Ellis Paul

Infobox musical artist
Name = Ellis Paul


Img_capt = Paul performing at the Twickenham Folk Club
Twickenham, England.
May 21, 2006
Img_size =
Landscape = yes
Background = solo_singer
Birth_name = Paul Plissey
Alias =
Born = birth date and age|mf=yes|1965|1|14
Fort Kent, Maine, United States
Died =
Origin = Boston, Massachusetts, United States
Instrument =
Genre = Folk
Pop
Occupation = Singer-songwriter
Years_active = 1989 – present
Label = Rounder
Associated_acts =
URL = [http://www.ellispaul.com EllisPaul.com]
Notable_instruments =

Ellis Paul (born January 14, 1965) is an American singer-songwriter and folk musician. Born Paul Plissey in Aroostook County, Maine, Paul is a key figure in what has become known as the Boston school of songwriting, a literate, provocative and urbanely romantic folk-pop style that helped ignite the folk revival of the 1990s. [Alarik, Scott. Sound choice. "Boston Globe", April 24, 1998.] His pop music songs have appeared in movies and on television, bridging the gap between the modern folk sound and the populist traditions of Woody Guthrie and Pete Seeger. [http://www.ellispaul.com/index.php?page=bio Ellis Paul biography] EllisPaul.com. Retrieved January 10, 2007.]

Having grown up in a small town in Maine, Paul attended Boston College on a track scholarship where he majored in English. An athletic injury sustained during his junior year changed the course of his professional career.Gerwetz, Daniel. Passim hosts balladeer. "The Boston Herald", Friday, February 19, 1993.] Paul picked up a guitar to pass the time while sidelined, and discovered that playing guitar and writing songs was the creative outlet he had been looking for. After graduating from college he began playing at open mic nights in the Boston area while working with inner-city school children. Paul's growing popularity at Boston coffeehouses, coupled with winning a Boston Acoustic Underground songwriter competition and national exposure on a Windham Hill Records compilation combined to give him the confidence to resign his day-job and pursue a career as a professional musician.Wood, Arthur. [http://www.visnat.com/entertainment/music/folkwax/mp3/bio.cfm?artistnumber=1368 "Maine native Paul now a national name in Folk music".] "FolkWax E-zine". Retrieved February 17, 2007. (Free with registration.)]

To date, Paul has released 14 albums and has been the recipient of 13 Boston Music Awards, considered by some to be a pinnacle of contemporary acoustic music success.Hughes, Troy. [http://www.writerswrite.com/journal/jun00/paul.htm A Conversation with Ellis Paul] for Writer's Write, June 2000. Retrieved January 13, 2007.] He has published a book of original lyrics, poems, and drawings and released a DVD that includes a live performance, guitar instruction, and a road-trip documentary. As a touring musician, Paul plays close to 200 dates each year and his extensive club and coffeehouse touring, together with radio airplay, has brought him a solid national following. Healy, Benjamin. [http://bcm.bc.edu/issues/summer_2004/lindenlane.html "For a song: Ellis Paul's six-step program."] "Boston College Magazine", Summer, 2004, p. 3–4. Retrieved February 10, 2007.]

Growing up

Ellis Paul was born in Fort Kent, Maine, a small, rural potato-farming town near the Canadian border. Paul’s family had strong connections to the potato industry — his father, Ed Plissey, was Executive Director of the Maine Potato Commission and his grandfather owned a convert|140|acre|km2|sing=on potato farm. Schools in the area closed for three weeks each year so that school children could help with the potato harvest. Paul spent many hours working on his grandfather’s farm.Wood, Arthur. Ellis Paul. "Kerrville Kronikle", #21. 1996.] Paul's mother, the former Marilyn Bonney of Buckfield, Maine, is a University of Maine graduate and was an extension agent for northern Aroostook County. She and her husband often worked together on special projects for the service. In the 1960s, Mrs. Plissey produced her own televison show "The Aroostook Homemaker" which aired every third week on Presque Isle television station WAGM-TV. [Sunday Telegram staff. "Families of Maine's Outstanding Young Men", Portland, Maine "Sunday Telegram", Jan. 19, 1964.]

While attending high school in Presque Isle, Maine, Paul listened to Top-40 radio and participated in track. He played trumpet in the school's stage band where he was introduced to the big band jazz music of Stan Kenton and Maynard Ferguson. He excelled in track, becoming the Maine State champion in five-kilometer distance running, a feat that garnered several scholarship offers, including an offer from Boston College. Having graduated high school with the class of 1983, Paul relocated to Boston, leaving small-town rural life behind. In an interview with Daniel Gerwetz of the "Boston Herald" Paul stated, “It wasn’t until I went to Boston College on a track scholarship that I first heard folk.” Paul was particularly moved when he heard Bob Dylan singing "The House of the Rising Sun". It was then that he began to take folk music seriously. Stambler, Irwin and Stambler, Lyndon. "Folk and Blues: The Encyclopedia." St. Martin's Press, 2001. ISBN 0-312-20057-9.]

