You Really Got Me

Infobox Single
Name = You Really Got Me


Artist = The Kinks
from Album = The Kinks
B-side = "It's Alright"
Released = August 4, 1964
August 26, 1964 (USA)
Format = 7" single
Recorded = July, 1964, IBC Studios, London, England
Genre = Hard rock
Length = 2 min 14 sec
Label = Pye 7N 15673
Reprise 0306
Writer = Ray Davies
Producer = Shel Talmy
Certification =
Last single = "You Still Want Me"
(1964)
This single = "You Really Got Me"
(1964)
Next single = "All Day and All of the Night"
(1964)

"You Really Got Me" is a rock song written by Ray Davies and performed by his band, The Kinks. It was released as the group's third single, in August 1964, and reached Number 1 on the UK singles chart the following month, staying there for two weeks. It was the group's breakthrough hit, and established them as one of the top British Invasion acts in the United States, reaching Number 7 there later in the year. It was later included on the Kinks' debut album, "The Kinks".

"You Really Got Me" was the first hit song built around power chords (parallel 5ths and octaves) Walser, Robert (1993). "Running with the Devil: Power, Gender, and Madness in Heavy Metal Music", p.9. Wesleyan University Press. ISBN 0819562602.] , and was heavily influential on later rock and roll musicians, particularly in the heavy metal genre. One critic wrote that it is, "the track which invented heavy metal" while critic Denise Sullivan of Allmusic writes, "'You Really Got Me' remains a blueprint song in the hard rock and heavy metal arsenal." [http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:agl67u504020 Review of "You Really Got Me"] , Denise Sullivan, Allmusic, [http://allmusic.com All Music.com] ]

The Rolling Stone magazine placed the song at number 82 on their list of list of the 500 greatest songs of all time and at number 4 on their list of the The 100 Greatest Guitar Songs of All Time [ [http://www.rollingstone.com/news/coverstory/20947527/page/41 The 100 Greatest Guitar Songs of All Time : Rolling Stone ] ] . In early 2005, the song was voted the best British song of the 1955-1965 decade in a BBC radio poll. In March 2005, "Q" magazine placed it at number 9 in its list of the 100 Greatest Guitar Tracks.Fact|date=September 2008 In 2004 the song managed to be voted into the bottom end of the Kerrang! Rock 100 best music videos of all time, by readers of the magazine and viewers of the TV station.Fact|date=September 2008 This can be considered surprising as the magazine has never mentioned the bandFact|date=September 2008, the magazine concentrates on heavy metal rock acts, grunge or emo genres, and the band never made a music video for the song.Fact|date=September 2008

History

The song was recorded by the Kinks in a number of styles in the summer of 1964 before the final sound was achieved. The group was under tremendous pressure for a hit from their record company Pye, after their two previous single releases failed to chart. Ray Davies in particular was stubbornly persistent in forcing the Kinks' management and record company to take the time and money needed to develop the record's landmark sound and style. Davies' efforts on behalf of the career-making song effectively established him as the leader and chief songwriter of the Kinks.

The influential distortion sound of the guitar track was created after guitarist Dave Davies sliced the speaker cone of his guitar amplifier with a razor blade and poking it with a pin. The amplifier was affectionately called "little green," after the name of the amplifier made by the Elpico company, and purchased in Davies' neighbourhood music shop, slaved into a Vox AC-30.

The guitar solo on the recording is the source of one of the most controversial and persistent myths in all of rock and roll: that it was not played by the Kinks' lead guitarist Dave Davies, but by then-session player Jimmy Page. The solo was undoubtedly played by Dave Davies (then seventeen years old), as everyone involved in the July 1964 recording sessions for the track has always maintained. Although an effective and integral part of the song, it is essentially a faster variation of the "Louie Louie" guitar solo, and did not represent a great technical or stylistic achievement on par with that song's driving three-chord rhythm backing (save for the method of playing the pentatonic scale in a manner that "seems" sloppy; this technique is a major watershed in the history of rock and roll, arguably an influence on punk rock). However, the story has circulated for decades that the solo was played by Jimmy Page, who later joined The Yardbirds and Led Zeppelin. Page was in fact hired by Kinks producer Shel Talmy as a session rhythm guitarist on a handful of tracks on the Kinks' first album, but those sessions took place several weeks after the "You Really Got Me" session. Page has always denied playing the song's guitar solo, going so far as to state in a 1977 interview that "I didn't play on 'You Really Got Me' and that's what pisses him (Ray Davies) off." Rock historian and author Doug Hinman makes a case that the rumour was begun and fostered by the established UK Rhythm and Blues community, many of whose members were resentful that an upstart band of teenagers such as the Kinks could produce such a powerful and influential blues-based recording, seemingly out of nowhere.

