Autobiography (Ashlee Simpson album)

Infobox Album
Name = Autobiography
Type = Album
Artist = Ashlee Simpson


Released = July 20, 2004 (U.S.)
August 30, 2004 (U.K.)
Recorded = Henson Recording Studio, Hollywood, California
Genre = Pop rock,pop punk,modern rock,teen pop,alternative rock
Length = 44:01
Label = Geffen
Producer = Jordan Schur (exec.)
John Shanks
Reviews =
* "Allmusic" Rating|3.5|5 [http://allmusic.com/cg/amg.dll?p=amg&sql=10:wifixq9sldke link]
* "BBC" (mixed) [http://www.bbc.co.uk/music/release/6zxm/ link]
* "Blender" Rating|3|5 [http://www.blender.com/guide/reviews.aspx?id=2685 link]
* "Entertainment Weekly" (B-) [http://www.ew.com/ew/article/review/music/0,6115,664360_4%7C%7C684735%7C0_0_,00.html link]
* "Rolling Stone" Rating|2|5 [http://www.rollingstone.com/reviews/album/_/id/6222372/ashleesimpson?rnd=1123894912500&has-player=true&version=6.0.12.1040 August 5, 2004]
This album = "Autobiography"
(2004)
Next album = "I Am Me"
(2005)
Misc = Singles
Name = Autobiography
Type = studio
single 1 = Pieces of Me
single 2 = Shadow
single 3 = La La
single 1 date = June 29, 2004
single 2 date = November 8, 2004
single 3 date = January 24, 2005

"Autobiography" is the debut studio album by American pop rock singer Ashlee Simpson. Released in the United States by Geffen Records on July 20, 2004, the album debuted at number one on the Billboard 200 and was certified triple platinum in the U.S. Musically, it combines elements of rock and pop. The album's critical reception was mixed.

Three singles from "Autobiography" were released: "Pieces of Me"—the first and most successful single—which was a hit in several countries in mid to late 2004, as well as the follow-up singles "Shadow" and "La La". MTV highlighted the process of making the album in the reality series "The Ashlee Simpson Show", which drew a large audience and served as an effective promotional vehicle for the album.Edna Gundersen, [http://www.usatoday.com/life/music/news/2004-07-28-ashlee-simpson_x.htm "Ashlee Simpson shows big sister how it's really done"] , "USA Today", 28 July 2004.]

About the album

Simpson described the process of writing the album's twelve songs as being similar to keeping a diary, and before the album's U.S. release she said that "My inspiration came from what I have gone through in the past three years. Every single day I was thinking of what I was going through and would write songs about it." [ [http://chat.msn.com/msnlive_feature.msnw?id=artist/ashleesimpson MSN chat with Ashlee Simpson] , July 19, 2004.] The lyrics primarily deal with love and heartbreak; in particular, much of the album's lyrical content was inspired by Simpson's breakup with her boyfriend at the time, Josh Henderson. She has described the album as being "very honest" and "very true to my emotions"—"I wasn't afraid to say that I was hurting and how I got over it.""Ashlee Simpson: Her Most Revealing & Heartfelt Interview Ever", "Life Story Jessica", page 68–72.]

The album incorporates rock as well as pop elements, which contrasts with the more strongly pop-oriented music of Simpson's sister, Jessica Simpson. One reviewer noted that, unlike Jessica's music, "Autobiography" "relies on glitzy guitars and big power-pop riffs". [Gabriel Sheffer, [http://www.livedaily.com/news/6900.html "CD Review: Ashlee Simpson, "Autobiography" (Geffen)"] , liveDaily.com, 6 August 2004.] On her reality show, Ashlee emphasized that she did not want to make her music like pop singers such as her sister or Hilary Duff; instead, she has cited musicians such as Chrissie Hynde and Joan Jett as influences. However, some have suspected that Simpson's more rock-oriented sound and image represented a deliberate marketing attempt to distinguish the sisters.

Simpson worked closely with a number of experienced songwriters on the album. The album's producer, John Shanks—who won a Grammy in February 2005, in part for his work as producer on "Autobiography" [ [http://www.vh1.com/shows/events/grammys/2005/nominees/awards.jhtml?nomCat=production "47th Annual Grammy Awards - Winners: Production"] . VH1.com.] —receives songwriting credit alongside Simpson on all but two songs. Kara DioGuardi also receives songwriting credit, together with Simpson and Shanks, on seven of the songs, including the three singles."Autobiography" liner notes.] (See the track listing.)

