Wolfgang Degenhardt

Wolfgang Degenhardt (19 May 1924 - 8 November 1993) was an Australian artist, prominent in the Hunter Valley.

Degenhardt was born in Germany, studied art in Bremen and Milan. He migrated to Greta, New South Wales in the Hunter Valley in January 1955.

Degenhardt won the inaugural Newcastle Art Prize and was a regional winner of Maitland Art Prize. He presented a one man exhibitions at Barry Stern Galleries 1968, Sydney and Lights Gallery, Newcastle 1963. He was a frequent contributor to the Blake Prize for religious art. He is represented in many private collections throughout the world.

There are two drawings in the Newcastle Region Art Gallery's collection.

"The Forgotten I. 1963"
*triptych
*pen, black ink wash and red pastel on paper
*sight measurements - left to right 38.1 x 17.8, 41.5 x 11.1, 38.1 x 17.8 cms
*inscribed on left and centre sheet lower right and lower left on right sheet in ink "Degenhardt/63
*executed in the autumn of 1963 at Charlestown, New South Wales
*Purchased from "Wolfgang Degenhardt" exhibition catalogue number 26 on 21 June 1963 by Gil Docking at Lights Gallery, Newcastle, New South Wales
*accession number 1963.021
*Gallery's Comment - Black pen and ink drawing with red pastel on wet paper. Figure expression composition, executed in trptych form.

"Victim III. 1972"
*pen,ink wash and red conte crayon on paper
*sheet size 53.0 x 72.3 cms
*inscribed lower left in ink "Degenhardt/72"
*executed in May 1972 at the artist's house Charlestown, NSW
*Purchased from the exhibition "Hunter Valley Artists" catalogue number 28, at Newcastle City Art Gallery 1 September to 1 October 1972
*accession number 1972.056
*Gallery's Comment - One of a group of three drawings, "Victim I - III", shown in the exhibition and completed early 1972. They have a general relationship to such contemporary events as the Vietnam War and the Bangladesh tragedy, but do not relate to any one event in particular. They present a general view of man's inhumanity to man in the world of today. But it is not just a view of sorrow. There is some beauty too. Beauty in the lives of the human figures and particularly in the hands and their expressive qualities. Forms and features are over emphasised to heighten expression and feeling. Colours are restricted to black and white to give a stronger effect, with red conte added as a softener and enlivening touch. (verbal information from the artist 19 September 1972)