Several session musicians did play on "You Really Got Me": The piano was by either keyboardist Jon Lord of Deep Purple. [ [http://www.picturedwithin.com/interviews/leicester_mercury.html Jon Lord Official Fan Site - Pictured Within] www.picturedwithin.com] or Arthur Greenslade [ [http://www.creemmagazine.com/_site/BeatGoesOn/Kinks/UnravelsTheKinks001.html Ray Davies interview with Creem] www.creemmagazine.com ] In the same interview, Davies says that there was a session guitarist doubling his rhythm part, but that it wasn't Page. At the behest of producer Shel Talmy, session drummer Bobby Graham played drums on the recording, rather than regular Kinks drummer Mick Avory. Graham went on to play the main drum part on many of the Kinks' early recordings. Interestingly, both Jon Lord and Shel Talmy claim Jimmy Page did play on "You Really Got Me". Talmy credits him for the rhythm guitar [ [http://www.richieunterberger.com/talmy.html Full interview transcript with Shel Talmy, producer of the Who and Kinks] , Richie Unterberger, [http://richieunterberger.com richieunterberger.com] ] and Lord for the solo. [ [http://www.thehighwaystar.com/interviews/lord/jl19890100.html Jon Lord's Purple Reign] Joe Lalaina, Modern Keyboard Magazine, January, 1989 ]

According to Ray Davies, the song's characteristic riff came about while working out the chords of The Kingsmen's "Louie Louie." The Kinks' use of distorted guitar riffs continued with songs like "All Day and All of the Night," "Tired of Waiting for You," and "Set Me Free," among others. Pete Townshend of The Who has stated that their first single, "I Can't Explain," was an intentional soundalike of The Kinks' work at the time (The Who were also produced by Shel Talmy at that time).

The Kinks would go on to perform successfully together as a band for over 30 years, through many musical styles, and they would always play "You Really Got Me" in concert. Both Ray and Dave Davies still perform the song in solo shows, generally as a closing number.

Cover versions

"You Really Got Me" has been recorded by many artists, with the 1978 version by Van Halen receiving airplay on classic rock radio rivaled only by the original. In addition to solo versions by the Kinks band members and brothers Dave Davies and Ray Davies, as of 2008 Allmusic lists dozens of cover versions. [http://www.allmusic.com/cg/amg.dll?p=amg&sql=17:1767814 Recorded Performances of "You Really Got Me"] from Allmusic The Guide 2008 lists
Tommy Angelo,
Pimpi Arroyo,
Big Al & the Atomsmashers,
The Blizzards,
Bloomsbury Pops,
Boy Howdy,
Marty Casey,
Los Chicos,
David Clay,
Alan Clayson & the Argonauts,
Combination No. 10,
Daddy Mack Blues Band,
Dalek I Love You,
Paul Di'Anno,
Dianno,
Dirty Tricks,
Doctor Mix & the Remix,
Eclipse,
801,
Eve 6,
Forcefield,
Friar Tuck and The Monks,
Girl,
The Gonn,
Herb Gross & the Invictas,
Charlie Haas,
Hammersmith Gorillas,
Happy Schnapps Combo,
Heavy Cruiser,
Hexstatic,
Hit Crew,
Jive Bunny and the Mastermixers,
Jerry Wayne Jodice,
Juggernaut Jug Band,
Seth Kibel,
The Knickerbockers,the London Symphony Orchestra,
Lords of the New Church,
Wayne Morris,
Mott the Hoople,
Negative Ken,
Bill Nighy,
No Mercy,
Oingo Boingo,
Los Pacificos,
Jimmy Page,
Robert Palmer,
Patron Saints (band),
Iggy Pop,
Radio Cult,
Retros,
Robots in Disguise,
Rosetta Stone (band),
Helen Schneider,
Siggi Schwarz,
Silicon Teens,
Skeletal Earth,
Skid Row,
Sly & the Family Stone,
The Small Faces,
Smart Alec,
The Smithereens,
Stackwaddy,
The Stooges,
Studio 99,
Sugar Beats,
Gina T.,
13th Floor Elevators,
Thundermug (band),
Tight Fit,
Tom Baker,
Toots & the Maytals,
Van Halen,
Venus in Bluejeans,
Mariska Veres,
Vintage Buzz,
Warfare,
WaveGroup,
The West Coast Pop Art Experimental Band, and
The Wilde Flowers.] ;13th Floor Elevators, 1966The 13th Floor Elevators covered the song in 1966. A live version is included in the 2003 re-release of their album "The Psychedelic Sounds of the 13th Floor Elevators".

