- Young-Hae Chang Heavy Industries
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Young-Hae Chang Heavy Industries (장영혜중공업) is a Seoul-based Web art group consisting of Marc Voge (U.S.A.) and Young-hae Chang (Korea).
Their work, presented in 17 languages, is characterized by text-based animation composed in Adobe Flash that is highly synchronized to a musical score that is often original and typically jazz.[1][2] In 2000, YHCHI's work was recognized by the San Francisco Museum of Modern Art for its contribution to online art. In 2001 the group was awarded a grant from the Foundation for Contemporary Arts Grants to Artists. Their solo show, "Black On White, Gray Ascending", a seven-channel installation, was part of the inaugural opening of the New Museum of Contemporary Art, New York, in 2007.
According to the artists, their piece Dakota "is based on a close reading of Ezra Pound's Cantos I and first part of II."[3] Their pieces are characterized by speed, references to film, concrete poetry, etc. Their work is sometimes called digital literature or net art, but there is no consensus.
References
- ^ David Herman, The Cambridge Companion to Narrative, Cambridge University Press, 2007, p174. ISBN 0521856965
- ^ Carmen Rosa Caldas-Coulthard and Michael J. Toolan, The Writer's Craft, the Culture's Technology, Rodopi, 2005, p18. ISBN 9042019360
- ^ "Distance, Homelessness, Anonymity, And Insignificance": An Interview With Young-Hae Chang Heavy Industries
External links
- Young-Hae Chang Heavy Industries Presents, (Official Site)
- "The Art of Sleep" and "The Art of Silence" - a piece commissioned by the Tate Gallery, including an interview with Young-Hae Chang Heavy Industries.
- "Les Amants De Beaubourg / The Lovers of Beaubourg," a specially commissioned work for the 30th anniversary of the Centre Pompidou.
- Intercultural medium literature digital: Interview with Young-Hae Chang Heavy Industries
- Pressman, Jessica. "The Strategy of Digital Modernism: Young-hae Chang Heavy Industries' Dakota," Modern Fiction Studies 54(2); 302-26.
- N. Katherine Hayles, Electronic Literature: New Horizons for the Literary, Notre Dame: University of Notre Dame Press, 2008. 19-30, 124-29
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