- La Rabida Monastery
La Rábida Monastery (in full, "Monasterio de Santa María de la Rábida") is a
Franciscan monastery in the town ofPalos de la Frontera , in theprovince of Huelva and the autonomous region ofAndalusia ,Spain . The monastery is located convert|13|km|mi|0|abbr=on south of the city ofHuelva , where the Tinto andOdiel rivers meet.The Monastery of La Rábida has been Franciscan property since the thirteenth century. It was founded as a monastery in 1261; the evidence is a papal bull issued by Pope
Benedict XIII in that year, allowing FriarJuan Rodríguez and his companions to establish a monastic community on the coast of Andalusia. The first Christian building on the site was constructed over a small pre-existingAlmohad building that lends its name ("rábida" or "rápita", meaning "watchtower" in Arabic) to the present monastery. The Franciscans have held great influence in the region ever since.The buildings standing on the site today were erected in stages in the late fourteenth century and the early fifteenth century. The monastery, and the church associated with it, display elements of Gothic and Moorish revival architecture; their walls are decorated with frescos by the twentieth-century Spanish artist,
Daniel Vázquez Diaz (1882-1969). There is also a cloister and a museum, where numerous relics of thediscovery of America are displayed.The buildings on the site have nearly convert|20000|sqft|m2|0|abbr=on of floor space and an irregular floor plan. Throughout its five hundred years of existence, the monastery has been refurbished and repaired countless times, but the most extensive modifications were undertaken as a result of damage from the
Lisbon earthquake of 1755 .Christopher Columbus stayed at the monastery two years before his famous first voyage, after learning that King Ferdinand and Queen Isabella had rejected his request for outfitting an expedition in search of theIndies . With the intervention of theprior of La Rábida and theconfessor to Isabella, Francisco Jiménez de Cisneros, he was able to have his proposal heard.The monastery was declared a Spanish National Monument in 1856.
History
The monastery sits on a rocky bluff that overlooks the confluence of the rivers Tinto and
Odiel , known since ancient times as "Saturn's Rock". On this spot, the Phoenicians built an altar dedicated to their god,Melqart , the patron of Tyre, also called theBaal (lord) of Tyre, a deity often identified withHercules . Later, the Romans chose this same place to venerate the goddess,Proserpina .The Arabs also raised a small monastery here to train mounted monk-warriors like those of the Christian orders. The name "rábida" (or "rápita") is derived from the Arabic word for "watchtower", and the ruins of several other Moorish towers of this kind along the
Costa de la Luz still exist. In this environment, Muslim acetics sought to become perfected spiritually so that they would be better able to defend this isolated coastal frontier of the Moorish empire in Iberia.In the twelfth century, the site passed to the
Knights Templars under the protection of Our Lady of Miracles. In the thirteenth century, it became aFranciscan monastery. Tradition holds thatSt. Francis of Assisi himself visited here, in the company of twelve disciples, to found a small and humble monastery. As with the Moors and the Templars before them, the Franciscan brothers established this location, from the beginning, as a stronghold, a place for resisting the depredations of pirates who continually roamed the coast. PopeEugene IV granted indulgences to all who rendered aid to travelers seeking refuge at this site. Many of the buildings to house and support theConventual Franciscans , more properly known as the Order of Friars Minor Conventual, were constructed during the first part of the fifteenth century. The noble of the region, Don Juan Alfonso de Guzman El Bueno, the 1stDuke of Medina Sidonia (1410-1468), as well as local commoners, all collaborated in the construction projects.The monastery is best known in history for the visit of
Christopher Columbus in 1490 during which the mariner consulted with the Franciscans about his plans for organizing a voyage of discovery.After the
War of Spanish Independence and the Confiscation of Mendizábal, a land reform scheme that seized unproductive church properties, the monastery fell into ruins until, in 1855, a restoration was begun at the initiative of Prince Antoine of Bourbon-Orleans, Duke of Montpensier and the provincial delegation in the SpanishCortes . In 1882, KingAlfonso XII visited the monastery and lent his support to a second round of rehabilitation and improvement with the purpose of commemorating thequadricentennial of thediscovery of America in 1892. The king engaged the architect,Ricardo Velázquez Bosco , whose subsequent contributions evinced a profound respect for the atmosphere and spirit of the original building.The buildings
The church
The date of the construction of the church cannot be established with certainty. One of the early architectural elements that is well-preserved is the arch-like main doorway. Other features include frescos on the walls and a meticulously-painted ceiling of Moorish influence. Also on the walls, there is an eighteenth-century painting of
St. John of God and representations of the life ofSt. Francis of Assisi . Presiding over the main altar is a sculpture of a Christ which replaces an older statue destroyed during theSpanish Civil War . In the south wall there is a small chapel alcove dedicated to the patron of the monastery, Our Lady of Miracles. There is a 14th-century alabaster carving of her in the church.The cloister
The Moorish revival-style cloister dates from the fifteenth century and remains in a good state of conservation. In the seventeenth century, it was expanded by the construction of a second storey complete with battlements for defense against pirate invasions. It is decorated with paintings of modern vintage, and some fragments of the original paintings survive. Today, on the second floor, there is a permanent exhibition of scale models of the three
caravel s of the first voyage of Columbus: theNina , thePinta , and theSanta Maria .The reception room
, in this room.
