James Johnson Sweeney

James Johnson Sweeney (1900–1986) was a curator, and writer about modern art. From 1935 to 46, he was curator for the Museum of Modern Art. [Sorensen, Lee. [http://www.dictionaryofarthistorians.org/sweeneyj.htm "Sweeney, James Johnson"] Dictionary of Art Historians. 27 November 2000. Retrieved on 2007-12-24.] He was the second director of the Solomon R. Guggenheim Museum, from 1952-1960. During his tenure, he expanded the scope of the collection to include abstract expressionist painting as well as sculpture, established the long term loans program in 1953, and the Guggenheim International Awards in 1956. He was also involved in the final years of the construction of the Frank Lloyd Wright designed museum building during which time he had an antagonistic relationship with the architect. [cite web | title = James Johnson Sweeney Administrative papers
publisher = Solomon R. Guggenheim Museum
url = http://www.guggenheim.org/finding_aids/display.php?/sweeney/1
accessdate = 2006-11-04]

Sweeney collected works by: [cite web | title = The Global Guggenheim | publisher = Solomon R. Guggenheim Museum
url = http://www.guggenheim.org/exhibitions/past_exhibitions/global_gugg/global_gugg_bottom_index.html
accessdate = 2006-11-04]
*Constantin Brancusi
*Alexander Archipenko
*Alexander Calder
*Alberto Giacometti
*Willem de Kooning
*Jackson Pollock

In the late 1960s, Sweeney was a consultant to the National Gallery of Australia during its establishment to advise on issues concerning the display and storage of art. Subsequently, it also acquired paintings by Pollock and de Kooning. The then Australian Prime minister, John Gorton apparently favoured him as the Gallery's first director, despite his age. He also had significant input into its brutalist design. According to the Gallery's first Director, James Mollison, "the size and form of the building had been determined between Colin Madigan and J.J. Sweeney, and the National Capital Development Commission. I was not able to alter the appearance of the interior or exterior in any way...It's a very difficult building in which to make art look more important than the space in which you put the art". [cite book | last = Green | first = Pauleen (ed) | title = Building the Collection | publisher = National Gallery of Australia | date = 2003 | pages = 408 | id = ISBN 0-642-54202-3 pp379-80]

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