Kecak

Kecak
Hanuman being burned in Lanka, a Ramayana episode in Kecak dance performance
Part of a series on Dance drama of Southeast Asia
Burma
Yama Zatdaw
Cambodia
Lakhon khol · Lakhon pol srey · Royal Ballet of Cambodia · Yike
Indonesia
Legong · Kecak · Ketoprak · Ludruk  · Topeng  · Wayang wong
Laos
Classical dance and theatre
Malaysia
Boria · Jikey · Mak Yong · Mek Mulung · Menora
Phillipines
Singkil
Thailand
Khon · Lakhon nai · Lakhon chatri · Lakhon nok · Likay
v · [ˈketʃaʔ], alternate spellings: Ketjak and Ketjack) is a form of Balinese dance and music drama, originated in the 1930s Bali and is performed primarily by men, although a few women's kecak groups exist as of 2006.[1] Also known as the Ramayana Monkey Chant, the piece, performed by a circle of 150 or more performers wearing checked cloth around their waists, percussively chanting "cak" and throwing up their arms, depicts a battle from the Ramayana where the monkey-like Vanara helped Prince Rama fight the evil King Ravana. However, Kecak has roots in sanghyang, a trance-inducing exorcism dance.[2] History Kecak was originally a trance ritual accompanied by male chorus. German painter and musician Walter Spies became deeply interested in the ritual while living in Bali in the 1930s and worked to recreate it into a drama, based on the Hindu Ramayana and including dance, intended to be presented to Western tourist audiences. This transformation is an example of what James Clifford describes as part of the "modern art-culture system"[3] in which, "the West or the central power adopts, transforms, and consumes non-Western or peripheral cultural elements, while making 'art' which was once embedded in the culture as a whole, into a separate entity."[4] Spies worked with Wayan Limbak and Limbak popularized the dance by traveling throughout the world with Balinese performance groups. These travels have helped to make the Kecak famous throughout the world. A Kecak dance being performed at Uluwatu, in Bali Music of Indonesia Gongs from Java Timeline • Samples Genres Classical Kecak Kecapi suling Tembang sunda Pop Dangdut Hip hop Kroncong Gambang kromong Gambus Jaipongan Langgam jawa Pop Batak Pop Minang Pop Sunda Qasidah modern Rock Tapanuli ogong Tembang jawa Specific forms Gamelan Angklung Beleganjur Degung Gambang Gong gede Gong kebyar Jegog Joged bumbung Salendro Selunding Semar pegulingan Regional music Bali Borneo Java Moluccan Islands Papua Sulawesi Sumatra Sunda A Kecak dance being performed at Kolese Kanisius, Jakarta Performer, choreographer, and scholar I Wayan Dibia cites a contrasting theory that the Balinese were already developing the form when Spies arrived on the island.[5] For example, well-known dancer I Limbak had incorporated Baris movements into the cak leader role during the 1920s. "Spies liked this innovation," and it suggested that Limbak, "devise a spectacle based on the Ramayana," accompanied by cak chorus rather than gamelan, as would have been usual.[2] In popular culture The 1971 version of Kenneth Anger's Rabbit's Moon incorporates Kecak into the soundtrack. Footage of a kecak performance is prominently featured in Ron Fricke's 1992 film Baraka. A kecak chant can be heard in Federico Fellini's classic 1969 film Satyricon. It was probably sampled from David Lewiston's 1969 LP of Balinese music entitled Golden Rain, released on the Nonesuch Explorer Series. Dagger of Kamui (Kamui no Ken), an anime film released in 1985, incorporates kecak in its score, often in action scenes involving shinobi. Kecak chanting is incorporated into the soundtrack for the Japanese animated film Akira (1988), which also uses the Indonesian gamelan prominently. Kecak is heard in I Never Promised You a Rose Garden during fantasy sequences taking place in the heroine's paracosm. A Kecak-style dance and chant can be seen in the fantasy portion of Tarsem Singh's film The Fall (2006), in which the Balinese actors incorporated words to describe the map being drawn. John Adams' "A Flowering Tree," 2006. Kumudha and the beggar minstrels in Act II is based on the Kecak. (Cincinnati Opera pre-performance interview with the composer, 30 June 2011.) A sample of Kecak chanting kicks off The Pop Group's 1980 album For How Much Longer Do We Tolerate Mass Murder? There is a sample of Kecak chanting on "The Wind Chimes" from Mike Oldfield's 1987 album Islands. The San Francisco Art Rock band Oxbow's song Daughter from their 1991 album King of the Jews incorporates Kecak-inspired polyrhythmic chanting and clapping throughout. Mike Patton performs a Kecak-like chant that is incorporated in the song "Goodbye Sober Day" on the 1999 Mr. Bungle album California. Patton had previously performed a similar passage of rhythmic chanting in the Faith No More song "Got That Feeling," from their 1997 Album of the Year. A song from the debut album by musical group Hercules and Love Affair has an intro in the style of Kecak chanting. A sample of Kecak chanting can be heard in the song "Soldier of Fortune" from Manhattan Transfer's album Bodies and Souls. A sample of Kecak chanting can be heard in the Devo song Jocko Homo. A