- The Humorous Lieutenant
"The Humorous Lieutenant," also known as "The Noble Enemies" or "Demetrius and Enanthe," is a Jacobean era stage play, a
tragicomedy written by John Fletcher. Highly praised by critics, it has been called "Fletcher's best comedy." [Clifford Leech, quoted in Logan and Smith, p. 40.]The drama was intitially published in the first Beaumont and Fletcher folio of 1647.
Date and performance
The second Beaumont/Fletcher folio of 1679 provides a cast list for the original King's Men's production, which includes
Henry Condell , Joseph Taylor,John Lowin ,William Ecclestone , Richard Sharpe,John Underwood ,Robert Benfield — andThomas Pollard , the comic actor who filled the title role. This is the only cast list that includes both Taylor and Condell; Taylor joined the company in the spring of 1619, to replaceRichard Burbage after his death in March of that year; and Condell is thought to have retired not long after — which appears to date the play fairly securely to 1619.Manuscript
In addition to the printed texts in the two folios, the play exists in a manuscript version, a presentation copy prepared by the professional scribe
Ralph Crane for SirKenelm Digby . Crane sent the MS. to Digby on November 27, 1625. In Crane's text, the play is longer by some 70 lines; the printed texts provide a stage version trimmed for acting. The MS. is titled "Demetrius and Enanthe," and attributes the play to Fletcher alone — a verdict that is generally accepted, since Fletcher's distinctive stylistic profile is continuous through the play. The MS. has been called "the most beautiful example of Crane's calligraphy that we have." [F. P. WIlson, quoted in Logan and Smith, p. 70.]After 1642
Comic material from the play was adapted into a
droll during the Interregnum period. Like many plays in Fletcher's canon, "The Humorous Lieutenant" was revived at the start the Restoration era, in 1660. When the new Theatre Royal atDrury Lane opened on April 8, 1663, "The Humorous Lieutenant" was the first play staged, and ran for twelve nights in a row — highly unusual in the repertory system of the time. The play remained popular and was performed repeatedly, in various adaptations, into the early eighteenth century. [Sprague, pp. 4-5, 10, 15, 20, 76, 109, 121-3.] Adapted forms of the play were published in 1697 and 1717, while the manuscript text was first printed byAlexander Dyce in 1830. [Potter, p. 9.]The plot
"The Humorous Lieutenant" has no known source in the previous literature, [Logan and Smith, p. 41.] and seems to be that rare item in English Renaissance drama, an original plot. It is set in the ancient Middle East after the death of
Alexander the Great , and features the major historical figures of the era: Antigonus, his son Demetrius, and Seleucus, Ptolemy, andLysimachus . The plot centers on the love between Demetrius and an obscure young woman named Celia — who at the end of the play turns out to be Enanthe, the daughter of King Seleucus and so a suitable match for a prince.The title character is the play's main
comic relief : an otherwise-unnamed lieutenant who is capable of fighting ferociously in battle but is a profound hypochondriac the rest of the time. He is "humorous" in the seventeenth-century sense of the word: his bodily humours are out of balance.Notes
References
* Leech, Clifford. "The John Fletcher Plays." London, Chatto & Windus, 1962.
* Logan, Terence P., and Denzell S. Smith, eds. "The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama." Lincoln, NE, University of Nebraska Press, 1978.
* Oliphant, E. H. C. "The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others." New Haven, Yale University Press, 1927.
* Potter, Alfred Claghorn. "A Bibliography of Beaumont and Fletcher." Cambridge, MA, Library of Harvard University, 1890.
* Sprague, Arthur Colby. "Beaumont and Fletcher on the Restoration Stage." Cambridge, MA, Harvard University Press, 1926.
* Wilson, F. P. "Ralph Crane, Scrivener to the King's Players." "Library" 7 (1926), pp. 194-215.
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