- Tony DiPreta
Tony DiPreta (born
July 9 , [Birthdate per DiPreta in interview, "Alter Ego" #60, July 2006, pp. 43. Lambiek Comiclopedia listing (see below) erroneously gives July 8] 1921, Stamford,Connecticut ) is an Americancomic book andcomic strip artist active from the 1940sGolden Age of comic books . He is best known as the longtime successor artist of the popular comic strip "Joe Palooka ", from 1959-84 and of the "Rex Morgan, M.D. " daily strip from then through DiPreta's retirement in 2000.Biography
Early life and career
DiPreta grew up during the
Great Depression , during which his father had little or no work and his mother sewed in asweat shop for $7 a week. Deciding while injunior high school that he would pursue anart career, DiPreta took art classes when he attended Stamford High School. After graduating, DiPreta and fellow future professionalsRed Wexler andBob Fujitani took classes at theSilvermine Guild , where the trio drew from live models.DiPreta had worked for a local
advertising agency while attending high school, and after a year doing that, he obtained a union job at McCalls Photo Engraving, which was also in located Stamford. During his subsequent year at McCalls, DiPreta began coloringcomic books for company clientQuality Comics , located a half-mile away. Separately, DiPretafreelance d as a fill-inletterer forLyman Young 's newspaper comic strip "Tim Tyler's Luck ". [DiPreta recalled, "My brother Joe used tocaddy [at the old Greenwichgolf course ] . ... Lyman Young, who did "Tim Tyler's Luck", used to play there, and my brother was once lucky enough to caddy for Lyman Young. He told Lyman Young that I wanted to be a cartoonist, and Young said, 'Well, bring him down.' ... I went to see him and he said, 'Why don't you letter my strip?' But this wasn't a permanent job. He'd call me on a Saturday afternoon — when he wanted to play golf — and I'd come over and letter his strips" — "Alter Ego" #60 (July 2006), p. 48]After seeing the portfolio samples that DiPreta brought to him during a
lunch hour in 1940, Quality publisherEverett M. "Busy" Arnold hired DiPreta as a staff letterer for $25 per week, a wage equal to that of his now-working father's well-paying job as adefense industry worker. Under editorEd Cronin and Cronin's assistantGill Fox , DiPreta was sent to Quality artistLou Fine 'sTudor City studio inManhattan to observe and learn from Fine's highly regarded draftsmanship. Shortly afterward, Arnold was concerned over what he saw as Fine's undynamic storytelling, and had Fujitani and DiPreta do pencil-breakdowns for a story each that Fine would finishpenciling andinking ; DiPreta's starred the character Uncle Sam.DiPreta's first generally accepted solo art credit in comics is a one-page
humor filler inpublisher Quality's "National Comics" #8 (Feb. 1941). [Per [http://www.comics.org Grand Comics Database] ] His first confirmable credit is a similar filler in the company's "Doll Man " #2 (Spring 1942).Golden Age of comics
In 1941, DiPreta visited
new York City 'sTimely Comics , the 1940s predecessor ofMarvel Comics . Going on a Saturday, DiPreta recalled, he nonetheless met editor-in-chiefStan Lee , who had DiPreta ink a story for thehumor feature "Ziggy Pig and Silly Seal ". DiPreta recalled, "I was paid either seven bucks or eight bucks a page. The story was seven or eight pages long. However, it all worked out, I was going to get $57 for this job", which he delivered to Lee the following Saturday. "I thought, 'Hey, 25 bucks a week from Arnold is pretty good, but 57 bucks a week is better'. I decided to gofreelance ","Alter Ego" #60, p. 50] and did so beginning April 1, 1941.Following that initial Timely story, DiPreta drew only sporadically for the company during the 1940s due to steady work from former Quality editor Cronin, who by then was at
Hillman Periodicals . DiPreta drew such Hillman humor features as "Buttons the Rabbit", "Captain Codfish", "Earl the Rich Rabbit", "Fatsy McPig", "One Wing Spin", "Skinny McGinty" (in "Air Fighters Comics") and "Stupid Manny" (in "Clue Comics"). DiPreta concurrently drew Quality humor features, including "Blimpy" (in "Feature Comics"), "Windy Breeze", and "Mayor Midge" (loosely based on the then current and popularNew York City mayor ,Fiorello La Guardia ) for Quality.DiPreta did his first dramatic work, a war story, for editor
