- John Entwistle
Infobox musical artist
Name = John Entwistle
Img_capt =
Landscape = Yes
Background = solo_singer
Birth_name = John Alec Entwistle
Alias = The Ox, Thunderfingers
Born = birth date|1944|10|9|df=yChiswick ,London ,England
Died = Death date and age|2002|6|27|1944|10|9|df=yes
Las Vegas,Nevada , U.S.
Instrument =Bass guitar , Vocals,French horn ,Guitar ,Piano ,Harmonica
Voice_type = Tenor, Baritone
Genre = Rock
Occupation =Musician ,Songwriter
Years_active = 1962 - 2002
Label =Polydor , MCA
Associated_acts =The Who ,Ringo Starr
URL = [http://www.johnentwistle.com/ johnentwistle.com]
Notable_instruments =Fender Precision Bass Fender Jazz Bass Gibson Thunderbird
Alembic Explorer
Warwick Buzzard
Rickenbacker 4001John Alec Entwistle (
October 9 ,1944 –June 27 ,2002 ) was an Englishbass guitarist ,songwriter ,singer , and horn player, who was best known as the bass guitarist for the rock bandThe Who . His aggressive lead sound influenced rock bass players [ [http://www.infoplease.com/ipa/A0904339.html infoplease.com] ] [ [http://www.johnentwistle.com/images/bass2kp1.jpgjohnentwistle.com Bassist of the Millennium] ] such as Steve Harris,Geddy Lee ,Phil Lesh ,Billy Sheehan andChris Squire .Entwistle's lead instrument approach used pentatonic lead lines, and a then-unusual trebly sound created by roundwound
RotoSound steel bass strings. He had a collection of over 200 instruments by the time of his death, reflecting the different brands he used over his career: Fender andRickenbacker basses in the 1960s, Alembic's basses in the 1970s, Warwick in the 1980s, and Status all-graphite basses in the 1990s.Birth and early career
John Alec Entwistle was born in
Chiswick , aLondon suburb in 1944 and attended Acton CountyGrammar School . He joined the Middlesex Youth Orchestra and his initial music training was ontrumpet ,french horn , andpiano , all three of which would figure into his later rock playing. In the early 1960s, he played in several traditional jazz and dixieland outfits. He formed a duo called the Confederates with schoolmatePete Townshend , and later joinedRoger Daltrey 's band the Detours. This band later becameThe Who .He was nicknamed "The Ox" because of his strong constitution—his seeming ability to "eat, drink or do more than the rest of them."
Bill Wyman , bassist for theRolling Stones , described him as "the quietest man in private but the loudest man on stage." For this reason, and his onstage demeanor in which he would stand calmly while plucking very fast, he was often known by the nickname "Thunderfingers" by his bandmates and Who fans.Entwistle's Who songs, along with his solo material, reveal a dark sense of humor which was often incompatible with Pete Townshend's more introspective work. Though he continued to contribute material to all of The Who's albums with the exception of "
Quadrophenia ", his frustration with having his material recorded by the band (largely with having to relinquish singing duties to Roger Daltrey) led him to release "Smash Your Head Against the Wall " in 1971, thus becoming the first member of The Who to release a solo record. Entwistle also contributed backing vocals and horn performances to the group's songs, most notably on "Quadrophenia ", where he layered several horns to create the brass as heard on songs such as "", among others.In the mid 1960s, Entwistle was one of the first to make use of Marshall stacks. Pete Townshend later remarked that John started using Marshalls in order to hear himself over drummer
Keith Moon 's drums, and Townshend himself also had to use them just to be heard over John. They both continued expanding and experimenting with their rigs, until (at a time when most bands used 50-100w amps with single cabinets) they were both using twin Stacks with new experimentalprototype 200w amps.This, in turn, also had a strong influence on the band's contemporaries at the time, with Cream and
the Jimi Hendrix Experience both following suit. Ironically, although they pioneered and directly contributed to the development of the "classic" Marshall sound (at this point their equipment was being built/tweaked to their personal specifications), they would only use Marshalls for a couple of years. Entwistle eventually switched to using a Sound City rig in search of his perfect sound, with Townshend also switching later on.Entwistle also experimented throughout his career with "bi-amping," where the high and low ends of the bass sound are sent through separate signal paths, allowing for more control over the output. At one point his rig became so loaded with speaker cabinets and processing gear that it was dubbed "Little Manhattan," in reference to the towering, skyscraper-like stacks, racks and blinking lights.
