- MR (Marina and Rainer)
MR (Marina and Rainer) is a chamber
opera in one act (5 scenes) by theRussia ncomposer Nikolai Korndorf (1947 -2001 ). The libretto byYuri Lourié is in Russian, German,Ancient Greek and Japanese). Commissioned by theMunich Biennial ,Germany , it was composed in1989 .Premiere
The first performance was on
May 20 ,1994 at the Muffathalle inMunich , Germany, with the Munich Biennial Singers, Ulm Orchestra, and S. Bachli, conductor.tructure
The opera consists of five scenes:
*1. Tsvetayeva and Rilke
*2.Sapho andAlcaeus
*3. Tsvetayeva and Rilke again
*4. Yakamochi and Sakanoue
*5. Tsvetayeva and Rilke again.Roles
*Marina
*Rainer
*Sapho
*Alcaeus
*Yakamochi
*SakanoueThree pantomime actors symbolizing the illness and fate as well as the poets’ relations in a real life.Plot
This is a moving story told in letters between two great poets, the Russian
Marina Tsvetaeva and the AustrianRainer Maria Rilke . They never met but their fiery relationship lasted for several months. At that time Rilke was severely ill with leukaemia and had already not written for two years. However the letters of Tsvetaeva returned him to poetry. The love of Tsvetayeva for Rilke’s poetry grew to the love of him as a person. She was ready to come and meet him in real life, but when her last letter to him was written, Rilke was already dead. As a background to this story, two other pairs of poets were added: the Ancient Greek poetsSapho andAlcaeus , and the 8th century Japanese poetsOtomo no Yakamochi andLady Otomo no Sakanoue .coring
*Singers: soprano, coloratura soprano, contralto, tenor, baritone, bass, 3 pantomime actors
*Orchestra: Flute (= piccolo, basso, flauto dolce soprano), oboe, 2 clarinets (I = piccolo, alt saxophone; II = bass clarinet), bassoon, 1(= contrabassoon), 2 horns, trumpet, trombone, percussion 2 players, harp, celesta (= cembalo), piano I prepared (= piano II normal), electric guitar (= bass guitar) 2 violins, viola, celo and double bass.Duration = 90 minutes
Bibliography
*Baker's "Biographical Dictionary of Musicians", 7th edition, Schirmer books, A Division of Macmillan, Inc. New York. Maxwell MacMillan, Canada, Toronto, 1984. 8th edition, 1992.
*"Contemporary Composers", St. James Press, Chicago, London, 1992.
*Kuzina, Olga: "Nikolai Korndorf. Kompozitory Moskvy (Moscow’s Composers)", 4th issue, Moscow, Kompozitor, 1994. pp. 142-165 (in Russian).
*Guljanitskaja, Natalia: "On the style of contemporary spiritual musical compositions", Musykalnaya Arademi' No. 1, 1994. pp.18-25 (in Russian).
*Dubinets, Elena: "In memory of Nikolai Korndorf", Musykalnaya Arademia, 2002, No. 2 (see also the link below)External links
* [http://www.korndorf.ca/ Official website]
* [http://home.wanadoo.nl/ovar/korndorf.htm Onno van Rijen's Soviet composer's page]
* [http://www.classicalarchives.com/artists/korndorf.html Korndor page] fat theClassical Archives
* [http://www.musiccentre.ca/apps/index.cfm?fuseaction=composer.FA_dsp_biography&authpeopleid=11833&by=K Canadian Music Centre]
* [http://www.proarte.ru/ru/komposers/music-articles/spec2002/20020001.htm Elena Dubinets, "Musykalnaya Arademia": detailed information, biography, and interview in Russian]
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