- Thomas B. Allen
Thomas B. Allen (1928–
November 8 ,2004 ) was an American painter andillustrator known for a moody and expressionist style that pushed the boundaries ofcommercial art in the 1950s and 60s. He was born in Nashville,Tennessee , where he was educated atVanderbilt University , and later at theArt Institute of Chicago .Allen was often associated with fellow illustration mavericks, Robert Weaver and
Robert Andrew Parker , who challenged the saccharine atmosphere of the post-warmagazine scene. This group favored a somewhat radical journalistic approach to their role and firmly opposed an illustrator's role as mere page decorator. They developed personal styles and techniques that made their chosen subjects even more resonant. They favored observing the world, drawing from life, and creating visual essays. This approach would later be termed "visual journalism " and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from theSchool of Visual Arts inNew York City .Allen was widely known for his
album covers of country andjazz music ians. He formed lasting relationships withbluegrass music legendEarl Scruggs ofFlatt and Scruggs . Another satisfied patron, Neil Fujita, an art director atCBS Records, gave Allen many assignments for their jazz catalog. Being present at actual recording sessions withJimmy Rushing allowed Allen to hone his observation skills and create work that was "more authentic."Later in his career, he began illustrating children's books. Titles include "In Coal Country" by
Judith Hendershot and "Grandma's General Store: The Ark" byDorothy Carter . He also spent much of his time in front of students eager to learn his trade. At theUniversity of Kansas ,Hallmark Cards funded a teaching position that landed Mr. Allen at that campus. He later moved toFlorida to head up the illustration department at theRingling College of Art and Design . He remained in that position until his death.References
*Obituary, "
The New York Times ", Nov 2004 by Steve Heller
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