- Julia Sarr
Julia Sarr is a
Mezzo-soprano born inDakar ,Senegal .She honed her reputation as a sought-after backing vocalist in
Paris for such stars asJean-Jacques Goldman ,Michel Fugain ,MC Solaar ,Julio Iglesias , andYoussou N’Dour , after having launched her singing career (closer toWest Africa ’s typical polyrhythmic signatures) with live gigs withFela Kuti ’s rhythmic alter ego, the legendaryNigeria n Afrobeat drummerTony Allen . For an especially fruitful period of more than a decade, Sarr shared stage and studio with the respected Congolese singer, songwriter, guitarist, and producerLokua Kanza . Her "a cappella " solos gracedJean-Claude Petit ’s score forRaoul Peck 's historical film "Lumumba " starringEriq Ebouaney .After nurturing her solo aspirations and songwriting quietly for years, Sarr has found in
Patrice Larose , aflamenco -inspired French guitarist with whom she has released an album titled "Set Luna" (on theNo Format! andUniversal Jazz labels inEurope and on the boutique labelSunnyside Records in theUnited States ), an engaging partner with whom to merge haunting individualities, stories, and musical traditions. For all of the richness of the respective canons and traditions in which Sarr and Larose find their anchors, the Sarr-Larose duo is more a flowing conversation between individuals than a studied hybrid of styles. This conversational quality elevates the partnership above a simple encounter of musical forms. Thus Flamenco and Senegalese music appear on "Set Luna", but as shadowy rather than dominant presences, as cultural imprints which Sarr and Larose could never undo within their musical selves, and which they claim it would have been useless to try to erase."Set Luna" (Wolof, in English "So I’ve Observed"), and the duo's
October 24 ,2005 American debut atCarnegie Hall , were both hailed as scarcely like anything else produced from the inexhaustibly rich Senegalese vocal tradition of which Sarr is a part.
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