- Shane Cooper
Shane Cooper is an
installation art ist, specializing in Internet andinteractive art .He works in the
special effects field, and has contributed work to such films as the "Lord of the Rings" trilogy and "King Kong". He has worked with musicians, such asDevo in Santa Monica,California in 1996 andGraham Nash in Los Angeles, in 1995.There are many common themes emphasized in Cooper’s works. Most of them feature
interactivity with the viewer and computer learning. In many of his works, the actions of the viewer are somehow recorded and later used in the art itself.Installation art
In Cooper’s art installation “Remote Control”, a
television displays ananchor man that looks and sounds real, yet is completely computer-generated. The newscast being shown is generated in real-time, using feeds from various Internet news sources. Aremote control with two buttons, labeled “Truth 1” and “Truth 2”, allows the viewer to choose between two channels: one where the news being reported is true, and one where the facts have been reversed.In “Reflection” (also known as “Parasight”), the viewer stands in front of a wall that has an image of another person, standing in a similar way as them, projected onto it. When the viewer moves in any way, the image projected on the screen changes to match the new way that the viewer is standing. The result is that the viewer sees their “reflection” on the screen, except that the reflection is in fact the image of a previous visitor. In addition, every viewer is also filmed and added to the database of images that can be projected. In this way, every new viewer adds to the exhibit, and increases the accuracy of the next viewer's reflection.
Internet art
Shane has also created several Internet art works which appear at his personal website [http://shanecooper.com/ ShaneCooper.com] ] .
"Live"“ [http://shanecooper.com/live.cgi "Live" - ShaneCooper.com] ”] (1998) is a simulated chatroom, which is actually full of bots. The bots learn new conversations from the humans that come into the room, which is another example of Cooper's recurring theme of the viewer leaving an impression on the artwork itself. It also features a “live webcam” that is actually a series of images that repeat over and over, with only the timestamp changing.
Notable exhibitions
* Various items at "F.I.L.E.
Electronic Language International Festival " in São Paulo 1999
* Various items at"VisionNetwork" in Tokyo 1999
* "Remote Control" in Karlsruhe, Germany 1999-2001
* "Remote Control" in Berlin 2001
* "Remote Control" in Graz, Austria 2001
* "Reflection" at "Intermedium2" in Karlsruhe, Germany 2002
* "Reflection" at Volkswagen AG in Berlin 2002
* "Remote Control" in "Vectors: Digital Art in our Time" New York 2003
* "Remote Control" in "Experimenta's House of the Future" Melbourne 2003
* "Reflection" in "Ciber:Art Bilbao 2004" in Bilbao Spain
* "Remote Control" in "Reality Show", Aarau, Switzerland, 2005
* "Live" in "Radiodays", De Appel Center for Contemporary Art, Amsterdam 2005
* "Remote Control" in Kunstfest Weimar, "Masterpieces of Art from the ZKM Karlsruhe Collection", The Bauhaus, Weimar, Germany, 2005
* "Reflection" at Ottawa School of Art, Ottawa, Canada, 2005
* "Feed" at Massey University, Wellington, New Zealand, 2006
* "Feed" at MOCA Taipei, Taiwan, 2007
* "Relapse" at Gallery 155B Ottawa, Canada, 2007References
External links
* [http://shanecooper.com/ Shane Cooper's official website]
*
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