His "full treble, full volume" approach to bass sound was originally supposed to be captured in the bass solo to "My Generation". According to Entwistle, his original intention was to feature the distinctive
Danelectro Longhorn bass, which had a very twangy sound, in the solo, but the strings kept breaking. Eventually, he recorded a simpler solo using a pick with aFender Jazz Bass strung with LaBella tapewound strings. This solo bass break is important as it is one of the earliest bass solos (if not the first) captured on a rock record. A live recording of The Who exists from this period (c. 1965), with Entwistle playing a Danelectro on "My Generation", giving an idea of what that solo would have sounded like.Late career
Toward the end of his career, he formed "The John Entwistle Band" with longtime friend, drummer
Steve Luongo .Godfrey Townsend (no 'h', no relation toPete Townshend ) played guitar and sang lead vocals. In 1996, the band went on the "Left for Dead" tour withAlan St. Jon on keyboards. After Entwistle toured with The Who for "Quadrophenia" in 1996-97, the Entwistle band set off on the "Left for Dead - the Sequel" tour in late 1998, now withGordon Cotten on keyboards. After this second venture, the band released an album of highlights from the tour, called "Left for Live". In 1995 Entwistle also toured and recorded withRingo Starr in one of the incarnations of Ringo's "All-Starr Band". This one also featuredBilly Preston andMark Farner . In this ensemble, he played and sang "Boris the Spider" as his Who showpiece, along with "My Wife ". Towards the end of his career he used a Status Graphite Buzzard Bass, which he designed. In 1999, 2000, and early 2002, John played as part of The Who.In 2001 he played in
Alan Parsons 'Beatles tribute show "A Walk Down Abbey Road". The show also featuredAnn Wilson of Heart,Todd Rundgren ,David Pack of Ambrosia, Godfrey Townsend on guitar, Steve Luongo on drums, and John Beck on keyboards. Between that tour and his prior tour with Ringo, Entwistle joked that he had played "Yellow Submarine " more often thanPaul McCartney . That year he also played with The Who atThe Concert for New York City . He also joined forces again with "The John Entwistle Band" for an 8 gig tour. This time Chris Clark was on Keyboards. In January-February 2002 John played his last concerts with The Who in a handful of dates in England, the last being 8 February in London'sRoyal Albert Hall . In late 2002, an expanded 2-CD "Left for Live Deluxe" was released, highlighting The John Entwistle Band performances.Death
Entwistle died in a hotel room at the Hard Rock Hotel and Casino in Las Vegas on
June 27 ,2002 one day before the scheduled first show of The Who's 2002 US tour. The Las Vegas medical examiner determined that death was due to a heart attack induced by an undetermined amount ofcocaine . Though the amount in Entwistle's bloodstream was not great, the drug caused hiscoronary arteries , already damaged due to a pre-existing heart condition, to contract. Entwistle used cocaine throughout much of his adult life.His funeral was held at Saint Edward's Church in
Stow-on-the-Wold ,Gloucestershire , England, onJuly 10 ,2002 . He was cremated and his ashes buried privately. A memorial service was held onOctober 24 ,2002 at St. Martin-in-the-Fields, Trafalgar Square, London. Entwistle's collection of guitars and basses was auctioned atSotheby's in London by his son, Christopher Entwistle, to meet anticipated duties on his father's estate.Joy Division /New Order bassistPeter Hook is among those who acquired some of Entwistle's basses at the auction.His mansion in Stow-on-the-Wold in the
Cotswolds and a number of his personal effects were later sold off to meet the demands of theInland Revenue . While The Who, including Entwistle and Moon, recorded with a multitude of instruments, they always performed as a four-piece band. Following his death, Moon was replaced not only bySmall Faces /Faces drummerKenney Jones andZak Starkey (son ofRingo Starr ), but The Who also added keyboardist John "Rabbit" Bundrick to the live band. Similarly, when Entwistle died, his place in the live band was filled byPino Palladino , with second guitaristSimon Townshend (Pete Townshend's brother) having been added at rehearsals just weeks before Entwistle's death.Welsh-born bassist
