- 1850s in fashion
1850s fashion in European and European-influenced
clothing is characterized by an increase in the width of women'sskirt s supported bycrinoline s or hoops, and the beginnings of dress reform. For men, the introduction of the "sack coat" as informal daywear and of outfits with matching coat,waistcoat andtrousers marked the beginnings of the modernbusiness suit .Women's Fashion
Gowns
In the 1850s, the domed skirts of the 1840s continued to expand. Skirts were made fuller by means of
flounce s (deepruffle s), usually in tiers of three,gather ed tightly at the top and stiffened withhorsehair braid at the bottom.Early in the decade, bodices of day dresses featured panels over the shoulder that were gathered into a blunt point at the slightly dropped waist. These bodices generally fastened in back by means of hooks and eyes, but a new fashion for a [jacket] bodice appeared as well,
button ed in front and worn over achemisette . Wider bell-shaped or "pagoda" sleeves were worn over false undersleeves orengageante s of cotton or linen, trimmed in lace, "broderie anglaise ", or other fancy-work. Separate small collars of lace,tatting , orchrochet -work were worn with day dresses, sometimes with a ribbon bow.Evening dresses were very low-necked, falling off the shoulders, and had short sleeves.
The introduction of the steel cage crinoline in
1856 provided a means for expanding the skirt still further, and flounces gradually disappeared in favor of a skirt lying more smoothly over thepetticoat and hoops.Pantalettes were essential under this new fashion for modesty's sake.Fabrics
Special dress fabrics were printed "à la disposition", with a small figured print over most of the fabric and an elaborate coordinating
border print down oneselvage . Dresses were made up so the border print decorated the flounces and parts of thebodice orsleeve s. (See photos at [http://www.museumofcostume.co.uk/index.cfm?fuseAction=SM.nav&UUID=D2E53E0A-6F39-4364-8624FCBA3D5BB51C] and [http://images.vam.ac.uk/images/photo/sch/20030207/high/1089-003.jpg] .)Outerwear
Cape-like jackets were worn over the very wide skirts. Another fashionable outer garment was an
India nshawl or one woven inPaisley, Renfrewshire in a paisley pattern in imitation of Indian styles. Hoodedcloak s were also worn.Riding habit s had fitted jackets with tight sleeves, worn over a collared shirt or (more often) chemisette. They were worn with long skirts and mannish top hats.Hairstyles and headgear
Hair was dressed simply, in abun or wound braid at the back, with the sides puffed out over the ears or with clusters of curls to either side in imitation of early 17th century fashions. Deepbonnet s with wide ribbon bows tied under the chin were worn outdoors.The indoor
cap became little more than a lace and ribbon frill worn on the back of the head.Beginnings of dress reform
1851 marked the birth of the
Victorian dress reform movement, whenNew England temperance activist Libby Miller adopted what she considered a more rational costume: loosetrousers gathered at the ankles, topped by a short dress or skirt and vest. The style was promoted by editorAmelia Bloomer and was immediately christened a "Bloomer suit" by the press. Despite its practicality [http://xrboads.virginia.edu/~HYPER/HNS/domwest/mcauley.html] , the Bloomer suit was the subject of much ridicule in the press and had little impact on mainstream fashion.tyle gallery 1850-1855
#The , a short dress worn over full trousers gathered at the ankle, briefly adoped by dress reformers in the
United States in the 1850s.
# of 1850 (New York).
# shows the fashionable use of fabrics printed "â la disposition" (with border-prints) on skirt flounces and for bodices and sleeves.
# wears a black off-the-shoulder evening dress with ruffles. She wears a brooch and bracelets on both wrists. France, 1851.
# wears a small fancy-work collar and a ribbon at her throat. Her thick, wavy hair is parted in the center and poufed over her ears, 1851.
# wears a dark day dress with a lace blouse or chemisette and cuffs and short leather gloves. Her hair is parted and worn in long sausage curls, 1851.
# wears a simple green satin dress with laced short sleeves over a linen chemise or chemisette. Her lace cap is trimmed with rose-colored tassels and ribbons, and she carries an elaborate fan, 1852.
# wears a bright blue gown with a tiered skirt. The long pointed bodice is trimmed with horizontal bands of ruching over a chemise or chemisette (or an underlayer styled to look like a chemise), 1853.
# This corset was adjust to the body, not to the dress as before.tyle gallery 1855-1859
# wear formal dress (despite the outdoor setting). The hair styled with ringlets or curls on the sides and a small bun in back is typical. 1855.
# wears a floral gown with ribbon streamers. Her lace cap is little more than a frill trimmed in red ribbons. 1856.
# wears her hair parted in the center and brushed into puffs over each ear. Her gown has wide pagoda sleeves and is worn over undersleeves orengageante s. The high neckline is set off with a white collar. American, 1857.
# of 1858 is styled like a Bloomer suit (acceptable in the context of beachwear), and includes a cap to confine the hair.
# from "Godey's Magazine", with full-blown little girl's crinoline.
#.