Critical reviews of "Autobiography" were mixed. "People" magazine considered it a "passable debut" and said that it showed Simpson was a "credible talent in her own right";"Autobiography" review, "People", 2 August 2004, page 41.] Allmusic called it "an unexpectedly strong debut". [Stephen Thomas Erlewine, [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:06nsa93ge23h~T1 "Autobiography" review] , Allmusic.] "The Village Voice" compared "Autobiography" favorably to Courtney Love's 2004 album "America's Sweetheart", referring particularly to "Autobiography"'s "Fruit Stripe bubblegrunge guitars and insanely chewy melodies and an ear-tickling production job." It also praised Simpson's singing, saying that she "can pack so much contradictory emotion into a single line—a single word—that the music can barely contain it."Mikael Wood, [http://www.villagevoice.com/issues/0446/wood.php "The Jig Is Up"] , "The Village Voice", November 12, 2004.] According to "Blender", all of the album's songs "paint in huge strokes"; its review also regarded Simpson's vocals positively. [Jonah Weiner, [http://www.blender.com/guide/reviews.aspx?id=2685 "Autobiography" review] , Blender.com.]

Other critics were more negative. "Rolling Stone" called it "mundane...with a predictable script", and at one point described Simpson's singing as "wailing in lieu of hitting notes". [Peter Relic, [http://www.rollingstone.com/reviews/album/_/id/6222372/ashleesimpson?pageid=rs.Artistcage&pageregion=triple1&rnd=1101149882250&has-player=true&version=6.0.12.1040 "Autobiography" review] , RollingStone.com, 5 August 2004.] In its review, the BBC said that "half the album ... feels self indulgent and lacks substance", but also said that "in between the formulaic, innocuous songs are a smattering of catchy pop-rock tracks." [Roger Kerrison, [http://www.bbc.co.uk/music/pop/reviews/ashlee_simpson_autobiography.shtml#review "Autobiography" review] , BBC.co.uk.] IGN.com called it "by-the-books, generic (and at times bland) pop/rock", although it did say Simpson's vocals showed maturity and promise. [Spence D., [http://music.ign.com/articles/549/549125p2.html?fromint=1 "Autobiography" review] , IGN.com, September 17, 2004.] A writer for "Stylus" magazine commented that "after spending more than forty minutes with Ashlee, I feel like I don’t know her any better than I did beforehand... [and] for a record with the name "Autobiography", it seems like no bigger criticism could be leveled."Todd Burns, [http://www.stylusmagazine.com/review.php?ID=2174 Ashlee Simpson: Autobiography] , "Stylus", July 21, 2004.] "The New York Times" said that "Autobiography" "is a thoroughly calculated package, aiming for the same audience that embraces Avril Lavigne and Pink." [Jon Pareles, [http://www.nytimes.com/2004/07/26/arts/music/26CHOI.html?ei=5070&en=792e0946be11b0f6&ex=1101186000&adxnnl=1&oref=login&adxnnlx=1101013392-Y3sf5RyIN9Kq3nUwhdovOA "Raunchy or Sweet Reflections of Adolescent Self-Esteem"] , "The New York Times", July 26, 2004.]

Tracks

The title track, which was also the theme song to "The Ashlee Simpson Show", opens the album by introducing Simpson, who sings "got stains on my t-shirt, and I'm the biggest flirt" and "if you want my auto, want my autobiography / baby, just ask me". The "Village Voice" review described the song as "wrist-pumping Joan Jett rock candy", but "Stylus" labelled the track "an age-old trope and a boring one at that". "Pieces of Me", a song about the comfort and happiness Simpson found in her relationship with Ryan Cabrera, has been characterised as a soft rock ballad with "stringy guitar riffs". [ [http://www.tiscali.co.uk/music/reviews/040920_ashley_simpson_pieces_of_me.html Tiscali.music "Pieces of Me" review] ] "Shadow", described by "People" magazine as the "most personal song" on the album, is a slower tune in which Simpson recounts playing a lesser role to her sister when she was younger, but eventually finding her own identity.

