano Maria Manzi Mori
Mambre / Aufide, a priest tenor Gaetano Chizzola Ferdinand Prévôt
(no role) / Osiride, the High Priest bass Bonel
(no role) / A mysterious voice bass Bonel

Instrumentation

The score calls for: 2 Flutes/2 Piccolos, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 trumpets, 3 Trombones, Serpent, Timpani, Bass Drum, cymbals, Triangle, Banda Turca, Harp, Strings.

Onstage: Band (Piccolo, Quartino, 4 Clarinets, 2 Horns, 4 Trumpets, 2 Trombones, Serpent, Bass Drum)

Synopsis

Place: Egypt
Time: Around 1230 B.C.[4]

Act 1

Act 1 set design of the original 1827 production










Act 2

Act 3

On the shores of the Red Sea

Act 3 of the original 1827 production








Recordings

Year Cast:
Mosè, Aronne, Elcia, Faraone
Conductor,
Opera House and Orchestra
Label [5]
1956 Nicola Rossi-Lemeni,
Mario Filippeschi,
Caterina Mancini,
Giuseppe Taddei
Tullio Serafin,
??
??
1987 Ruggero Raimondi,
Salvatore Fisichella,
June Anderson,
Siegmund Nimsgern
Claudio Scimone,
Philharmonia Orchestra and the Ambrosian Opera Chorus
Audio CD: Philips,
Cat: 420 109-2
1993 Roberto Scandiuzzi,
Ezio Di Cesare,
Mariella Devia,
Michele Pertusi
Salvatore Accardo,
Teatro San Carlo di Napoli Orchestra and Chorus
(Audio and video recordings of a performance (or of performances) in the Teatro San Carlo di Napoli)
DVD: House of Opera
Cat: DVDBB 2113

References

Notes
  1. ^ Ringhieri
  2. ^ Holden, p. 783
  3. ^ Balocchi, the conductor and director of the Théâtre des Italiens, had provided the libretto for Rossini's first Paris production, the coronation opera Il viaggio a Reims, 1825, and for Le siège de Corinthe, a French version of Maometto II.
  4. ^ Osborne, C. p. 81
  5. ^ Recordings of ‘’Mosè in Egitto’’ on operadis-opera-discography.org.uk
Cited sources
  • Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001. ISBN 0-140-29312-4
  • Osborne, Charles, The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press, 1994 ISBN 0931340713
  • Ringhieri, Francisco, L'Osiride. Tragedia del p.d. Francesco Ringhieri monaco ulivetano e lettore di teologia. Padua: Conzatti, 1760. Eight volumes of the tragedies of Ringhieri, an Olivetan monk 1721-1787), were also published in Venice 1788-89.
Other sources

External links


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