Alan Tyson

Alan Walker Tyson (October 27, 1926 – November 10, 2000) was a British musicologist who specialized in studies of the music of Wolfgang Amadeus Mozart and Ludwig van Beethoven. He was Senior Research Fellow at All Souls College, Oxford, and a Fellow of the British Academy.

One of his most celebrated publications was "Mozart: Studies of the Autograph Scores," whose chapters detailed the study of watermarks in Mozart's autographs as a method of dating the scores. This book also included several Tyson discoveries, such as the true ending to the "Rondo in A for Piano and Orchestra," K. 386, which previously had only been known in a completion arranged for solo piano by Cipriani Potter and published in 1837. Tyson also established that the standard version of the second movement of Mozart's Horn Concerto in D, K. 412/514, was actually completed after Mozart's death by his pupil Franz Xaver Süssmayr.

Additionally, Tyson edited a noteworthy series of volumes entitled "Beethoven Studies." His interest in watermarks and paper studies on Beethoven scores actually predated his involvement in those of Mozart.

Prior to becoming intensely involved in musicology, Tyson was Lecturer in Psychopathology and Developmental Psychology at Oxford from 1968 to 1970. He had read Classical Moderations and Greats at the University of Oxford, and medicine at University College Hospital.

ources

* [http://www.britac.ac.uk/fellowship/directory/archive.asp?fellowsID=527 British Academy Fellows Archive entry for Tyson] : Gives birth and death dates, appointments, major publications.
* [http://www.musicaltimes.co.uk/archive/0004/tyson.html The Musical Times' obituary for Tyson] : Brief biographical summary.
* [http://www.proc.britac.ac.uk/tfiles/043852A/115p367.pdf Oliver Neighbour, "Alan Walker Tyson, 1926-2000"] , from "Proceedings of the British Academy, 115," pp. 367-382 (downloaded from [http://www.britac.ac.uk/ The British Academy website] on June 10, 2006): A more extended obituary notice.
*Alan Tyson, "Mozart: Studies of the Autograph Scores," Cambridge, MA: Harvard University Press, 1987. ISBN 0-674-58831-2.
**Ch. 17, "The Rondo for Piano and Orchestra, K. 386" (pp. 262-289), presents Tyson's discovery of Mozart's original ending.
**Ch. 16, "Mozart's D Major Horn Concerto: Questions of Date and of Authenticity" (pp. 246-261) deals with Tyson's findings regarding K. 412/514.