The album continues with "La La", a song with sexual lyrics that Simpson has described as "tongue-in-cheek". [Chaunce Hayden, "Ashlee Simpson Sings Her Way to Number One!", "Steppin' Out", August 4–10, 2004, pages 24–25, 52–53, 62–63. Interview.] One reviewer described "La La" as a "punk inspired, fast beat, screaming anthem". [Bianca Butler, [http://youthradio.org/music/040908_ashlee.shtml "Autobiography" review] , Youthradio.org.] "Love Makes the World Go Round", which "epinions.com" described as having a "Duff vibe", [http://www.epinions.com/content_151964126852 "Ashlee Simpson's Little Sister Revolution!"] , epinions.com, August 16, 2004.] talks about the disappointment of an ending relationship. "Better Off", which has been described as a "bubbly" song and as a "chunk of pop/rock goodness", and "Love For Me", which has been called "Joan-Jett-esque" and which Simpson has said is about "self-appreciation" [Corey Moss, [http://www.mtv.com/news/articles/1497210/20050217/simpson_ashlee.jhtml?headlines=true "Ashlee Simpson Soldiers On, Like Always, Through Tour-Launch Snafus"] , MTV News, 17 February 2005.] both deal with contradictory feelings about relationships. The synth-driven "Surrender" follows with Simpson consenting to a breakup, with lyrics such as "you make your misery my company"; "epinions" wrote that it is on this track that Simpson sounds "most loose and carefree".

"Unreachable" combines a piano line and vintage Chamberlin sounds with lyrics dealing with regrets about rushing into a relationship. Simpson has described "Nothing New" as being about her frustration with an ex-boyfriend's "dramas", until she is ultimately "finished with him",Deborah Tan, "Ashlee, Ashlee, quite contrary!", "CLEO" (Malaysia), December 2004, pages 354–355.] while "Giving It All Away" encourages the listener to stand on one's own feet: "hold on to your life and don't give that away", Simpson said of the song. The album's closing track, "Undiscovered" (which Simpson has described as a favorite of hers), was written after her breakup with Josh, and is described by "epinions.com" as a song with "haunting strings" and "mellow guitars"; in the song, Simpson ponders what might have been in a lost pairing. Non-U.S. pressings follow with "Harder Everyday", and the United Kingdom edition adds "Sorry". The U.S. Wal-Mart edition of the album also included an access code to download a reduced-quality version of "Sorry" over the Internet.

ales and chart performance

In the U.S., "Autobiography" was 2004's biggest debut album by a female artist, and in September the RIAA gave the album a triple platinum certification. [Margo Whitmire, [http://www.billboard.com/bb/biz/archivesearch/article_display.jsp?schema=&vnu_content_id=1000662202 "Charles Earns First Platinum RIAA Award" (Autobiography reaches triple-platinum)] , Billboard.com, 7 October 2005.] [ [http://www.billboard.com/bb/riaa/archive/0409.jsp RIAA Certifications For September 2004] , Billboard.com.] Following its July 20 release, it debuted at number one on the Billboard 200 chart, selling about 398,000 copies; [Margo Whitmire, [http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1000588138 "Simpson's 'Autobiography' Soars To No. 1"] , Billboard.com, July 28, 2004.] according to Nielsen Soundscan figures "Autobiography" sold a total of 2,576,945 copies from the time of its release until early January 2005, making it the ninth best-selling album of 2004. [ [http://www.foxnews.com/story/0,2933,143553,00.html "Album Sales Up After 4-Year Decline"] , Associated Press, January 6, 2005.]

In Canada, where the album's release corresponded with the U.S., it sold about 3,000 copies in its first week (number 37 on the album chart); [Jane Stevenson, [http://jam.canoe.ca/Music/Artists/S/Simpson_Ashlee/2004/08/11/749605.html "Ups and downs of Ashlee Simpson"] , jam.canoe.ca, August 11, 2004.] it rose on the chart to number eight at one point, and went double platinum in February 2005. [ [http://www.cria.ca/gold/0205_g.php CRIA Certifications For February 2005] .] The album was released in the UK on October 4, 2004, and debuted at number 31 on the album charts. [ [http://www.intertunes.co.uk/articles/uk-top-40-album-chart/20041010-uk-top-40-album-chart.php UK Top 40 Album Chart for 10 October 2004] , InterTunes.co.uk.] However, it returned to the top 40 in January 2005, rising substantially from number 91 to number 33 in the week ending January 24, following Simpson's promotion of "La La" (the album's second single in the UK, released on January 24). In Ireland, the album peaked at number 22 on the chart in late January, at the same time as "La La" was released as a single chart. The album also reached number 36 in Switzerland [ [http://www.hitparade.ch/showitem.asp?key=5207&cat=a Switzerland album ranking] .] and number 29 in Norway. [ [http://lista.vg.no/show_list.php?ListsOp=showWeek&week=46&year=2004&listID=2 Norway album ranking] .] As of January 2005, "Autobiography" has sold about 3.5 million copies worldwide.