Early career: 1987–1990

Paul majored in English at Boston College where he continued to participate in track. His best time in the 10,000 meters (30:18:50) remains the fourth best men's outdoor record in Boston College history. [Boston College Track & Field. [http://bceagles.cstv.com/auto_pdf/p_hotos/s_chools/bc/sports/m-otrack/auto_pdf/outdoor-top-times Boston College Men's Outdoor Track & Field Top Performances.] Retrieved April 21, 2008.] When a knee injury in his junior year sidelined him from athletics, Paul picked up an acoustic guitar to pass the time. He taught himself to play guitar with the help of a "Hits of the 70s" songbook, and began to write songs. Boston radio included a classic hits station that played the music of Bob Dylan, Joni Mitchell, Neil Young and James Taylor; artists who were mostly unfamiliar to Paul. Within a few years they became major influences. Having a career in music was the furthest thing from Paul's mind at that point, but as his playing and writing improved it became a bigger focus in his life. In an interview with "FolkWax" journalist Arthur Wood, Paul stated:

"I started playing and learned a few songs by other writers to begin with. I started writing originals within a few months. My songs were pretty horrendous to begin with. They kept getting better and better. When I graduated, I started playing at open mics in bars in Boston. Eventually discovered that there were folk clubs where people were actually listening, and not drinking and carousing while you played. I got involved in that circuit. I think that’s why I’ve become so lyric conscious — because of those listening rooms, where you really have to rely on words in those situations."

The open mic circuit in the Boston area included The Nameless Coffeehouse in Cambridge, Westborough’s Old Vienna Kaffeehouse and The Naked City Coffeehouse in Allston. Paul became a regular face at those clubs along with other young folk musicians such as Shawn Colvin, Patty Griffin, Dar Williams and Vance Gilbert. In 1989 he won the Nameless Coffeehouse’s New Songwriter Award. Paul played Cambridge's Club Passim, a venue that would become his "home" venue, for the first time when he opened for John Gorka in October 1989. Less than four years later he performed his first shows at Passim as a headliner. The three consecutive nights of shows took place on February 19–21, 1993.

It was at the Old Vienna that Paul met Jon Svetkey, Brian Doser and Jim Infantino, all struggling young local musicians. In 1989 the four young men formed a collective called "End Construction" and in 1990 released a compilation of songs titled "Resume Speed: New Artist Compilation" on the End Construction Productions label. The four songwriters each performed four of his own original songs on the CD release. The "Resume Speed" liner notes stated that End Construction Productions was a small independent production, promotion and recording company run by songwriters and musicians "hellbent on getting the good music out there." In the interview with Wood, Paul stated that the four songwriters started doing group shows together and collaborated on each other's material. Although he goes on to say that the collaboration "was a good thing" and that the four musicians learned a lot from each other, eventually the foursome "burned out on the competitiveness". The collaboration lasted three years.

Following his graduation from Boston College in 1987, Paul worked a day-job at the COMPASS school as a teacher and social worker with inner city school children performing at open mics three or four nights a week. It was not until the fall of 1992 that he quit his day-job to pursue music as a full-time career. During this period Paul met his manager, Ralph Jaccodine, and together they founded Black Wolf Records. In 1989 the label released Paul's first two albums of original material: "Am I Home" and "Urban Folksongs" and Paul began touring outside the Boston area. [Barber, Mary. "Getting good mileage out of music: Ellis Paul's tour includes stop in Fort Atkinson". "The Janesville Gazette" (Wisconsin), April 8, 1993, p. 1C.] Although originally released on cassette, the two albums were re-released on CD in 2001.

Rising success: 1990–2000

Winning the Boston Acoustic Underground Award in 1991 resulted in Paul playing to the largest crowd of his career to that point – 300. He continued to play in and around the New England area. Around this time, Windham Hill Records, which had previously released the ' songwriter compilation, put a call out to the music industry asking for songwriter submissions to be considered for the follow-up ' compilation. After the Old Vienna Kaffeehouse sent one of Paul’s tapes to Windham Hill, Paul's "Ashes to Dust" from "Urban Folksongs" was chosen to be on the compilation. In the interview with Wood, Paul stated that he felt very excited to be on the Windham Hill release because it served as a calling card that every DJ and folk promoter in the country would recognize. "Legacy II" was released in 1992 and included songs performed by Patty Larkin, Patty Griffin, Greg Brown, Cheryl Wheeler and several others. "Legacy II" was Paul’s first national exposure.

After Paul opened for Bill Morrissey several times, Morrissey became one of Paul’s earliest mentors. Morrissey introduced Paul to the traditional songwriting of Woody Guthrie and Mississippi John Hurt, as well as songwriters of the 60s, such as Randy Newman. In a 2001 interview Scott Alarik, Morrissey said that Paul jumped into listening to traditional songwriters "bigtime" and as a result is a much better writer and performer. [Alarik, Scott. Bill Morrissey's "Three R's": Writing, rural and roots. "Sing Out! The Folk Song Magazine", Autumn, 2001. ( [http://www.highbeam.com/doc/1G1-81827659.html text] from highbeam.com with paid membership)] Paul asked Morrissey to produce his first album "Say Something", which was released in 1993 on Black Wolf records. Fiddler Johnny Cunningham and guitarist Duke Levine, both friends of Morrissey’s, can be heard on the recording along with the background vocals of Patty Griffin. Levine would co-produce Paul’s follow-up release "Stories", which was released on Black Wolf in 1994 and re-released on Rounder Records the following year. That year Paul was first invited to play the Kerrville Folk Festival, winning the Kerrville New Folk award. [http://www.happenstance-music.com/KFF_History.asp Kerrville Folk Festival New Folk Finalist History] brought to you by Happenstance and Doug Coppock. Retrieved February 8, 2007.]

