- Raymond Queneau
Le Havre, Normandy, Queneau was the only child of Auguste Queneau and Joséphine Mignot. He received his first baccalauréatin 1919 for Latin and Greek, and a second in 1920 for philosophy, then studied at the Sorbonne (1921–1923) where he was a fair student of both letters and mathematics, graduating with certificates in philosophy and psychology. Queneau performed military service as a zouavein Algeriaand Moroccoduring the years 1925–1926. He married Janine Kahn in 1928, with whom he had a son, Jean-Marie, in 1934. They remained married until Janine's death in 1972. Queneau was drafted in 1939 but demobilized in 1940, and through the remainder of World War II, he and his family lived with the painter Élie Lascauxin Saint-Léonard-de-Noblat.
Queneau spent much of his life working for the
Gallimardpublishing house, where he began as a reader in 1938. He later rose to be general secretary, and eventually became director of l’Encyclopédie de la Pléiade in 1956. During some of this time, he also taught at l’École Nouvelle de Neuilly. He entered the Collège de ‘Pataphysique in 1950, where he became Satrap, and was elected to the Académie Goncourtin 1951, l’Académie de l’Humour in 1952, and the jury of the Cannes Film Festival1955–1957.
During this time, Queneau also acted as a translator, notably for
Amos Tutuola's "Palm Wine Drinkard" ("L'Ivrogne dans la brousse") in 1953. Additionally, he edited and published Alexandre Kojève's lectures on Hegel's "Phenomenology of Spirit". Queneau had been a student of Kojève's during the 1930s and was, during this period, also close to writer Georges Bataille.
As an author, Queneau came to general attention in France with the publication in 1959 of his novel "Zazie dans le métro", and again in 1960 with the
filmadaptation by Louis Malleat the height of the "Nouvelle Vague" movement. "Zazie" explores colloquial language as opposed to 'standard' written French; a distinction which is perhaps more marked in French than in some other languages. The first word of the book, the alarmingly long "Doukipudonktan" is a phonetic transcription of "D'où qu'ils puent donc tant?" "Why do they stink so much?". Juliette Grecomade popular his song 'Si tu t'imagines.'
Even before the founding of the Ouvroir de littérature potentielle (Oulipo) in 1960, Queneau was attracted to
mathematicsas a source of inspiration. He became a member of la Société Mathématique de Francein 1948. In Queneau's mind, elements of a text, including seemingly trivial details such as the number of chapters, were things that had to be predetermined, perhaps even calculated. A later work, " Les fondements de la littérature d’après David Hilbert" (1976), alludes to the mathematician David Hilbert, and attempts to explore the foundations of literature by quasi-mathematical derivations from textual axioms.
One of Queneau's most influential works is "
Exercises in Style", which tells the simple story of a man seeing the same stranger twice in one day. It tells that very short story in 99 different ways, demonstrating the tremendous variety of styles in which storytelling can take place. A graphical story adaptation of the book's concept, "", was published by Matt Maddenin 2005.
Queneau is buried with his parents in the old cemetery of
Juvisy-sur-Orge, in Essonneoutside Paris.
Queneau and Surrealists
In 1924 Queneau met and briefly joined the
Surrealists, but never fully shared in the methods of automatic writingor Surrealist ultra-left politics. Like many surrealists, he entered psychoanalysis--however, not in order to stimulate his creative abilities, but for personal reasons, like Leiris, Bataille, Crevel. Michel Leirisdescribes, in "Brisees", how he first met Queneau in 1924, while vacationing in Nemourswith Andre Masson, Armand Salacrouand Juan Gris. A common friend, Roland Tual, met Queneau on a train from Le Havreand brought him over. Queneau was just a couple years younger and felt less accomplished. He did not make a big impression on the young bohemians. After Queneau came back from the army, around 1926-7, he and Leiris met at the Café Certa, near L'Opera, a Surrealist hang-out. On this occasion, when conversation delved into Eastern philosophy, Queneau's comments showed a quiet superiority and erudite thoughtfulness. Leiris and Queneau became friends later while writing for Bataille's Documents.
Queneau questioned the Surrealist support to the USSR in 1926. He remained on cordial terms with
André Breton, although he continued associating with Simone Kahn, after Breton split up with her. Breton usually demanded that his followers ostracize his former girlfriends. It would have been difficult for Queneau to avoid Simone, however, since he married her sister, Janine, in 1928. The year that Breton left Simone, she sometimes traveled around France with Queneau and his wife.
By 1929, Queneau had separated himself significantly from Breton and the Surrealists. In 1930, the year Crevel, Eluard, Aragon and Breton joined the French Communist party, Queneau participated in "Un cadavre" (A Corpse, 1930), a vehemently anti-Breton pamphlet co-written by
Bataille, Leiris, Prévert, Alejo Carpentier, Jacques Baron, J.-A. Boiffard, Robert Desnos, Georges Limbour, Max Morise, Georges Ribemont-Dessaignes, and Roger Vitrac.