Simpson's success in album sales with "Autobiography" compares favorably with that of her sister Jessica, who, despite having several hits since 1999, has not as of 2006 had a number one album. According to Billboard in August 2005, "Autobiography" has also sold more copies than any of Jessica's albums: at that point it had sold 2.9 million copies in the U.S., against 2.8 million for Jessica's "In This Skin". [ [http://www.billboard.com/bbcom/search/google/article_display.jsp?vnu_content_id=1001011263 "Ask Billboard"] , Billboard.com, August 9, 2005.] Geffen President Jordan Schur said of Ashlee's success: "It's unheard of in this business—even for a superstar—to sell this number of records," and emphasized her relative obscurity until not long before the album's release. Simpson expressed surprise at the degree of her album's success: "I just hoped my album "charted". I didn't expect it to be number one in the country! It was a huge shock."Janelle Brown, "Ashlee Simpson", "Seventeen", November 2004, pages 86–89.]

ingles, publicity, and controversy

The album and singles received considerable promotion in the U.S.—where they sold the most copies—and other countries, and much of this focused on contrasting her with Jessica by highlighting her more rock-oriented image. This image distinction from Jessica did not mean that the two were not associated in publicity, however; the sisters appeared together in television commercials at around the time of "Autobiography"'s release, for Pizza Hut and Ice Breakers Liquid Ice. [ [http://www.mtv.com/news/articles/1487071/20040517/story.jhtml "For The Record: Quick News On Dave Chappelle, Chris Martin And Gwyneth Paltrow, Jessica Simpson, Lenny Kravitz & More"] , MTV News, May 17, 2004.]

A key element of Simpson's promotion was "The Ashlee Simpson Show", which debuted on June 16, 2004, and ran for eight episodes, achieving high ratings for cable television. Jessica's reality show, "", had debuted in 2003 and had proved highly successful, being credited with reviving her flagging music career; reality television proved similarly effective in helping launch Ashlee's music career. It has been said that Simpson's father and manager Joe Simpson "redefined how you sell records" through his use of reality television to promote his daughters. [ [http://www.abcnews.go.com/2020/story?id=207201&page=1 "Pop Stars Jessica and Ashlee Are Pop's Stars"] , ABC News, 29 October 2004.]

Geoff Mayfield, "Billboard"'s director of charts, pointed to a combination of factors in explaining Simpson's success with "Autobiography". He described Simpson as the "right thing at the right time" and said: "The MTV show is a huge catalyst, radio jumped all over the song, and her famous sister opened the door. If Jessica never happened, then Ashlee doesn't get her own show and this album doesn't happen." Zena Burns of "Teen People", while noting the importance of effective promotion and Simpson's connection to Jessica, stressed the appeal of "Pieces of Me" in explaining her success: "Ashlee has an amazing promotional machine, and it doesn't hurt to have Jessica and MTV behind you, but she also came out with an insanely catchy pop single."

From July 13 to July 20, the week prior to "Autobiography"'s release, MTV.com's "The Leak" featured the album for streaming on its website. "Autobiography" drew 2.66 million requested streams during the time period, breaking a record previously held by Britney Spears' 2003 album "In the Zone". [Geffen press release, [http://www.prnewswire.com/cgi-bin/stories.pl?ACCT=104&STORY=/www/story/07-28-2004/0002219937&EDATE= "Ashlee Simpson Makes History, Debuting #1 With Autobiography, Her Premiere Geffen Album"] , PRNewswire.com, July 28, 2004.]

Before "The Ashlee Simpson Show" debuted, "Pieces of Me" began picking up substantial airplay on radio; in May 2004, a "Los Angeles Times" article noted that radio stations were adding the song to their playlists faster than any other songs up to that point in the year. [Steve Hochman, "Another Simpson living in the lens", "Los Angeles Times", May 2004.] "Pieces of Me" debuted on the Billboard Hot 100 in June [Margo Whitmire, [http://www.billboard.com/bb/daily/article_display.jsp?vnu_content_id=1000550918 "Usher Locks Up Singles Chart Again"] , Billboard.com, June 24 2004.] and reached a peak position of number five in September. [Margo Whitmire, [http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1000626797 "Ciara's 'Goodies' Still Good At No. 1"] , September 9, 2004.] [http://www.billboard.com/bbcom/retrieve_chart_history.do?model.chartFormatGroupName=Singles&model.vnuArtistId=585404&model.vnuAlbumId=741444 Billboard chart history for Ashlee Simpson] .] The song "Shadow" was the album's second U.S. single; it reached a peak of number 57 on the Hot 100, failing to match the success of "Pieces of Me".