Paul became a follower of the music of Woody Guthrie during the early 1990s. In a 1998 "Boston Globe" article, Paul refers to a tattoo of Woody Guthrie on his right shoulder saying that Woody's image was the only thing he could put on his body that would be "like a badge of who he was." Alarik, Scott. Boston’s "soul" man Ellis Paul crafts a trademark singer-songwriter sound. "Boston Globe", December 4, 1998.] Paul’s tattoo of Woody Guthrie resulted in a chance meeting with Nora Guthrie, Woody Guthrie's daughter, at a Folk Alliance Conference when Nora asked to see Paul's tattoo. That chance meeting resulted in Paul being invited to perform at a Woody Guthrie tribute show at the Rock and Roll Hall of Fame in Cleveland, Ohio. The 10-day celebration, held in September 1996, included other notable musicians such as Bruce Springsteen, Billy Bragg, The Indigo Girls and Ani DiFranco. [ Robicheau, Paul. Ellis Paul’s got Woody Guthrie under his skin. "Boston Globe", September 20, 1996.] DiFranco's record label, Righteous Babe, released a compilation of the event, "'Til We Outnumber 'Em", in 2000. [ [http://www.righteousbabe.com/store/prod_albums.asp?id=350 Righteous Babe Website] . Retrieved April 9, 2007.]

Jerry Marotta, a drummer who had worked with Peter Gabriel, produced Paul's third CD release "A Carnival of Voices" which was released on Rounder in 1996. Marotta brought in bassist Tony Levin, guitarist Bill Dillon, and once again Duke Levine. Paul stated that "A Carnival of Voices" comprised character sketches of different people in different towns tied to "the carnival mentality of traveling." "A Carnival of Voices" hit #3 on The CMJ New Music Report Triple chart and World Café voted it the #1 album of the year. By 1997 Paul's mailing list passed 7,000 names as his fan-base continued to grow. As Paul’s reputation and popularity grew, he was asked to return to folk venues and festivals around the country including the Falcon Ridge Folk Festival, the Kerrville Folk Festival and the Newport Folk Festival. The number of shows he performed annually increased to more than 200. Although Paul performed mostly self-penned songs, he would often include a Woody Guthrie song into his set. Woody’s "Hard Travelin'" was always a crowd pleaser, especially in Oklahoma, Woody’s birthplace. In July 1998, the 1st Woody Guthrie Folk Festival was held in Woody’s hometown of Okemah, Oklahoma. Not only did Paul headline the festival along with Billy Bragg, but the city of Okemah made him an honorary citizen. Paul stated that when he made the pilgrimage to Okemah he felt that he was walking in Woody’s footsteps and that the experience was "like going to the mount". [ Casey, Patrick. [http://ardmoreite.com/login.shtml?orq:http://ardmoreite.com/stories/072098/ent_guthrie.shtml "Singers participate in Guthrie festival."] "The Daily Ardmoreite". July 20, 1998. Retrieved February 10, 2007. (Free with registration.)] Paul's sixth CD, "Translucent Soul", was released later that year in October. Again produced by Jerry Marotta, the title track is a song about his relationship with good friend Vance Gilbert and tackles the issue of racism.

At the end of the decade, Paul was invited to perform at Club Passim's 40th anniversary show. The event took place on January 16, 1999 at the Sanders Theater in Cambridge. The four-hour sold-out concert also included Patty Larkin, Joan Baez, The Nields, and others. Joan Anderman, covering the event for the "Boston Globe", reported that Paul's "thinking-person's poetry" at the Sanders theater was "embellished with the bite of an electric guitarist and the earthy cool of a percussionist", and that his set was "a model of modern organic grace". [Anderman, Joan. Night of gratitude, talent at Passim. "Boston Globe," January 18, 1999.]

