- Infotainment
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For the Pitchshifter album, see Infotainment?.
Infotainment is "information-based media content or programming that also includes entertainment content in an effort to enhance popularity with audiences and consumers."[1] It is a neologistic portmanteau of information and entertainment, referring to a type of media which provides a combination of information and entertainment. According to many dictionaries[2] infotainment is always television, and the term is "mainly disapproving."[3] However, many self-described infotainment websites exist, which provide a variety of functions and services.[4]
Contents
Criticism
The label "infotainment" is emblematic of concern and criticism that journalism is devolving from a medium which conveys serious information about issues affecting public interest, into a form of entertainment which happens to have fresh "facts" in the mix. The criteria by which reporters and editors judge news value - whether something is worth putting on the front page, the bottom of the hour, or is worth commenting on at all - are integral parts of this debate. Some blame the media for this perceived phenomenon, for failing to live up to ideals of civic journalistic responsibility, while others blame the commercial nature of many media organizations, the need for higher ratings, combined with a preference among the public for feel-good content and "unimportant" topics like celebrity gossip or sports.[citation needed] In a critique of infotainment, Bonnie Anderson of News Flash cited a CNN lead story on February 2, 2004 following the exposure of Janet Jackson's breast on national television. The follow-up story was about a ricin chemical attack on the U.S. Senate majority leader.[5]
A specialization process has also occurred, beginning with the rise of mass market special-interest magazines, moving into broadcast with the advent of cable television, and continuing into new media, like the Internet and satellite radio.[citation needed] An increasing number of media outlets are available to the public which exclusively focus on a single topic such as current events, home improvement, history, movies, women and Christianity. Consumers have a broad choice whether they receive a general feed of the most "important" information of the day or a highly customized presentation of a single type of content. Highly customized content streams may not be considered newsworthy nor contain a neutral point of view. Some publications and channels have found a sizable audience in the "niche" of featuring hard news.[citation needed]
Controversy has continued over the size of the audience and whether outlets are diluting content with too much "soft" news. The distinction between journalists and anchors versus reporters are "human interest", personality, or celebrity news story pieces.[citation needed] Soft news reporters and stories are typically directed by marketing share departments based on a demographic appeal and audience share. It is commonly accepted news anchors are also media personalities which may also be considered celebrities. Media outlets commonly use on-air personalities for their public appeal to promote the network's investments similar to the regular broadcast schedule including self-promotion and advertising. Critics might go so far as to view anchors as a weak link, representing the misplacement of both the credit and the accountability of a news journalism organization—hence adding to a perceived erosion of journalistic standards throughout the news business.[citation needed] (See yellow journalism.)
Most infotainment television programs on networks and broadcast cable only contain general information on the subjects they cover and should not be considered as formal learning or instruction. An example of a broadcast may include accusations of a celebrity or other individual committing a crime with no verifiable factual support or evidence of such claims.
Infotainment versus journalism
Some define "journalism" only as reporting on "serious" subjects, where common journalistic standards are upheld by the reporter. Others believe that the larger "news business" encompasses everything from professional journalism to so-called "soft news" and "infotainment", and support activities such as marketing, advertising sales, finance and delivery. Professional journalism is supposed to place more emphasis on research, fact-checking, and the public interest than its "non-journalistic" counterparts. Because the term "news" is quite broad, the terms "hard" and "soft" denote both a difference in respective standards for news value, as well as for standards of conduct, relative to the professional ideals of journalistic integrity.
The idea of hard news embodies two orthogonal concepts:
- Seriousness: Politics, economics, crime, war, and disasters are considered serious topics, as are certain aspects of law, business, science, and technology.
- Timeliness: Stories that cover current events—the progress of a war, the results of a vote, the breaking out of a fire, a significant statement, the freeing of a prisoner, an economic report of note.
The logical opposite, soft news is sometimes referred to in a derogatory fashion as infotainment. Defining features catching the most criticism include:
- The least serious subjects: Arts and entertainment, sports, lifestyles, "human interest", and celebrities.