Pino Palladino , who played on several ofPete Townshend 's solo records, took over for Entwistle on stage when The Who resumed their postponed U.S. tour following his funeral. Pete Townshend and Roger Daltrey spoke at length about their reaction to Entwistle's death. Some of their comments can be found on the "The Who Live in Boston" DVD.Geddy Lee , of the band Rush, dedicated their performance of the songBetween Sun and Moon to Entwistle on the opening night of theirVapor Trails tour which began the following night onJune 28 ,2002 inHartford, Conn. Entwistle is credited by
Lemmy Kilmister on the 2004Motörhead album "Inferno" with the words: "In memory of John Entwistle; my friend, my hero, may his generous soul live forever."Technique
Entwistle's technique ranged from using fingers, plectra and
tapping to utilizingharmonics in his passages. He would change the style of play between songs and even during songs to change the sound he produced. His fingering technique would involve pressing down on the string hard and releasing in an attempt to reproduce a trebly, twangy sound. Note however, that he would change his thumb position frompickup , to the E string and occasionally even allowing his thumb to float near the pickup. His plectrum technique would involve holding the plectrum between his thumb and forefinger, with the rest of his fingers outstretched for balance.Entwistle's playing style was rarely captured well in the studio. He was better heard in concert, where he and guitarist Pete Townshend frequently exchanged roles, with Entwistle providing rapid melodic lines and Townshend anchoring the song with rhythmic chord work. Indeed, Townshend noted that Entwistle did the rhythmic timekeeping in the band, doing the role of the drummer. Moon, on the other hand, with all his flourishes around the kit, was like a keyboard player. In 1989, Entwistle pointed out that, according to modern standards, "The Who haven't a proper bass player." [Guitar Player's Chris Jisi in 1989
Entwistle also developed what he called a "typewriter" approach to playing the bass. It involved positioning the right hand over the strings so all four fingers could be used to tap percussively on the strings, causing them to strike the fretboard with a distinctive twangy sound. This gives the player the ability to play three or four strings at once, or to use several fingers on a single string. It allowed him to create passages that were very percussive and melodic. He used this approach to mimic the fills used by his drummers in band situations, sometimes sending the fills back at the drummers faster than the drummers themselves could play them.
This method is unique and should not be confused with the hammer-on tapping techniques of
Eddie Van Halen andStu Hamm or theslapping technique ofLarry Graham , and in fact pre-dates these other techniques. A demonstration of this approach to bass playing can be seen on a video called "John Entwistle - Master Class", part of Arlen Roth's Hot Licks instructional series, as well asMike Gordon 's film,Rising Low . Demonstrated inMike Gordon 's film,Rising Low is John's tendency to use his fore, middle and ring fingers on his right hand when playing. This would allow him to create "clusters of notes" in his bass lines, as well as play triplets with relative simplicity. Notable in his left-handed technique is his use of slides, positioning the left hand for octaves and his use of thepentatonic scale.Entwistle identified his influences as a combination of his school training on French horn, trumpet, and piano (giving his fingers strength and dexterity). Musicians who influenced him included rock & roll guitarists
Duane Eddy andGene Vincent , and American soul and R&B bassists such asJames Jamerson . Like Jamerson, Entwistle is credited as a pioneer on the bass guitar. In turn, Entwistle has been a massive influence on the playing styles and sounds used by generations of bass players that have followed him and continues to top 'best ever bass player' polls in musicians magazines. In 2000, "Guitar" magazine named him "Bassist of the Millennium" in a readers' poll.Who songs
He wrote music for The Who, singing lead vocals on some, including:
*"905" - "Who Are You ", 1978
*"Boris the Spider" - "A Quick One ", 1966
*"Cousin Kevin " (3 part harmony--Daltrey-Entwistle-Townshend) - "Tommy", 1969
*"Dangerous" (lead vocal by Daltrey) - "It's Hard ", 1982
*"Doctor, Doctor" - B-Side to "Pictures of Lily ", 1967
