Matthias Leupold

Matthias Leupold

Matthias Leupold (* 1959 in Berlin) is a German photographer who lives and works in Berlin.

Contents

Life and work

Matthias Leupold completed his photographic education at the D.E.F.A. studio for feature films in Potsdam-Babelsberg. in the early eighties, he started staging photographs in order to express his interest in both photography and film. At first small exhibitions in East Berlin were tolerated by the GDR government. More extensive exhibitions for example at Bauhaus in Dessau and University of Fine Arts in Dresden were forbidden. In 1986, threats of arrest and condemnation influenced his decision to move from East Berlin to West Berlin. He started studying Visual Communications in 1987 at the Berlin University of the Arts (UdK), completing his degree as a master student. He has traveled to many places, including America, in order to exhibit his work and to photograph in very diverse places.

In his series of works, Leupold explores manifestations of picture groups and their social references. In 1988/89, he initiated the 3rd German Art Exhibition - Dresden, to analyze the year 1953 artistically. Thereby, the pictures of this strict beginning of the formalism debate are taken up and restaged photographically. In 1994, Leupold succeeded to exhibit his visual criticism in the Military Historical Museum in Dresden, where he first began his career. His work hung in the same house in which this far-reaching demonstration of power took place in 1953. Another black and white picture series is inspired by the ideological content of the German magazine Die Gartenlaube (Editor: Ernst Keil) and restaged with effortful characteristics, backgrounds and current clothes.[1]

Aside from his series, Leupold photographs numerous frames. Actors, models and laymen made chances for his camera productions. Personal and socially relevant topics like solitude, homecoming, protection, neediness, abundance and waste, as well as current events are reflected.

Some of his photographs make specific content references to a novel by Robert Musil Der Mann ohne Eigenschaften (The Man without Qualities).[2]

Matthias Leupold stayed in the German Academy, Villa Massimo in Rome, from 1997-1998. The mostly color photographs, which were taken there, are characterized by observations of southern light on chapels, sculptures and Madonna Portraits.

Matthias Leupold represents a unique figure in the artistic landscape. This is expressed in his contributions to the exhibitions: Art in the GDR, Berlin National Gallery 2003 and Berlin-Moscow/Moscow-Berli 2004, in Moscow 2004. When i t comes to defining Leupold's work and elaborations, one summarizes in three polar tensions: between statics and dynamics, between contemplation and narration, between comic and symbol. In the pictures, these dimensions and categories do not fall apart but merge partly or completely together.

Works (Selection)

  • 1988-90 Fahnenappell (Flag Appeal) - scenic photography to the third German Art Exhibition in Dresden 1953
  • 1994 Leupolds Gartenlaube (Summer House) - Photographs of admiration in memory of a German family album (Deutsches Familienblatt).
  • 1995 Die Schönheit der Frauen (The Beauty of Women) - photographic open air studies

Publications (Selection)

  • 1992 Matthias Leupold, Fahnenappell (Flag Appeal), scenic photography to the third German Art Exhibition in Dresden 1953, Jonasverlag (publishinghouse) Marburg, 1992 ISBN 3-89445-128-9
  • 1995 Matthias Leupold, Die Schönheit der Frauen (The Beauty of Women) - photographic open air studies, Connewitzer Verlagsbuchhandlung (publishing house) 1996 ISBN 3-928833-43 X
  • 2004 Matthias Leupold, ISBN 3-932187-288 Die Vergangenheit hat erst begonnen (The Past has just begun), Schaden Verlag (publishing house) Cologne, 2004

Individual exhibitions

  • 1992 Fahnenappell (Flag Appeal) - scenic photography to the 3rd Germans Art Exhibition in Dresden 1953, Bauhaus Dessau
  • 1994 Fahnenappell (Flag Appeal) - scenic photography to the 3rd German Art Exhibition in Dresden 1953, Armed Forces Historical Museum Dresden
  • 1996 Die Welt der Frau (The World of Woman) - The woman as such has already proved herself in photography, Festspielgalerie, Berlin
  • 2003 Die Vergangenheit hat erst begonnen (The Past has just begun) - Foundation Moritzburg Landeskunstmuseum Sachsen-Anhalt, Halle/Saale
  • 2004 Die Vergangenheit hat erst begonnen (The Past has just begun) Kunsthalle, Erfurt

Group exhibitions (Selection)

  • 2003 Art in the GDR, National Gallery, Berlin
  • 2004 Berlin-Moscow Moscow-Berlin, State Historical Museum Moscow
  • 2009 Übergangsgesellschaft, Akademie der Künste, Berlin

Collections (Selection)

  • Prussian Cultural Heritage Foundation, Museum for Photography, Berlin
  • Berlinische Galerie
  • Bibliothèque Nationale (National Library), Paris
  • San Francisco Museum of Modern Art
  • Museum Folkwang Essen
  • Rheinisches Landesmuseum Bonn
  • Foundation Moritzburg Landeskunstmuseum Sachsen-Anhalt, Halle/Saale
  • Heinz Nixdorf Museum Forum, Paderborn
  • Zeitgeschichtliches Forum, Leipzig
  • Artothek Berlin

Awards

Bronze Award Best Photographer of the Year, Lianzhou Photo Festival, China 2008

References

  1. ^ Review Die Gartenlaube
  2. ^ Skidmore, James, Der Mann ohne Eigenschaften June 2008, The Literary Encyclopedia

External links

Article in German


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