Simpson's publicity suffered when a performance on the October 23–24 edition of "Saturday Night Live" went awry. According to Simpson's publicists, her father and manager decided to use a vocal guide track because of problems she was having with her voice, beginning earlier in the day, that were caused by acid reflux. Although her first performance of the night—"Pieces of Me"—was successful, her second performance, which was supposed to be of "Autobiography" (at the time planned as her third single), went disastrously wrong: "Pieces of Me" mistakenly began playing, and Simpson's recorded vocals were heard when her microphone was not near her mouth. She subsequently walked off the stage and then apologized for the error during the show's closing. [Jennifer Vineyard, [http://www.vh1.com/artists/news/1492993/10252004/simpson_ashlee.jhtml "Ashlee Blames Gastric Distress For 'SNL' Lip-Synch Snafu"] , MTV News, 25 October 2004.] Some viewers accused Simpson of lip synching, and the incident received wide-spread coverage in the news. Simpson followed the incident with a performance of "Autobiography" at the Radio Music Awards on October 25. [Jennifer Vineyard, [http://www.mtv.com/news/articles/1493025/10262004/simpson_ashlee.jhtml "Ashlee Pokes Fun At Self, Lip-Synch Fl
] , MTV News, October 26, 2004.]

Shortly afterwards, "La La" replaced "Autobiography" as the album's planned third single. It reached a chart peak at number 86 on the Hot 100, falling considerably short of the positions reached by her two previous singles. Simpson suffered further negative publicity at the halftime show for the Orange Bowl in Miami, Florida on January 4, 2005, where she performed "La La" and was booed by the crowd. This may have represented backlash from the "SNL" debacle, as the Orange Bowl publicists said, [Andrew Pulskamp, [http://www.local10.com/entertainment/4048912/detail.html "Ashlee Simpson's Halftime Performance Falls Flat"] , Local10.com, 5 January 2005.] although some thought her voice was off-key.Fact|date=February 2007

Despite the low points of this period of the album's promotion, there were also significant successes. According to a Geffen press release, her December 6 AOL Music Live performance "had the biggest 1 week audience ever for AOL with 1.6 million plays." [Geffen press release, [http://emol.org/music/artists/simpsonashlee/ "Ashlee Simpson Concert Tour Set for Early '05"] , PRNewswire, December 15, 2004.] Simpson later launched her first headlining tour, which ran from February 16 to April 20, 2005; the tour, which included two shows in Canada, was generally lucrative and may have enabled Simpson to end the "Autobiography" era of her career on a high note. Also, a second season of "The Ashlee Simpson Show" ran from late January to late March.

European promotion for "Autobiography" and "Pieces of Me" began in September 2004; Simpson appeared on several television shows to perform the song there. "Shadow" was not released in Europe (although it was the second single in Australia), where "La La" was the second single. Shortly after the Orange Bowl incident, Simpson performed the song on several television shows in the UK in January 2005; "La La" debuted and peaked just outside the top ten, and sales of "Autobiography" also rose considerably during the same period.

Simpson released a video for the track "Undiscovered", prior to the release of her first major screen actor role in the fim of the same name. The video was a scene from the movie where Simpson is singing the track in a dark bar. It also contains clips from the movie and serves as the movies theme song. But the song was never fully released, although there were many online polls from fans. Many of whom now say Simpson has released four music videos off her debut album.

Making the album

In a 2004 interview, Simpson said that when she began seeking a recording contract record labels would not meet with her because they thought she just wanted "to be like her sister". Simpson also said that she did not want to meet with Jessica's record label (Columbia) because she wanted to be signed because of her music, rather than her sister. She eventually signed with Geffen in 2003. As for her role as co-writer of the songs, Simpson has said that she had a lot of input lyrically: "...I come up with the whole concept of the song. To me, writing is a very important thing. It's what I've always done and what I've always loved to do, and it was a big part of my wanting to do a record. So my label was amazing because they really let me have my hands in there. I got to write a lot."