;The Human Instinct, 1969New Zealand blues-rock band The Human Instinct included a slow blues version of the song on their 1969 debut album, "Burning Up Years". It also appeared as the B-side of their single "I Think I'll Go Back Home" the same year.

;Mott the Hoople, 1969On Mott the Hoople's debut album, they did an all instrumental version of the song. A vocal version is included on several later compilation albums.

;801, 1976From a short-lived progressive/glam-rock supergroup featuring Roxy Music's Phil Manzanera and Roxy alumnus Brian Eno, 801's debut LP '801 Live' included a version of "You Really Got Me" in the mode of the noisier uptempo songs on Eno's early-1970s rock albums.

;Robert Palmer, 1978In 1978, Robert Palmer released his solo album "Double Fun", a collection of Caribbean-influenced rock which included a down-tempo and syncopated version of "You Really Got Me". The album reached the Top 50 on the US Billboard charts.

;Van Halen, 1978

Probably the most famous non-Kinks version of audio|Vhyoureallygotme.ogg|"You Really Got Me" was by the US hard rock band Van Halen, who recorded the song for their 1978 debut album, "Van Halen". It was a popular radio hit, and jump-started the band's careerFact|date=November 2007, just as it had done for The Kinks 14 years earlier.

This version of the song was put in the 2003 video game Karaoke Revolution and the 2006 video game Guitar Hero 2.

This version was the soundtrack of the 1995 award-winning Nissan commercial "Toys" in which "Nick", driving a toy Nissan 300ZX, entices "Roxanne" out on a date, much to "Tad"'s dismay. Mattel sued. [ [http://www.mtv.com/news/articles/1424993/19970924/aqua.jhtml After Aqua, Mattel goes after Car Ad] MTV.com, September 24, 1997] [ [http://query.nytimes.com/gst/fullpage.html?res=9B00E0DB163BF933A1575AC0A961958260 Mattel Sues Nissan Over TV Commercial] New York Times, September 20, 1997]

;Dalek I Love You, 1980
Dalek I Love You's version, on their 1979 album "Compass Kumpas", is very different from the original; it features a mixture of A cappella vocals and synth-pop instrumentation.

;Oingo Boingo, 1981
Oingo Boingo's 1981 version differed markedly from the original, similar in style to Devo's twisted covers. It was included on Oingo Boingo's 1981 album "Only A Lad".

;Sly & The Family Stone, 1983
Sly & the Family Stone covered the song in their last studio album, "Ain't But the One Way".

;Toots & the Maytals, 1998A ska cover leads off the CD "Ska Father".

;Superdrag, 2001American power-pop/alternative rock band Superdrag covered the song on their 2001 album "Greetings from Tennessee".

;Cactus Jack, 2002Serbian hard rock band Cactus Jack released an "All Day and All of the Night" / "You Really Got Me" medley on their 2002 live album "DisCover".

;BoyBand, 2006In 2006, New Zealand radio station The Edge created New Zealand's first ever manufactured boy band in a promotion. This group released one single in their promised "15 seconds of fame", a version of "You Really Got Me". This single spent one week at number one in the RIANZ New Zealand Singles Chart.

;Robots In Disguise, 2006The female electro punk duo Robots in Disguise covered "You Really Got Me" on their 2006 album.

;Sanjaya Malakar, 2007
Sanjaya Malakar, a controversial contestant of American Idol's sixth season, sang "You Really Got Me" during an episode of the show, which got mostly negative reviews. [ [http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003573869 Sanjaya Malakar Voted Off 'American Idol'] , Associated Press, April 19, 2007]

Charts

Singles - Billboard (North America)

References