sample of Kecak chanting can be heard near the end of the Nurse With Wound track "I Am Blind" from the album Homotopy to Marie. David Attenborough's 1969 documentary for the BBC The Miracle of Bali on the arts in Bali featured the kecak in both the 1st and 3rd episodes. A Kecak dance is performed in a Season 2 episode of MTV's Wildboyz, with Chris Pontius and Steve-O participating in the ritual during their stay in Indonesia. Kecak chanting forms the basis of the song "The Oracle" in the Super NES video game Secret of Mana. Kecak chanting is featured in the song "Kecak" in the Japanese music video game beatmania IIDX 11 – IIDX RED. Samples for this song are taken from Fellini's "Satyricon." Kecak is a mini-game in Capcom's Breath of Fire IV video game for PlayStation. The player mimics the chants by timing button presses corresponding to the screen. Kecak chanting is used as theme music for one of the unlock able enemy generals in the Atari game "Risk". Ketjak is a book-length poem by Ron Silliman published in 1978 and reprinted in The Age of Huts (2007), in which the author gives the title "Ketjak" to a vast ongoing cycle of works which includes Tjanting (1980) and The Alphabet (2008). Bibliography Kecak from Bali. Produced by David Lewiston, 1990. One compact disc (duration 44:53) with notes and libretto by Fred B. Eiseman and David Lewiston. 9019. As of 1991 this was the only commercial release outside Bali which features only and a complete performance of kecak.[6] I Wayan Dibia, Kecak: the vocal chant of Bali. Denpasar: Hartanto Art Books, 1996. vi + 83pp. Tables, photos, index. ISBN 979 95045 4 6. "This little book covers all the elements of Kecak"[5] Sources ^ Cultural Liberty Under Spotlight at Women Playwrights. In the Jakarta Post, 2006-12-03, page found 2010-08-13. ^ a b "'Cultural Tourism' in Bali: Cultural Performances as Tourist Attraction", p.59. Author(s): Michel Picard. Source: Indonesia, Vol. 49, (Apr., 1990), pp. 37–74. Published by: Southeast Asia Program Publications at Cornell University. ^ James Clifford, The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art (Cambridge and London: Harvard University Press, 1988), p. 223. Cited in Yamashita (1999), p.178. ^ Review: [untitled] Author(s): Shinji Yamashita. Reviewed work(s): Bali: Cultural Tourism and Touristic Culture by Michel Picard. Source: Indonesia, Vol. 67, (Apr., 1999), pp. 177–182. Published by: Southeast Asia Program Publications at Cornell University. ^ a b Review: [untitled], p.195. Author(s): David W. Hughes. Reviewed work(s): Kecak: The Vocal Chant of Bali by I Wayan Dibia. Source: British Journal of Ethnomusicology, Vol. 6, (1997), pp. 195–195. Published by: British Forum for Ethnomusicology. ^ Review: [untitled]. Author(s): David Harnish. Reviewed work(s): Kecak from Bali by David Lewiston. Source: Ethnomusicology, Vol. 35, No. 2, (Spring – Summer, 1991), pp. 302–304. Published by: University of Illinois Press on behalf of Society for Ethnomusicology External links Treasures of the Asia Collections: The Ketjak Dance, Cornell University Bali Honeymoon: A Photo Gallery – Bali's Kecak Dance photo gallery WalterSpies.com – Describes Walter Spies' house in Bali and his Pita Maha artists' cooperative. Listening UbuWeb Ethnopoetics: Ketjak: The Ramayana Monkey Chant Wikimedia Foundation. 2010. Игры ⚽ Нужно сделать НИР? Caphtor Integrated pest management Look at other dictionaries: Kecak — im Tempel Pura Dalem von Ubud, Bali Der Kecak, auch Ketjak, Ketjack oder Ketiak, ist ein balinesisches Tanzdrama, bei dem 50 bis 100 männliche, mit einem schwarz weiß karierten Lendenschurz bekleidete Tänzer zum Einsatz kommen, die das Epos… …   Deutsch Wikipedia Kecak — à Bali en 1937 Le Kecak (prononcé Ketchak ) est un chœur de percussions vocales balinais accompagnant originellement des transes lors de rituels. Sous le regard d artistes occidentaux tels que Walter Spies …   Wikipédia en Français Kecak — Saltar a navegación, búsqueda Kecak (pronunciado / ke.tʃak/ y también conocida como Ketjak, Ketjack o Ketiak) es el nombre que recibe una danza de origen balinés que se comenzó a practicar en la década de 1930 principalmente por hombres. Consiste …   Wikipedia Español Crimson Sea — Developer(s) Koei Publisher(s) Koei …   Wikipedia Musique Indonésienne — Sommaire 1 Musique traditionnelle 1.1 Gamelan 1.2 Arja 1.3 Barong 1.4 …   Wikipédia en Français Musique balinaise — Musique indonésienne Sommaire 1 Musique traditionnelle 1.1 Gamelan 1.2 Arja 1.3 Barong 1.4 …   Wikipédia en Français Musique indonesienne — Musique indonésienne Sommaire 1 Musique traditionnelle 1.1 Gamelan 1.2 Arja 1.3 Barong 1.4 …   Wikipédia en Français Musique indonésienne — Sommaire 1 Musique traditionnelle 1.1 Gamelan 1.2 Arja 1.3 Barong 1.4 Calon Ara …   Wikipédia en Français Gamelan — A gamelan is a musical ensemble of Indonesia typically featuring a variety of instruments such as metallophones, xylophones, drums, and gongs; bamboo flutes, bowed and plucked strings, and vocalists may also be included. The term refers more to… …   Wikipedia Mr. Bungle — live in 1999. 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