Boris Souvarine's "La Critique sociale" (1930-34) Queneau mostly wrote brief reviews. One characterized Raymond Rousselas one whose ‘imagination combines passion of mathematician with rationality of the poet’. He wrote more scientific than literary reviews – on Pavlov, on Vernadsky (from whom he got a circular theory of sciences), and a review of a book on the history of equestrian caparisons by an artillery officer. He also helped with the passages on Engels and mathematical dialectic for Bataille's article "A critique of the foundations of Hegelian dialectic."
*"Le Chiendent" or "
The Bark-Tree" (1933), ISBN 1-59017-031-8 (as "Witch Grass")
*"Gueule de pierre" (1934)
*"Les Derniers jours" or "The Last Days" (1936), ISBN 1-56478-140-2
*"Odile" (1937), ISBN 0-916583-34-1
*"Les Enfants du Limon" or "
Children of Clay(1938), ISBN 1-55713-272-0
*"Un Rude hiver" (1939) or "
A Hard Winter" (1948)
*"Les temps mêlés" (1941)
*"Pierrot mon ami" or "Pierrot" (1942), ISBN 1-56478-397-9
*"Si tu t’imagines" (1942)
*"Loin de Rueil" or "
The Skin of Dreams" (1944), ISBN 0-947757-16-3
*"En passant" (1944)
*"On est toujours trop bon avec les femmes" or "
We Always Treat Women Too Well" (1947), ISBN 1-59017-030-X
*"Saint-Glinglin" (1948), ISBN 1-56478-230-1
*"Le Journal intime de Sally Mara" (1950)
*"Le Dimanche de la vie" or "
The Sunday of Life" (1952), ISBN 0-8112-0646-7
*"Zazie dans le métro" or "
Zazie in the Metro" (1959), ISBN 0-14-218004-1
*"Les Fleurs bleues" or "
The Blue Flowers" or " Between Blue and Blue" (1965), ISBN 0-8112-0945-8
*"Le Vol d'Icare" or "
The Flight of Icarus" (1968), ISBN 0-8112-0483-9
*"Chêne et chien" (1937), ISBN 0-8204-2311-4
*"Les Ziaux" (1943)
*"L'Instant fatal" (1946)
*"Petite cosmogonie portative" (1950)
*"Cent Mille Milliards de Poèmes" or "
Hundred Thousand Billion Poems" (1961)
*"Le chien à la mandoline" (1965)
*"Battre la campagne" or "
Beating the Bushes" (1967), ISBN 0-87775-172-2
*"Courir les rues" or "
Pounding the Pavements" (1967), ISBN 0-87775-172-2
*"Fendre les flots" (1969)
*"Morale élémentaire" (1975)
Essays and articles
*"Bâtons, chiffres et lettres" (1950)
*"Pour Une Bibliothèque Idéale" (1956)
*"Entretiens avec Georges Charbonnier" (1962)
*"Une Histoire modèle" (1966)
*"Le Voyage en Grèce" (1973)
*"Traité des vertus démocratiques" (1993)
*"Un Cadavre" (1930) with Jacques Baron,
Georges Bataille, J.-A. Boiffard, Robert Desnos, Michel Leiris, Georges Limbour, Max Morise, Jacques Prévert, Georges Ribemont-Dessaignes, and Roger Vitrac.
*"Exercices de Style" or "
Exercises in Style" (1947), ISBN 0-7145-4238-5
*"Les fondements de la littérature d’après
David Hilbert" (1976)
*"Contes et propos" (1981)
*"Journal 1939–1940" (1986)
*"Journaux 1914–1965" (1996)
In other art
* [http://www.pierrebastien.com/en/discography.html Pierre Bastien] has made a CD with the
bilingual puntitle "Eggs Air Sister Steel", based on "Exercices de Style" (which "Eggs Air Sister Steel" sounds like when spoken).
typographicinterpretation of the german version of "Exercices de Style", [http://marcuskraft.net/portfolio/2006_stiluebungen_01.html "Stilübungen – visuelle Interpretationen"] by the graphic designer [http://marcuskraft.net Marcus Kraft] , was published in 2006.
* [http://www.queneau.net/ Life and works]
* [http://www.amis-auteurs-nicaise.gallimard.fr/html/autgall/02103_t.htm Periodicals]
* [http://www.centerforbookculture.org/interviews/interview_queneau.html Interview]
* [http://www.themodernword.com/scriptorium/queneau.html Article]
* [http://www.litweb.net/biography/365/Raymond_Queneau.html Raymond Queneau Biography at LitWeb.net]
* [http://marcuskraft.net/portfolio/2006_stiluebungen_01.html Typographic Interpretation] of [http://en.wikipedia.org/wiki/Exercises_in_Style Exercises in Style] (English/German)
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