Career: 2000–2003

Listen|filename=TWASD.ogg|title="The World Ain't Slowing Down"
description=Sample of Ellis Paul's "The World Ain't Slowing Down", originally recorded for "Translucent Soul" and included as the romantic theme in the 2000 comedy film "Me, Myself and Irene". |format=Oggsample box endPaul released his first live recording, simply titled "Live", on March 14, 2000. The double-disk included recordings from several shows, as well as previously unreleased studio tracks. Highlights of the year 2000 included Paul singing the National Anthem at Fenway Park, and having his song "The World Ain’t Slowing Down" chosen for the theme song in the Farrelly brothers movie "Me, Myself and Irene" starring Jim Carrey and Renée Zellweger. Both events took place on the same June weekend. [Wieder, Tamara. On the road again: one long day in the life of Ellis Paul, one of Boston's biggest and most hard-working folksingers. "Improper Bostonian", June 14–20, 2000, p.18.] In November 2001, Paul was again successful in having a song in a movie when "Sweet Mistakes" was featured in "Shallow Hal" starring Gwyneth Paltrow and Jack Black. Paul released his 8th CD, "Sweet Mistakes", a collection of audience-favorites not yet recorded, on November 15, 2001. In January 2002, Paul was named the "FolkWax" Artist of the Year for 2001. [FolkWax Staff. [http://www.visnat.com/entertainment/music/folkwax/backissues/folkwax_042.cfm "Ellis Paul Sneaks by Lucy Kaplansky to Win FolkWax Artist of the Year!"] "FolkWax E-Zine". January 17, 2002. Retrieved February 16, 2007. (Free with registration.)]
Listen|filename=MPoem.ogg|title="The Millennium Poem"
description=Sample of Ellis Paul reciting "The Millennium Poem", an example of his spoken-word poetry often heard during live performances.|format=Oggsample box endPaul often recites original poetry for his audiences. Some of those poems can be found in "Notes from the Road", a collection of Paul's original poems, lyrics, and journal entries published by Black Wolf Press in May 2002. In her review for "Performing Songwriter", Abby White said, "The book has an intimate, conversational tone, and Paul's childlike drawings, song lyrics and poetry provide commercial breaks to his personal journal entries and vivid recollections of significant events he encounters while touring". [White, Abby. "Notes From the Road" by Ellis Paul. "Performing Songwriter", Vol. 10, Issue #70, June 2003, p. 12–3.] As the 21st century began Paul recited his "Millennium Poem", regularly at shows.

In 2002 Paul became friends with Nora Guthrie. Nora Guthrie is executive director of the Woody Guthrie Foundation and Archives in New York City where hundreds of Woody Guthrie’s handwritten lyrics — many without music — are housed. She invited Paul to visit the Archives and choose one set of lyrics to put to song. Referring to the huge undertaking of finding songwriters to write music for hundreds of her father's lyrics, Nora Guthrie stated that there was a "job description" that her father left behind that "Ellis took on". [Hubstuff Staff. [http://hubstuff.com/pdf/hubstuff_vol1no27.pdf "Ellis Paul: The Speed of Trees" (PDF)] ". Hubstuff: What's Going on in Lubbock" (Lubbock, TX.), June 27, 2003, p. 9. Retrieved February 10, 2007.] Paul chose "God’s Promise," lyrics that Woody had adapted in 1955 from "What God Hath Promised," a hymn of the day and recorded it for his 2002 release "Speed of Trees". Paul said that visiting the Woody Guthrie Archives was like going through a time capsule of his biggest hero and that the posthumous collaboration with Woody Guthrie was one of the "coolest things" he'd ever done. [Behe, Rege. [http://www.pittsburghlive.com/x/pittsburghtrib/search/s_100013.html "The Spirit of Woody Guthrie lives on through modern songwriter."] "Pittsburgh Tribune-Review", November 1, 2002. Retrieved February 10, 2007.] [Conner, Thomas. [http://www.tulsaworld.com/entertainment/article.aspx?articleID=020715_En_d3main "Guthrie folk festival "matures"."] "Tulsa World", July 15, 2002. Retrieved February 10, 2007.] The of the TV series "Ed" featured Paul's “If You Break Down”.

Paul’s connection to Woody Guthrie continued into 2003 when he was invited to perform in the Ribbon of Highway, Endless Skyway tribute show to honor Woody Guthrie. The ensemble show, which was the brainchild of Texas singer-songwriter Jimmy LaFave, toured around the country and included a rotating cast of singer-songwriters individually performing Guthrie's songs. Interspersed between songs were Guthrie's philosophical writings read by a narrator. In addition to LaFave and Paul, members of the rotating cast included Slaid Cleaves, Eliza Gilkyson, Joel Rafael, husband-wife duo Sarah Lee Guthrie (Woody Guthrie's granddaughter) and Johnny Irion, Michael Fracasso, and The Burns Sisters. Oklahoma songwriter Bob Childers, sometimes called "the Dylan of the Dust,"Propaganda Media Group, Inc. [http://www.propagandamediagroup.com/artists/ribbon_of_highway_endless_skyway/bio.htm Ribbon of Highway - Endless Skyway: Concert in the Spirit of Woody Guthrie] . Retrieved February 6, 2007.] served as narrator. [http://www.ribbonofhighway.com Ribbon of Highway website] Retrieved January 25, 2007.] When word spread about the tour, performers began contacting LaFave whose only prerequisite was to have an inspirational connection to Guthrie. Each artist chose the Guthrie songs that he or she would perform as part of the tribute. One of the songs Gilkyson chose was "Pastures of Plenty", while Cleaves chose "This Morning I Am Born Again" - a song he wrote using Guthrie's lyrics. One of the songs Paul chose was a song he wrote using Guthrie's lyrics - "God's Promise". [Sun-Times Staff. [http://www.findarticles.com/p/articles/mi_qn4155/is_20030129/ai_n9613368 Woody's pastures of plenty.] "Chicago Sun-Times", January 29, 2003. Retrieved January 25, 2007.] LaFave said, "It works because all the performers are Guthrie enthusiasts in some form".Martinez, Rebekah. [http://www.hcnonline.com/site/index.cfm?newsid=6963646&BRD=1574&PAG=461&dept_id=532207&rfi=8 Tribute to Woody Guthrie Tour makes a stop in Conroe Feb. 16] , "The Courier", (Conroe, TX.), February 7, 2003. Retrieved February 7, 2007.] The Ribbon of Highway tour kicked-off on February 5, 2003 at the Ryman Auditorium in Nashville. The abbreviated show was a featured segment of "Nashville Sings Woody," yet another tribute concert to commemorate the music of Woody Guthrie held during the Folk Alliance Conference. The cast of "Nashville Sings Woody," a benefit for the Woody Guthrie Foundation and Archives, also included Arlo Guthrie, Marty Stuart, Nanci Griffith, Guy Clark, Ramblin' Jack Elliott, Janis Ian, and others. [http://alpha.fdu.edu/wfdu/Folk%20Alliance.htm 15th Annual Folk Alliance Conference: Nashville Sings Woody] . Retrieved February 6, 2007.]