*"Dr. Jekyll and Mr. Hyde" - B-Side to "Call Me Lightning" in the USA, 1968, and to "Magic Bus " in the UK, 1968
*"Fiddle About " - "Tommy", 1969
*"Had Enough" (lead vocal by Daltrey) - "Who Are You ", 1978
*"Heaven and Hell" - B-Side to "Summertime Blues ", 1970)
*"Heinz Baked Beans" - "The Who Sell Out ", 1967
*"In the City" (credited to Entwistle/Moon) - B-Side to "I'm a Boy ", 1966
*"It's Your Turn" (lead vocal by Daltrey) - "It's Hard ", 1982
*"I've Been Away" - B-Side to "Happy Jack " in the UK, 1966
*"Medac" - "The Who Sell Out ", 1967
*"My Wife " - "Who's Next ", 1971
*"One at a Time" - "It's Hard ", 1982
*"Postcard" - "Odds and Sods ", 1974
*"Silas Stingy" - "The Who Sell Out ", 1967
*"Someone's Coming" (lead vocal by Daltrey) - B-Side to "I Can See For Miles " in the UK, 1967, and to "Magic Bus " in the USA, 1968
*"Success Story" (verses by Daltrey, bridge by Entwistle himself) - "The Who By Numbers ", 1975
*"The Ox" (instrumental, withPete Townshend ,Keith Moon andNicky Hopkins ) - "My Generation ", 1965
*"The Quiet One" - "Face Dances ", 1981
*"Trick of the Light" (lead vocal by Daltrey) - "Who Are You ", 1978
*"Twist and Shout" -Live at Maple Leaf Gardens , 1983
*"We Close Tonight" - (written by Townshend, Keith Moon sings parts of this song, and Entwistle sings the rest), recorded in 1973 but not released until 1998 on the expanded version of "Odds and Sods "
*"When I Was a Boy" - B-Side to "Let's See Action", 1971
*"Whiskey Man" - "A Quick One ", 1966
*"You" (lead vocal by Daltrey) - "Face Dances ", 1981Discography
olo releases
*"
Smash Your Head Against the Wall " (1971), US #126
*"Whistle Rymes " (1972), US #138
*"Rigor Mortis Sets In " (1973), US #174
*"Mad Dog" (1975), US #192
*"Too Late the Hero" (1981), US #71
*"The Rock" (1996)
*"King Biscuit Flower Hour Presents in Concert " (1996)
*"Left for Live " (1999, re-released in 2002)
*"Music from Van Pires " (2000)Collaborations
* "
Smiling Men with Bad Reputations " (WithMike Heron ) (1971)
* "Flash Fearless vs the Zorg Women Parts 5 and 6 " (WithAlice Cooper et al) (1975)
* "Any Road Up " (WithSteve Gibbons Band ) (1976)
* "One of the Boys " (WithRoger Daltrey ) (1977)
* "Fabulous Poodles " (WithThe Fabulous Poodles ) (1977)
* "Rough Mix " (WithPete Townshend andRonnie Lane ) (1994)
* "Mirror Stars " (WithFabulous Poodles ) (1978)
* "Framed " (With Dave Lambert) (1979)
* "McVicar " (WithRoger Daltrey ) (1980)
* "Un autre monde " (WithTéléphone ) (1984)
* "Eddie Hardin and Zak Starkey's Musical Version of Wind in the Willows " (WithEddie Harden ,Zak Starkey et al) (1985)
* "You'll Never Walk Alone" (WithBradford City Disaster Fund ) (1985)
* "" (WithPete Townshend ) (1989)
* "When You're a Boy " (WithSusanna Hoffs ) (1991)
* "" (WithRoger Daltrey ) (1994)
* "Halfway Back from Anywhere " (WithIan Brusby ) (1994)
* "Looks Like Ringo, Sound's Like John " (WithWiseguys INTL. ) (1995)
* "Ringo Starr and His Third All-Starr Band-Volume 1 " (WithRingo Starr et al) (1995)
* "Baptizm of Fire " (withGlenn Tipton andCozy Powell ) (1997)
* "The Deep End, Volume 1 (withGov't Mule (2001)
* "The Pioneers with Special Guest Pioneer John Entwistle " (WithThe Pioneers ) (2002)
* "Edge of the World " (As Tipton, Entwistle & Powell) (2006) (Posthumous)Compilations
*"
The Best of Music and Rhythm " (1983)
*"Songs from the Material World " (2003)
*"So Who's the Bass Player? The Ox Anthology " (2005)Notes
External links
* [http://www.johnentwistle.com JohnEntwistle.com]
* [http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=6552413 Memorial Page for John Entwistle on FindaGrave]
* [http://www.johnentwistle.org The John Entwistle Foundation]
* [http://twtd.bluemountains.net.au/cream/whostuff/who&marshall.htm The Who's Marshall history]
* [http://www.wholocations.co.uk/ The Who Location Guide]
* [http://www.thewhoforum.co.uk/ The Who Forum: Who news and discussion community.]
* [http://concerts.wolfgangsvault.com/dt/john-entwistle-concert/20052597-3485.html Listen to John Entwistle Live from the Philadelphia Spectrum on Match 15, 1975]Persondata
NAME= Entwistle, John
ALTERNATIVE NAMES= Entwistle, John Alec
SHORT DESCRIPTION=Musician ,Songwriter
DATE OF BIRTH=October 9 ,1944
PLACE OF BIRTH=Chiswick ,London ,England
DATE OF DEATH=June 27 ,2002
PLACE OF DEATH=Las Vegas, Nevada ,Nevada ,United States
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