- John Rostill
John Rostill (born John Henry Rostill,
16 June 1942 ,Kings Norton ,Birmingham ,England – died26 November 1973 ) was abass guitar ist andcomposer , recruited byThe Shadows to replaceBrian Locking .He worked with several artists before joining The Shadows, including The Interns, The Flintstones? and a stint in the backing group of
Zoot Money .Stylistically, John Rostill had an approach somewhere between his two predecessors, combining the solidity of Brian Locking, and the adventurousness of
Jet Harris . Many of his basslines were heavilysyncopated and he developed a range of new bass guitar sounds during his time with the group, a longer period than Harris and Locking put together. To many players, John was ahead of his time in that he was the first to try playing bass as a harmony line to the lead and included double stopping in his technique. He needed the clarity of tone produced by the combination of the Burns bass and his Vox amp to stop this technique from sounding 'muddy'. Unusually, for that time, John played bass finger style rather than with a [plectrum] , though he did use a plectrum for many of the faster numbers to retain the clarity of the notes. These days, finger picking is the accepted style of playing a bass guitar.After The Shadows break up at the end of the 1960s, Rostill toured with Tom Jones. Although he was not involved in the
Marvin, Welch & Farrar project (he was with Tom Jones at the time - 1970-72), he would have been a part of subsequent Shadows projects had he not died in 1973, when he was electrocuted in his homerecording studio .Rostill was a prolific
songwriter , contributing to the Shadows' output from the start (both as a solo composer and as part of the mid-sixties "Marvin/Welch/Bennett/Rostill" team), and later going on to write for other artists such asOlivia Newton-John .As a Shadow, Rostill played a prototype Burns "Shadows" bass guitar which differed from the production model that followed. A
replica of his bass has been produced byBurns London in late 2006.
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