Paul's "3000 Miles" DVD was released in February 2003. Divided into four segments, the DVD begins with a live show recorded on October 3, 2001 at Boston's Somerville Theater - a show that was the final date of a six-week tour with Susan Werner. The second segment is a 39-minute road movie filmed in 1995 by Matt Linde, an independent filmmaker who accompanied Paul on a cross-country tour. Individual vignettes chronicle shows, conversations and events in Paul's daily life as a traveling musician. A third segment shows Paul demonstrating the open tunings he uses in many of his songs, while the final segment is a discussion of songwriting with fellow songwriters Christopher Williams and Vance Gilbert. In her review for "Dirty Linen", Annette C. Eshleman said, "In just under three hours, viewers are able to watch as Paul evolves from a young, inexperienced folk singer wearing a backwards baseball cap to the highly respected, confident, seasoned performer that he is today". [Eshleman, Annette C. Ellis Paul. 3000 Miles. "Dirty Linen", August/September 2003, p. 102.] In September 2003 Paul released "Side of the Road", a duo album recorded with good friend Vance Gilbert. The two songwriters, who have often shared the stage, each chose four cover songs to record - individual favorites - plus one song of their own. Although the album did not start out as a "9/11" project, the inclusion of Mark Erelli’s "The Only Way" set a theme. A review in "No Depression" magazine said this about Paul and Gilbert’s choice of songs:

"Thematically they’re mostly about individuals — indeed, an entire planet — in desperate need of healing. To that end, Paul’s original tune "Citizen of the World" is a wonderful balm, as he and Gilbert trade lyrics about the crossed bloodlines, attitudes and experiences that make us all brothers and sisters. Their version of Van Morrison’s "Comfort You" works magic of a similar sort." [Durcholz, Daniel. Ellis Paul and Vance Gilbert: Side of the Road. "No Depression". #48, Nov-Dec 2003, pp. 147–8.]

Career: 2004–present

On May 1, 2004 Paul was the recipient of the 2nd annual Boston College Arts Council Alumni Award for Artistic Achievement. The award was presented as part of the sixth annual Boston College Arts Festival. His appearances at the festival also included an "Inside the BC Studio" interview with music writer Scott Alarik, a master class on songwriting, and a concert. [Estvanik, Nicole. [http://at.bc.edu/ellispaul @BC In Concert] , May 2004. Retrieved February 28, 2007.] In 2004 Paul was also awarded his 13th Boston Music Award in the category of Outstanding Singer/Songwriter. At the time Paul was writing what he called "country tunes" when he teamed up with an Irish musician, producer, and studio expert named Flynn. This resulted in "American Jukebox Fables", released April 5, 2005, a recording produced by Flynn that surprised some fans by melding folk, pop and electronica. Paul said that his collaboration with Flynn formed a partnership where he brought banjos and accordions and Flynn brought a laptop and keyboard. Although Paul knew that the end result would fall outside the comfort zone of some fans who expected another acoustic folk album, experimenting with Flynn's musical chemistry set injected excitement and fun into the recording project. [Kocher, Chris. Folkie Paul’s new path takes him to Oxford. "Press & Sun-Bulletin" (Binghamton, NY), May 11, 2006.]