# jackets based on military styles became fashionable in the late 1850s and remained so well into the 1860s.Caricature gallery
The crinoline style gave wide scope to satirists, and many cartoons and comic odes to the crinoline appeared.
#, from "The Comic Almanack", 1850. (Crinolines did not actually come into wide use until about 1854.)
# of a flounced skirt over a crinoline, "Punch" magazine, August 1856.
# styles of an earlier generation...See also: http://www.wisconsinhistory.org/patterns/largeversion.asp?imagename=belles-lg.gifThe Comparative Sizes of Bell(e)sMen's fashion
Shirt s of linen or cotton featured high upstanding or turnover collars. The newly fashionable four-in-hand neckties were square or rectangular, folded into a narrow strip and tied in a bow, or folded on the diagonal and tied in a knot with the pointed ends sticking out to form "wings". Heavy padded and fittedfrock coat s (in Frenchredingote s), now usually single-breasted, were worn for business occasions, over waistcoats or vests with lapels and notched collars. Waistcoats were still cut straight across at the waist in front in 1850, but gradually became longer; the fashion for wearing the bottom button undone for ease when sitting lead to the pointed-hemmed waistcoat later in the century.A new style, the "sack coat", loosely fitted and reaching to mid-thigh, was fashionable for leisure activities; it would gradually replace the frock coat over the next forty years and become the modern suit coat.
The slightly cutaway
morning coat was worn for formal day occasions. The most formalevening dress remained a dark tail coat and trousers, with a white cravat; this costume was well on its way to crystallizing into the modern "white tie and tails".Full-length
trousers were worn for day. Breeches remained a requirement for formal functions at the British court (as they would be throughout the century). Breeches continued to be worn for horseback riding and other country pursuits, especially in Britain, with tall fitted boots.Costumes consisting of a coat, waistcoat and trousers of the same fabric were a novelty of this period.
Tall
top hat s were worn with formal dress and grew taller on the way to the true stovepipe shape, but a variety of other hat shapes were popular. Soft-crowned hats, some with wide brims, were worn for country pursuits. Thebowler hat was invented in 1850 but remained a working-class accessory.tyle gallery
# wears a shirt with a round-cornered collar and a pleated front. His necktie is tied in a small bow. America, c. 1850.
# died in 1851).
# show an idealized rounded chest over a low waist. The cutaway morning coat (left) is worn with trousers trimmed with braid down the outer seam. Shirts have short straight collars and are worn with narrow neckties tied in wide bows. Half-boots have short heels. Coat sleeves are cut long, showing very little shirt cuff.
# shows formal evening wear, informal day wear, top coats, and a dressing gown.
#, 1858, wears the wide-brimmed hat common on the American frontier.
# wears a stiff tie over a tall standing collar. His double-breasted waistcoat is cut straight across. His frock coat, waistcoat and trousers are all of different fabrics. France, 1858.
# wears a frock coat with a wide collar and lapels over a waistcoat with lapels and eight buttons.
# wears a shirt with a turnover collar and a black necktie.Caricature gallery
compares "The Fast Man's Neckerchief in 1809" and "The Fast Man's Neck-Tie in 1859".
Children's fashion
# wears the modest, dark dress appropriate to her occupation.
# wears a three-piece suit with rounded collar and lapel peaks, and the round, frilled open collar favored for children, 1855.
# petticoat, 1858-59.
#, 1855ee also
*
Victorian fashion
*Crinoline
*Artistic Dress movement
*Victorian dress reform References
*Ashelford, Jane: "The Art of Dress: Clothing and Society 1500-1914", Abrams, 1996. ISBN 0-8109-6317-5
*Goldthorpe, Caroline: "From Queen to Empress: Victorian Dress 1837-1877", Metropolitan Museum of Art, New York, 1988, ISBN 0-87099-535-9
*Payne, Blanche: "History of Costume from the Ancient Egyptians to the Twentieth Century", Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
*Tozer, Jane, and Sarah Levitt: "Fabric of Society: A Century of People and Their Clothes 1770-1870", Laura Ashley Ltd., 1983; ISBN 0-9508913-0-4
Notes
# [http://www.museumofcostume.co.uk/index.cfm?fuseAction=SM.nav&UUID=D2E53E0A-6F39-4364-8624FCBA3D5BB51C Wool muslin dress printed "à la disposition" at the Museum of Costume, Bath]
# [http://images.vam.ac.uk/images/photo/sch/20030207/high/1089-003.jpgSummer dress of fabric printed "à la disposition" at the Victoria and Albert Museum]
# [http://xroads.virginia.edu/~HYPER/HNS/domwest/mcauley.html Eliza Ann McAuley describes wearing a Bloomer on the road to the goldfields, 1852]External links
* [http://www.tudorlinks.com/treasury/articles/view185060.html 1850s and 1860s Fashion]
* [http://www.wisconsinhistory.org/patterns/1857promenadeinfo.html Promenade dress, 1857]
* [http://www.gentlemansemporium.com/1850-victorian-photo-gallery.php 1850s Men's Fashions] - circa 1850 Men's Fashion Photos with Annotations
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