Other rooms
The refectory is a rectangular room with parallel rows of tables and a whitewashed
pulpit orlectern for reading or lecturing or preaching.The library holds documents and objects of historical interest, most notably the
map of the world ofJuan de la Cosa on which, for the first time, the American coast appears.There is also an exhibition room where the flags of each of the American countries and a small sealed vessel containing soil from the New World are on display.
Around a small patio adorned with numerous plants and flowers are rooms decorated with colorful frescos executed by the Spanish painter,
Daniel Vázquez Diaz , in 1930. The subject of these paintings is Columbus and his expedition. The paintings are pre-cubist in style, an approach Vázquez Diaz had recently adopted during a sojourn in Paris.The surroundings of the monastery
In the garden stands "The Column of the Discoverers", a monument to commemorate the four-hundredth anniversary of the first voyage of Columbus. It is made of brilliant white stone incised with numerous figures and scenes depicting the colonization of America.
In front of the main entrance is an iron cross and the busts of the Franciscan friars, Juan Pérez and
Antonio de Marchena , which both were made by the sculptor León Ortega.Next to the entrance is a plaque made of
azulejo s with the following inscription: "The Rábida is the first manifestation of the Hispano-American movement. This place, where the vision of a New World was conceived, is sacred to the hearts of people everywhere. Any Spaniard or American who reflects deeply and elevates his thoughts must ask, 'Won't you help us in our intention to spread love and peace, the forces that radiate from this humble monastery?' Christ, before whom Columbus, Friar Juan Perez, Friar Marchena, and the Pinzóns all prayed, opens his loving arms to men of all beliefs who harbor good will."Our Lady of Miracles
St. Mary, the mother of Jesus, is the patron of the monastery, and a small statue of her can be found in the monastery church. Carved in
alabaster , the statue is, stylistically, of the school of fourteenth-century Andalusian art.According to a legend with scant historical basis, this image was brought back from one of his trips by a sailor from
Palos de la Frontera and, because the Moors were still in Spain, it was hidden by submerging it off the Huelva coast. Later, fishermen hauled it up in their nets and restored it to the church of the monastery. One thing is certain: Columbus and some of his crew prayed before this image hours before setting sail for theNew World .Note
This article is based loosely on a translation of the corresponding article from the Spanish Wikipedia.
References
*http://www.andalucia.com/province/huelva/la-rabida/home.htm
*García Gomez, José Maria. Huelva. Everest editorial, 1979. ISBN 84-241-4292-6
*Aizpún, Isabel. Huelva, Blue Guides of Spain. Gaesa editorial, 1996. ISBN 84-8023-127-0External links
* [http://www.paradoxplace.com/Photo%20Pages/Spain/Andalucia/Rabida/Rabida.htm Convento de la Rábida Photos]
ee also
*
Andalusia
*Costa de la Luz
*Province of Huelva
Wikimedia Foundation. 2010.