- Not timely: There is no precipitating event triggering the story, other than a reporter's curiosity.
Timely events happen in less serious subjects—sporting matches, celebrity misadventures, movie releases, art exhibits, and so on.
There may also be serious reports which are not event-driven—coverage of important social, economic, legal, or technological trends; investigative reports which uncover ongoing corruption, waste, or immorality; or discussion of unsettled political issues without any special reason. Anniversaries, holidays, the end of a year or season, or the end of the first 100 days of an administration, can make some stories time-sensitive, but provide more of an opportunity for reflection and analysis than any actual "news" to report.
The spectrum of "seriousness" and "importance" is not well-defined, and different media organizations make different tradeoffs. "News you can use", a common marketing phrase highlighting a specific genre of journalism, spans the gray area. Gardening tips and hobby "news" pretty clearly fall at the entertainment end. Warnings about imminent natural disasters or acute domestic security threats (such as air raids or terrorist attacks) are considered so important that broadcast media (even non-news channels) usually interrupt other programming to announce them. A medical story about a new treatment for breast cancer, or a report about local ground water pollution might fall in between. So might book reviews, or coverage of religion. On the other hand, people frequently find hobbies and entertainment to be worthwhile parts of their lives and so "importance" on a personal level is rather subjective.
Entertainment and news crossovers
Infotainers are entertainers in infotainment media, such as news anchors or "news personalities" who cross the line between journalism (quasi-journalism) and entertainment. Notable examples in the U.S. media are Barbara Walters, Katie Couric, Keith Olbermann, Glenn Beck, Anderson Cooper, Maury Povich, Deborah Norville, and Geraldo Rivera among others.
Barbara Walters, though not the first to cross the line between news and personality stories, is for many the quintessential news-media icon. Her career dates back to the 50s, and her current prominence at ABC is largely due to celebrity interviews, with a long running co-anchorship on 20/20 with Hugh Downs and, later, John Stossel until 2004, and her overlapping morning infotainment show The View.
When Geraldo Rivera became the host of his own news-oriented talk show on CNBC, others within the NBC organization voiced their protest, including Tom Brokaw who was reported to have threatened to quit. Rivera had a notorious history as a "sleaze reporter" and daytime talk show host, where he and one or two others were representative of "Tabloid talk shows"; television seen to have little social value or redeeming intelligence, but still popular with viewers.
Apocrypha
The terms "infotainment" and "infotainer" were first used in September 1980 at the Joint Conference of Aslib, the Institute of Information Scientists and the Library Association in Sheffield, UK. The Infotainers were a group of British information scientists who put on comedy shows at their professional conferences between 1980 and 1990.
An earlier, and slightly variant term, "infortainment" was coined in 1974 as the title of the 1974 convention of the Intercollegiate Broadcasting System (IBS), the association of college radio stations in the United States. It took place on April 5–7, 1974, at the Statler Hilton Hotel, now the Hotel Pennsylvania. It was defined as the "nexus between Information and Entertainment".
See also
Footnotes
- ^ Demers, David, "Dictionary of Mss Communication and Media Research: a guide for students, scholars and professionals," Marquette, 2005, p.143.
- ^ Merriam- Webster, The Cambridge Online Dictionary
- ^ Cambridge Online Dictionary
- ^ "an extraordinary form of strategic internal communications" (www.infotainment.be) and historically accurate factoid collections (www.how-infotaining.com)
- ^ Anderson, Bonnie M., "News Flash", Wiley 2004, p. 1, p. 33.
External links
- Infotainment news by Telematics Update
- Information | Entertainment | News
- "Award winning Government infotainment"
- "Soft news and critical journalism eroding audiences"
- "Tough times for hard news, but good journalism goes on"
- Mass Wire Media Association News
- UK graduate course in infotainment
- Category Management and infotainment/retailtainment
- That's Infotainment - Skeptical Inquirer
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