For over ten years, Paul has annually played Club Passim on New Year's Eve. In early 2006 Black Wolf Records released "Live at Club Passim", a recording compiled from his 2005 New Year's Eve shows. In May 2006, Paul toured Europe and England playing to sold-out shows in Paris, France; Twickenham, England; Cheltenham, England and Wasserburg, Germany. The tour also included two BBC radio interviews and a radio interview in Paris. Paul was included on the Woody Guthrie Coalition’s DVD "Woody Sez: a Tribute to Woody Guthrie" released in 2006. The tribute show, recorded July 13, 2005 at the Crystal Theater in Okemah, OK, included Paul performing a duet with The Burns Sisters on “God’s Promise”. Also released in 2006 was Paul's "best of" album, released as "Ellis Paul Essentials", on October 10. The two-disk retrospective of Paul’s 15-year career contained some songs that were absolutes and others that were included based on polls held on his website and discussion board. In his "Folkwax" review of Ellis Paul "Essentials", Arthur Wood stated: "If you've never visited "musically" with Mr. Ellis Paul, "Essentials" is a stunning place to start." [Wood, Arthur. [http://www.visnat.com/entertainment/music/folkwax/mp3/album.cfm?reviewnumber=2014 "FolkWax Review of Ellis Paul Essentials: A Stunning Place."] "FolkWax E-Zine". October 26, 2006. (Free with registration.)] In his review for "The Washington Post", Mike Joyce said "Essentials," a career-spanning double CD from veteran singer-songwriter Ellis Paul, has a few newly produced, John Jennings-helmed tracks of previously recorded tunes that help set this compilation apart from most retrospectives." [Joyce, Mike. [http://www.washingtonpost.com/wp-dyn/content/article/2007/06/28/AR2007062800776.html Ellis Paul Essentials] , "The Washington Post", June 29, 2007. Retrieved July 1, 2007.] In her review for Sing Out!, Kari Estren said "Paul's "Essentials" is just that and a must for your folk collection." [Estren, Kari. Review of Ellis Paul Essentials. Sing Out!, Vol. 51, #1, p. 161, Spring 2007.]

In January 2008, Paul released a children's and family record titled "The Dragonfly Races". Inspired after the birth of his second daughter, Paul said he wanted to wanted to teach his children about the world through the use of music. The songs are meant to be enjoyed by both children and adults and Paul said he "wanted my kids to hear music with social commentary and some fantasy involved." [Koenig, Seth. [http://www.timesrecord.com/website/archives.nsf/56606056e44e37508525696f00737257/8525696e00630dfe05257371006d0575?OpenDocument Ellis Paul new release; Not just for kids.] "The Times Record", Oct. 11, 2007. Retrieved Oct. 24, 2007.] Scott Alarik said "Paul sings movingly about what really worries new parents and turns lazy dragonflies, gentle monsters, and resilient roses into useful metaphors for world peace, the power of faith, and the delights of a sleepy day." [Alarik, Scott. [http://www.boston.com/ae/events/articles/2007/11/15/ellis_paul_with_sarah_lee_guthrie_and_johnny_irion Ellis Paul, with Sarah Lee Guthrie and Johnny Irion.] "The Boston Globe", Nov. 15, 2007. Retrieved Nov. 16, 2007.] In April 2008 the Parents' Choice Foundation awarded "The Dragonfly Races" a Silver Medallion. The Parents' Choice Awards program honors the best material for children in the categories books, toys, music and storytelling, magazines, software, videogames, television and websites. [Parents' Choice Foundation. [http://www.parents-choice.org/product.cfm?product_id=23942&StepNum=1&award=aw Parents' Choice Award: The Dragonfly Races.] Retrieved April 29, 2008.]

ongwriting

"Boston-style" songwriting refers to the introspective and literate breed of singer-songwriter so prevalent in the modern folk music landscape. According to Paul, Boston-style songwriting grew out of Boston’s thriving folk scene with its dense collection of colleges, college radio stations and listening rooms. Boston radio includes the University of Massachusetts’ WUMB, the country’s foremost radio station for folk and acoustic music 24-hours a day. Paul said the Boston songwriters tend to be more thoughtful and soft because in an intimate listening room, "all you’ve got is you and your words." [Conner, Thomas. [http://www.tulsaworld.com/entertainment/article.aspx?articleID=990714_En_d3wande "Wandering spirit: Ellis Paul hangs onto the essence of Woody Guthrie’s music and ideals."] "Tulsa World", July 14, 1999. Retrieved February 10, 2007.] Boston-style songwriting tends to be more about lyric than melody, is intimate and thoughtful but also relevant, often addressing social issues. Boston-style songwriting does not only refer to Boston musicians, but includes national artists such as Shawn Colvin, John Gorka, Susan Werner, Bill Morrissey, and Dar Williams. In an interview with Paul Freeman for the "East Bay Daily News", Paul commented on how he hopes audience members relate to his songs, "Each song is supposed to be like a little three-dimensional world. I'm hoping to invite them in, have them make out the details and the reasons for being there, and apply them to their own lives. But I'm also hoping to entertain them." [Freeman, Paul. [http://www.ebdailynews.com/article/2007-5-11-ellis-paul New England musician shares 'Essentials'] , "East Bay Daily News", May 11, 2007. Retrieved May 18, 2007.]

