- Grand Declaration of War
Infobox Album | Name = Grand Declaration of War
Type = studio
Artist = Mayhem
Released = 2000
Recorded = November 1999 - January 2000
Black metal Avant-garde metal
Length = 45:58
Season of Mist/ Necropolis Records
Producer = Mayhem and Børge Finstad
AllmusicRating|4|5 [http://allmusic.com/cg/amg.dll?p=amg&sql=10:eyf8zff1eh6k link]
Last album = "
Mediolanum Capta Est" (1999)
This album = "Grand Declaration of War" (2000)
Next album = "
European Legions" (2001)
"Grand Declaration of War" (2000) is the third full-length
albumby influential Norwegian black metalband Mayhem. Strongly influenced by progressive and avant-garde metal, the album is concept-based, dealing with themes of war and post-apocalyptic destruction. Maniac largely abandons the traditional black metal rasp for dramatic spoken-word monologues on several songs (in fact, track 6, "A Bloodsword and a Colder Sun, Part I of II" is entirely vocal-based with no accompaniment of any kind), and most of the songs segue seamlessly into one another.
Some rejected the album for its avant-garde and electronic elements, which they perceived as bold and pretentious, and criticized Maniac's black metal vocals as being inferior to Dead's and
Attila Csihar's. Others saw it as a laudable attempt to recreate and redefine black metal (critic Brian Russ of [http://www.bnrmetal.com BNR Metal] called it "really the first cohesive work the band has ever done" and "a fitting culmination to their career thus far"). In retrospect, the electronic elements of the album were often heavily overstated by its detractors, as they only dominated a single track, "A Bloodsword and a Colder Sun (Part II of II)," and only (with the exception of brief uses of vocal processing) even appeared on a single other track, "Completion in Science of Agony (Part I of II)." Ultimately, the album has more in common with the later works of bands like Arcturus, Dødheimsgardand Ulverthan it does with the rest of Mayhem's discography, which may explain why reactions to the album were so polarized; fans expecting a " De Mysteriis Dom Sathanas, Act II" were to be sorely disappointed, which was probably half the point.
"Grand Declaration of War" can be considered a sequel of sorts to the EP "
Wolf's Lair Abyss", as the opening track "A Grand Declaration of War" and the second part of "View from Nihil" both incorporate the closing riff(albeit transposed up by one semitone) from "Symbols of Bloodswords," that album's closing track. In fact, the album is explicitly labeled as containing "Part II" (tracks 1 through 5) and "Part III" (tracks 6 through 13, which are collectively titled "Il Principe"), with the obvious implication that Wolf's Lair Abyss is Part I.
#"A Grand Declaration of War" – 4:14
#"In the Lies Where upon You Lay" – 5:59
#"A Time to Die" – 1:48
#"View from Nihil (Part I of II)" – 3:04
#"View from Nihil (Part II of II)" – 1:16
#"A Bloodsword and a Colder Sun (Part I of II)" – 0:33
#"A Bloodsword and a Colder Sun (Part II of II)" – 4:27
#"Crystalized Pain in Deconstruction" – 4:09
#"Completion in Science of Agony (Part I of II)" – 9:44
#"To Daimonion (Part I of III)" – 3:25
#"To Daimonion (Part II of III)" – 4:52
#"To Daimonion (Part III of III)" – 0:07
#"Completion in Science of Agony (Part II of II)" – 2:14
*There is also a hidden bonus track that can be found by rewinding the CD from the start, it plays Completion in Science of Agony (Part II of II) in reverse.Fact|date=March 2007
Sven Erik Kristiansen) - Vocals
Rune Erickson) - Guitar
Jørn Stubberud) - Bass
Jan Axel Blomberg) - Drums
Anders Odden- Co-writing and programming of "A Bloodsword and a Colder Sun"
*Øyvind Hægeland - Vocal Collaboration on "Completion in Science of Agony"
*Tore Ylwizaker - Samples and Noise construction on "Completion in Science of Agony"
*Sebastian Ludvigsen - Photography
*Mark Francombe Red - Cover Design
*Anne Cecilie Olavesen - Makeup
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