Vin Sullivan 'sColumbia Comics . He also drew the lead feature, "Airboy ", in at "Air Fighters Comics" Vol. 1, #7-9 (April-June 1943). Also, DiPreta occasionally drew thesuperhero es "Boy King" and "Zippo" — no relation to the popular brand ofcigarette lighter — for Hillman's "Clue Comics" and "Magno" for Ace Magazines' "Super-Mystery Comics", as well as a small amount of comics work for Et-Es-Go Magazines,Lev Gleason Publications , and editor Leonard B. Cole at publisherFrank Temmerson 'sHolyoke Publishing . DiPreta also drewpublic service announcement one-pagers with Airboy and Iron Ace.Afflicted by a
heart murmur since age 13, DiPreta was rejected forWorld War II military service as 4F. As the war progressed, DiPreta read a newspaper article saying anyone not doing war-related work would be drafted no matter their physical condition, and at least work . DiPreta recalled he was re-designated 4C; this is unlikely, however, as 4C is the designation for an alien ordual national . In any event, DiPreta was never called into service.Post-war career
Comic books
During the 1950s, DiPreta drew comic books primarily for Lev Gleason's "Little Wise Guys" kid-gang feature in that company's "Daredevil" (no relation to Marvel Comics'), and for
anthological horror titles from Atlas Comics, Marvel's 1950s iteration. His Atlas work, the first known credit of which is also included a Western story in "Texas Kid " #5 (Sept. 1951), includes work in "Journey into Mystery " #1 (June 1952), and issues of "Adventures into Terror", "Adventures Into Weird Worlds", "Astonishing", "Marvel Tales ", "Menace", "Mystery Tales", "Strange Tales ", "Strange Tales of the Unusual", "Uncanny Tales ", and "Worlds of Fantasy". He also drew occasional stories for such Atlascrime fiction titles as "Tales of Justice", war comics such as "Battlefront", and, returning to humor, the sole two issues of theCasper the Friendly Ghost -like "Adventures of Homer Ghost".DiPreta gained some recognition in comics during the 1970s, long after he'd left the field to concentrate on comic strips, when some of his Atlas work was reprinted in the Marvel comics "Beware", "Chamber of Chills" "Creatures on the Loose", "Vault Of Evil", "Weird Wonder Tales", "Where Monsters Dwell", and even in an issue each of the superhero series "Marvel Feature" and the
supernatural -hero series "Giant-Size Werewolf". DiPreta's 1950s horror work was also considered mature enough to appear in Marvel's black-and-white, non-Comics Code horror-comicsmagazines "Dracula Lives", "Monsters Unleashed", "Tales of the Zombie ", and "Vampire Tales". Most reprints were faithful, though DiPreta's "Escape From Nowhere", from "World of Suspense" #7 (April 1957), was reprinted in "Amazing Adventures " #28 (Jan. 1975) minus one of its original three pages.Comic strips
In 1945, DiPreta broke into the field of syndicated
newspaper comic strip art as an assistant to cartoonist Frank E. "Lank" Leonard's popular strip about asuburban beat cop, "Mickey Finn". DiPreta continued in that position, while concurrently drawing freelance for comic books, through 1955.In 1959, Dipreta succeeded creator
Ham Fisher and first successor artistMoe Leff on the long-runningboxing strip "Joe Palooka". He continued on that strip, written by Jim Lawrence, Bob Gustafson, Ken Fitch,Morris Weiss , and Ed Moore, through its end in 1984. He then became the latest successor, following artists Marvin Bradley,Frank Springer , and Fernando Da Silva, of "Rex Morgan, M.D. ", working with writer-creator Nicholas Dallis, also known as Dal Curtis, and Woody Wilson. The strip continued after DiPreta's 2000 retirement.Later career
DiPreta's last known comics credit is
A.C.E. Comics ' "Fantastic Adventures" #3 (Oct. 1987), for which he penciled and inked the cover, the four-page humor story "The Score Board Kid" (by writerJerry DeFuccio ), and "The Motor-Man On Wheels!", a six-page DeFuccio profile of DiPreta and the artist's Golden Age character Zippo.Footnotes
References
*DiPreta interview, "Alter Ego" #60, July 2006, pp. 43-60. Artist confirms spelling of his name as "DiPreta" with no space
* [http://lambiek.net/artists/d/di-preta_tony.htm Lambiek Comiclopedia: Tony Di Preta] (sic)
* [http://www.comics.org/ The Grand Comics Database]
* [http://www.oddballcomics.com/article.php?story=20060530103023303 "Oddball Comics" (column by Scott Shaw): "Adventures of Homer Ghost"]
* [http://hometown.aol.com/comicsproj/credits.html The Comic Strip Project: Credits]
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