After graduating from Boston College, Paul worked as a case worker at an inner city school in the Jamaica Plain section of Boston, working with children with behavioral problems and also worked as a social worker in Boston with clients who were drug dealers, rapists, and other kinds of criminal offenders. His work experiences opened his eyes to see the world in a broader, more open-minded way and provided material for the songs he was beginning to write. Early in his career Paul promised himself that he would always write about the things he knew well. In her review of "Ellis Paul Live" for the Folk and Music Exchange, Roberta Schwartz said, "His finely honed songs tell stories filled with images that sparkle like jewels. His is a poet's heart, and a romantic's soul. He is an optimist who believes in people and possibilities."Schwartz, Roberta. [http://www.acousticmusic.com/fame/p01395.htm FAME review of Ellis Paul Live] . "Folk and Music Exchange", 2000. Retrieved January 13, 2007.]

Listen|filename=CWAG.ogg|title="Conversation With a Ghost"
description=Sample of Ellis Paul's "Conversation With a Ghost" from "Say Something", an example of his distinctive lyrical style, described by reviewers as using a minimum of words to tell a story effectively whilst avoiding cliché.|format=Oggsample box end

In her 1993 review of Paul's "Say Something", Debbie Catalano wrote, "Ellis Paul draws a picture with his words then draws you into the world he's painting." [Catalano, Debbie. Ellis Paul: Say Something (review). "New England Performer Magazine", March 1993.] Like a Norman Rockwell painting, Paul’s songs are replete with crucial details and careful observations that tell a story with a minimum or words. In a 2002 article, Thomas Conner dissected a verse from Paul’s "Conversation with a Ghost" from "Say Something". "Instead of bluntly saying, "I ran into an old flame in Central Park," Paul writes around it, avoiding the clichés, painting the picture, showing us everything -- the motives, the setting, the serendipity -- except what we expect." [ Conner, Thomas. [http://www.tulsaworld.com/entertainment/article.aspx?articleID=020523_En_sp12atou "A Touch of the poet: Ellis Paul brings elegant meaning with economy of words to his lyrics."] "Tulsa World", May 24, 2002. Retrieved February 10, 2007.]

When teaching songwriting classes, Paul often introduces aspiring songwriters to his "six-step program to effective songwriting" which is based on the premise that songwriters should show and not tell. Paul teaches this six-step method to develop a character in a song:

# Choose a name for the person.
# List five items in the person’s bedroom.
# List five things the person would see if he or she looked in a mirror.
# Choose two colors that bring the person to mind.
# Choose one non-human metaphor describing the person.
# Write one line of dialogue that conveys the way the person speaks.

The most important advice he gives aspiring songwriters is to write what you know or what you’ve experienced. "Use reality as the springboard to whatever you’re writing about," Paul said.Hughes, Troy. [http://www.writerswrite.com/journal/jun00/paul.htm A Conversation with Ellis Paul] for Writer's Write, June 2000. Retrieved January 13, 2007.] Paul also says that being a successful songwriter is like being a journalist who writes about what he sees and knows, the times people are living in and the things people are facing today. "The journalist looks out the window and writes about what is really happening." "I make sure it’s real. I don’t want to fictionalize about things I haven’t witnessed." [Penny, Denise. [http://media.www.tuftsdaily.com/media/storage/paper856/news/2000/09/01/UndefinedSection/The-Daily.Rolls.Up.Its.Sleeves.And.Talks.To.Rising.Artist.Ellis.Paul-1487315.shtml "The Daily rolls up its sleeve and talks to rising artist Ellis Paul."] "The Tufts Daily", October 19, 2000. Retrieved February 10, 2007.] Paul states that over the years he's learned the value of simplicity in writing. He's learned that he can say more when he writes more simply and direct. "It's almost as if you can be complex and intricate by adopting a shorter, less complicated structure." [Ron Wynn. [http://www.nashvillecitypaper.com/index.cfm?section_id=12&screen=news&news_id=55273 Short Takes: Ellis Paul] "Nashville City Paper", March 22, 2007. Retrieved March 22, 2007.] "I'm not doing rocket science -- I'm a storyteller," he said. "I hope to inspire people to think and feel and to walk out with more than they came in with." [ Cole, Christine. [http://www.orlandosentinel.com/entertainment/music/orl-lthird2107apr21,0,4539517.story?coll=orl-calmusictop Ellis Paul tells stories in his songs.] "Orlando Sentinel", April 21, 2007. Retrieved April 21, 2007.] Paul continues playing close to 200 dates annually on the folk circuit. His songs have appeared on more than 50 compilation CDs, and he has made nearly 40 guest appearances on the albums of artists including Lori McKenna, David Wilcox and Mark Erelli. When asked if he would rather play the 19,600-seat Fleet Theater or the 900-seat Somerville Theater – both in Boston, Paul replied, "I prefer to keep it intimate. That way people can see the whites of your eyes. I’d love to write a hit song and have it on the radio like "American Pie" or something, but I’m just gonna do what I do and take what I can and run with it, because it’s a hard business to have even what I have. So I don’t have pie-in-the-sky Springsteen-esque hopes. I just want to write great songs." [ Soroff, Jonathan. Soroff on Ellis Paul. "Improper Bostonian." April 6–19, 2005, p. 16.]

