Virtual telecine

Virtual telecine

A virtual telecine is a piece of video equipment that can play back data files in real time. The colorist-video operator controls the virtual telecine like a normal telecine, although without controls like focus and framing. The data files can be from a Spirit Datacine, motion picture film scanner- like a Cineon, CGI-computer-generated imagery animation computer or an Acquisition professional video camera. The normal input data file standard is DPX. The output of data files are often used in DI - digital intermediate post-production using a film recorder for film-out. The control room for the virtual telecine is called the color suite.

*The 2000 movie "O Brother, Where Art Thou?" was scanned with Spirit Datacine, color corrected with a VDC-2000 and a Pandora Int. Pogle Color Corrector with MegaDEF. A Kodak Lightning II film recorder to data output to back to film.

* Virtual telecines are also used in film restoration.

*Another advantage of a Virtual telecine is once the film is on the storage array the frames may be played over and over again without damage or dirt to the film. This would be the case for outputting to different TV standards (NTSC or PAL) or formats: (pan and scan, letterbox or other aspect ratio. Also restoration, special effect, color grading and other changes can be make to the data file frames before play out.

2k virtual DataCine products

*First virtual telecine by Philips, now Grass Valley a Thomson SA Brand:
**VDC-2000 Virtual DataCine
**Specter FS Virtual DataCine

These are able to play out 2k data files in non-linear real time. Size, rotation and color correction-color grading are all able to be done in real time controlled by a telecine color corrector. A Silicon Graphics-SGI computer is used to play the data files to "Spirit DataCine hardware". The Virtual DataCine can output SDTV (NTSC or PAL) and HDTV-high definition or Data files DPX (or TIF), the same as the Datacine. First generation input/output interface for data files as the optical fiber HIPPI cables (up to 6 fps at 2k), the next generation interface is GSN-Gigabit Ethernet fibre Optic (up to 30 fps at 2k). GSN is also called HIPPI-6400 and was later re-named GSN (for Gigabyte System Network). The SAN hard disk are interfaces to the Virtual DataCine by dual FC-Fibre Channel, cables.Real time 2k Color Correction is done by a Pandora Int.'s Pogle with a MegaDEF. Input and outout 3D LUT-Look up tables are also use to control the look and standard of the clips.

*On a Spirit Datacine Phantom TransferEngine software running on an SGI computer or Bones Linux-based software is use to record the DPX files from the Spirit DataCine. These files are stored in the virtual telecine or on a SAN hard disk storage array. VDC-2000 Specter and Specter FS are made in Weiterstadt-Darmstadt Germany by Grass Valley - a Thomson SA brand, former names see Philips Broadcast and Robert Bosch GmbH, Fernseh Division.

Real-time virtual telecines

*HDTV and better RGB can be used as a Virtual Telecine. In this case, standard HDTV video products can be used in a post production work flow.

*As faster computers and SAN-Storage area network come on the market, more Real time 2k Virtual Telecine will be on the market, SDTV is easier to output in real time than HDTV or 2k display resolution files.

*Limitation to speed are: color correction, resizing aspect ratio , dirt removal, special effects, motion picture credits, and other restoration. Also bandwidth speed of the hardware limits real time play out: CPU, interface, SAN, memory, software and hardware.

Current virtual telecines are:
*Da Vinci Systems Splice
*Grass Valley Bones
*Filmlight Baselight
*SpectSoft RaveHD and Rave2K

Non-real-time virtual telecines

A number of products are on the market that can output frames in less than real time. These can be used to put DPX data file, but are too slow for HDTV. For some digital intermediate work 4k data is needed. These large 4k display resolution files cannot be transferred in real time.

ee also

*digital film
*Telecine
*Direct to Disk Recording
*Hard disk recorder
*Lustre (file system)
*Fernseh

External links

* [http://www.thomsongrassvalley.com/] Thomson Grassvalley Home Page
* [http://www.ascentmedia.com/solutions/onesheets/VIRTUAL_TELECINE_FINAL2.pdf] Ascent Media’s Virtual Telecine
* [http://www.angelfire.com/fl3/FDL60/history.htm#cc] - Pogle


Wikimedia Foundation. 2010.

Игры ⚽ Поможем сделать НИР

Look at other dictionaries:

  • Telecine — For a television network in Brazil, see Rede Telecine. Telecine (  /ˈtɛl …   Wikipedia

  • Spirit DataCine — is a telecine and/or a motion picture film scanner. This device is able to transfer 16mm and 35mm motion picture film to NTSC or PAL standards or one of many High definition television standards. With the data transfer option a Spirit DataCine… …   Wikipedia

  • Fernseh — The Fernseh AG television company was registered in Berlin on July 3, 1929 by John Logie Baird, Robert Bosch and other partners [ [http://www.radiomuseum.org/dsp hersteller detail.cfm?company id=7309 Fernseh.. (Fernseh AG, Fernseh GmbH etc.)… …   Wikipedia

  • Da Vinci Systems — is a main manufacturer of high end post production color grading and film restoration systems for feature films, video production and broadcast post production facilities. It was headquartered in Coral Springs, Florida still with offices in Los… …   Wikipedia

  • Color suite — also called a Color bay or a Telecine suite or Color correction bay. Color suite is the control room for color grading video in a post production environment. The video source could be from: a telecine, a Video tape recorder (VTR), a motion… …   Wikipedia

  • Motion picture film scanner — A motion picture film scanner is a device used in digital filmmaking to scan original film for storage as high resolution digital intermediate files. A film scanner scans original film stock: negative or positive print or reversal/IP. Units may… …   Wikipedia

  • VDC — is a three letter abbreviation with multiple meanings: In technology: * Virtual Design and Construction, the process of using 3D modeling software to design and evaluate construction processes before actual construction * Volts of continuous… …   Wikipedia

  • Film-out — is the process in the computer graphics, video and filmmaking disciplines of transferring images or animation from videotape or digital files to a traditional celluloid film print. Film out is a broad term that encompasses the conversion of frame …   Wikipedia

  • Film preservation — Stacked containers filled with reels of film stock. The film preservation, or film restoration, movement is an ongoing project among film historians, archivists, museums, cinematheques, and non profit organizations to rescue decaying film stock… …   Wikipedia

  • Direct to disk recording — refers to methods by which digital audio and video are recorded to portable storage media such as hard drives and DVDs.Direct to disk can involve permanent or semi permanent non volatile recording media. Computer hard disk drives are erasable and …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”