Simpson said that she initially did not want to do the reality show but that her father persuaded her to do it because it would be about the production of her album: "...I thought that was kind of cool. You're actually seeing a deeper look into how this album got made." She also thought the show, by showcasing her own personality, would help to distinguish her from Jessica. In the show, some of the early stages of songwriting are seen; she is seen working initially with Steve Fox, and then meeting with John Feldmann of the band Goldfinger, Guy Chambers, and the producing team The Matrix. Later, she begins to work with John Shanks, who became the producer of her album, and she is also seen working with Kara DioGuardi as well, on "Pieces of Me".

Simpson said of making the album: "It's a lot of work. From finding the right label to the actual recording, it took about nine months, then it was followed by the publicity work." In an extensive list of thank-yous in the album's liner notes, Simpson includes Benji and Joel Madden of the band Good Charlotte, with whom she worked on a song that did not make it onto the album. [ [http://www.muchmusic.com/music/artists/transcripts.asp?artist=1043&transcript=1 MuchMusic interview transcript] , August 10, 2004.]

Track listing

# "Autobiography" (Ashlee Simpson, Kara DioGuardi, John Shanks) – 3:34
# "Pieces of Me" (Ashlee Simpson, Kara DioGuardi, John Shanks) – 3:37
# "Shadow" (Ashlee Simpson, Kara DioGuardi, John Shanks) – 3:57
# "La La" (Ashlee Simpson, Kara DioGuardi, John Shanks) – 3:42
# "Love Makes the World Go Round" (Ashlee Simpson, John Shanks) – 3:45
# "Better Off" (Ashlee Simpson, Kara DioGuardi, John Shanks) – 3:27
# "Love Me for Me" (Ashlee Simpson, Shelly Peiken, John Shanks) – 3:27
# "Surrender" (Ashlee Simpson, Kara DioGuardi, John Shanks) – 3:20
# "Unreachable" (Ashlee Simpson, Stan Frazier, Steve Fox, Robbie Nevil, Billy Mann) – 3:53
# "Nothing New" (Ashlee Simpson, Kara DioGuardi, John Shanks) – 3:06
# "Giving It All Away" (Ashlee Simpson, John Feldmann) – 2:56
# "Undiscovered" (Ashlee Simpson, John Shanks) – 4:56

Bonus tracks

Some editions contain one or more of the following:
*"Harder Everyday" (Ashlee Simpson, John Feldmann, Benji Madden) – 3:30
*"Sorry" (Ashlee Simpson, Steve Fox, Stan Frazier) – 3:43
*"Endless Summer" (Ashlee Simpson, Kara DioGuardi, John Shanks) – 3:37

Credits

* Ashlee Simpson – vocals; background vocals (tracks 1–4, 10 and 12)
* Kenny Aronoff – drums (tracks 1, 3, 5, 8 and 10)
* John Shanks – guitars, bass; keyboards (tracks 1, 3, 5, 7, 8, 9 and 12); background vocals (tracks 1, 5, 7, 8 and 9)
* Kara DioGuardi – background vocals (tracks 1–4, 6 and 10)
* Jeff Rothschild – drums (tracks 2, 4, 11 and 12)
* Jamie Muhoberac – piano, organ (track 3)
* Patrick Warren – Chamberlin (tracks 3 and 12)
* Abe Laboriel, Jr. – drums (tracks 6, 7 and 9)
* John Feldmann – original programming (track 11)
* David Campbell – string arrangement (tracks 3 and 12)

Production

* Producer: John Shanks
* Mixing: Jeff Rothschild, John Shanks
* Additional Engineering: Mark Valentine
* Mastering: Ted Jensen
* Executive Producer and A&R: Jordan Schur
* Photography: Mark Liddell
* Design: Soap Design Co.

Notes and references

* Patty Adams, "The Sister Who Rocks", "YM", September 2004, pages 112–117.

* U.S. and Canada charts compiled by Billboard/Nielsen Soundscan.
* UK charts compiled by the Official UK Charts Company.

External links

* [http://www.ashleesimpsonmusic.com Official Ashlee Simpson site]
* [http://www.geffen.com Geffen Records]

succession box
before = "License to Chill" by Jimmy Buffett
title = "Billboard" 200 number-one album
years = August 1, 2004 - August 7, 2004
August 15, 2004 - August 28, 2004
after = "Now 16" by Various artists