- Prilidiano Pueyrredón
Prilidiano Pueyrredón (
January 24 ,1823 –November 3 ,1870 ) was an Argentine painter, architect, and engineer. As one of the country's first prominent painters, he was known for his costumbrist sensibility and preference for everyday themes.Early life
Pueyrredón was the only son of
Juan Martín de Pueyrredón , then thesupreme director of theUnited Provinces of the River Plate , and María Calixta Tellechea y Caviedes, an aristocrat. He completed his primary education at the upper-class Colegio de la Independencia. In 1835 his family relocated to Europe, where he completed his education. He spent the school year inParis and summers inCádiz , where his father owned a business importing Argentine leather.Six years later, as relations between
France and Argentina suffered due to the refusal ofJuan Manuel de Rosas to grant commercial privileges to ships of French origin — a matter which would not be resolved until theBattle of Vuelta de Obligado a few years later — , the Pueyrredóns left Europe forRío de Janeiro . The city's liberal atmosphere encouraged Pueyrredón's artistic vocation. On his return to Paris three years later he received his parents' permission to study engineering.Return to Buenos Aires
In 1849, as the elder Pueyrredón was seriously ill, the entire family returned to Buenos Aires. The general died the following year at the family estate in San Isidro. Although the young Prilidiano, already an engineer, was a peculiar figure by the standards of the Porteño aristocracy, and although rumours abounded about his immorality — he was the first painter in Buenos Aires to paint nudes, of which two, "La siesta" and "El baño", survive to this day and are housed in the
Museo Nacional de Bellas Artes — he managed to gain favour with the aristocracy by painting their portraits. His subjects included Manuelita, the daughter of Rosas, whom he painted in 1851, shortly before the caudillo's defeat.In the middle of that year, however, he fell out with his cousin and neighbour Magdalena Costa, whom he had courted, and this drove him to leave the city and return temporarily to Cádiz. Here, an affair with a local girl led to the birth of his only daughter.
Artistic maturity
Pueyrredón returned to Buenos Aires for the last time in 1854, and applied his engineering and architectural skills to the extensive public works that the city's port, separated from the
Argentine Confederation , had embarked upon. He worked on the restoration and enlargement of various monuments, among them the chapel of Recoleta, the Pyramid of thePlaza de Mayo , and theCasa Rosada . As an urban planner, he designed the Plaza de la Victoria, a park on what was then the Julio Avenue, and the bridge in the neighborhood ofBarracas . He designed the mansion built byMiguel de Azcuénaga in Olivos which later became the official residence of thePresident of Argentina .The 1850s and 1860s were Pueyrredón's most prolific period as a painter. 233 works survive from this period, more than half of them commissioned portraits. Around the same time, he became one of the first painters to explore the figure of the
gaucho , whom he depicted in the Romantic style he had discovered while living in Europe. Many of his most famous works depict life in the wilds of thePampas and on the banks of theRío de la Plata : "Un alto en el campo" (1861), "Capataz y peón de campo" (1864), "Lavanderas del Bajo Belgrano" (1865), and "Recorriendo la estancia" (1865).Pueyrredón died on November 3, 1870, aged 47, at his family's estate in San Isidro. He was largely forgotten until the 1930s, when Argentine critics recognized his contributions to the country's artistic heritage. Particularly admired is his portrait of his father.
References
* cite book
last = Schiaffino
first = Eduardo
authorlink =
coauthors =
title = La pintura y la escultura en la Argentina (1783-1894)
publisher =
date = 1933
location = Buenos Aires
pages =
url =
doi =
id =
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