In her review for the Folk and Acoustic Music Exchange, Roberta Schwartz said, "Ellis Paul is one of the best singer/songwriters of his generation. And for many of us he is the face of contemporary folk music—few are as smart, as literate and as poetic as Paul. He has spun his story songs for nearly twenty years now, and has eleven studio recordings (with an additional two early recordings on cassette—now available on CD) to his credit. I cannot think of another artist on the acoustic music scene who is better-loved by fans, or more respected by his contemporaries."Schwartz, Roberta. [http://www.acousticmusic.com/fame/p03988.htm FAME review of Ellis Paul Essentials] . "Folk and Music Exchange", 2006. Retrieved January 13, 2007.]

Discography

:

Awards and recognition

(See the official [http://www.ellispaul.com/index.php?page=bio Ellis Paul Biography] .)

* 2008 — Parents' Choice Foundation Award for "The Dragonfly Races"
* 2004 — 13th Boston Music Award for Outstanding Male Singer-Songwriter
* 2002 — 12th Boston Music Award for Outstanding Singer-Songwriter Album for "Sweet Mistakes"
* 2001 — 11th Boston Music Award for Outstanding Male Singer-Songwriter
* 1999 — 10th Boston Music Award for Outstanding Male Vocalist – Indie Label
* 1999 — 9th Boston Music Award for Outstanding Singer/Songwriter for “Take Me Down”
* 1999 — 8th Boston Music Award for Outstanding Acoustic Folk Album for "Translucent Soul"
* 1997 — 7th Boston Music Award for Outstanding Contemporary Folk Act
* 1996 — 6th Boston Music Award for Rising Star
* 1996 — 5th Boston Music Award for Outstanding Contemporary Folk Act
* 1995 — 4th Boston Music Award for Folk/Acoustic Album of the Year for "Stories"
* 1995 — 3rd Boston Music Award for Outstanding Local Male Vocalist
* 1994 — Kerrville Folk Festival New Folk Competition winner
* 1993 — 2nd Boston Music Award for Outstanding Song of the Year – Indie Label for “Conversation With a Ghost”
* 1992 — 1st Boston Music Award for Outstanding New Folk/Acoustic Act
* 1991 — Boston Acoustic Underground Award

References

Further reading/listening

Books

* 2003 — Kerouac, Jack. "Doctor Sax and the Great World Snake", Mint Publishers, ISBN 0972973303. (Screenplay recorded on two audio CDs with Ellis Paul as the voice of Lousy.)
* 2003 — Alarik, Scott. "", Boston: Black Wolf Press, ISBN 0972027017. (Prominently features Ellis Paul.)
* 2002 — Paul, Ellis. "Notes From the Road", Boston: Black Wolf Press, ISBN 0972027009. (Paul's self-illustrated book of lyrics, poems and journal entries.)
* 2002 — Kubica, Chris and Hochman, Will. "Letters to J.D. Salinger", University of Wisconsin Press, ISBN 0299178005. (Includes an entry written by Ellis Paul.)
* 2001 — Stambler, Irwin. "Folk & Blues: The Encyclopedia: The Premier Encyclopedia Of American Roots Music", Thomas Dunne Books, ISBN 0312200579. (Includes an entry for Ellis Paul.)

Magazines

(See the [http://www.ellispaularchives.org Ellis Paul Archives] for a more comprehensive listing.)

* 2006 — Perricone, Mike. [http://www.symmetrymagazine.org/cms/?pid=1000343 gallery: ellis paul. Did Galileo Pray?] "Symmetry: Dimensions of Particle Physics", Jun/Jul 2006, p. 28-9. Retrieved February 10, 2007.
* 2005 — Soroff, Jonathan. Soroff on Ellis Paul. "Improper Bostonian", Apr 6–19, 2005, p. 16.
* 2002 — Rutz, Kathy. New Release Spotlight: Ellis Paul. "Performing Songwriter", Dec 2002, p. 26.
* 2000 — Weider, Tamara. Ellis Paul: On the road again. "Improper Bostonian", June 14, 2000, p. 18–22.
* 1998 — Eshleman, Annette C. [http://www.dirtylinen.com/linen/feature/78paul.html Poet’s Pulse: Ellis Paul] "Dirty Linen", Oct/Nov 1998, p. 14-5. Retrieved February 10, 2007.
* 1996 — Fagan, Neil. Artist spotlight: Ellis Paul. "Performing Songwriter", Jan/Feb 1996, p. 30-1.

Miscellany

* 2007 - [http://www.myfoxboston.com/myfox/pages/ContentDetail?contentId=5038633 Ellis Paul Performs on Fox25.] Video of Paul performing three songs from "The Dragonfly Races" recorded at the Fox25 studio in Boston. Nov. 16, 2007.
* 2007 - [http://events.bluerocktexas.com/previous-events/detail/ellis-paul Studio Concert Series: Ellis Paul.] Video interview/performance recorded at Blue Rock Studios in Wimberley, Texas.
May 10, 2007.
* 2004 — [http://stream.bc.edu/ramgen/omc/bcm/bcm-ellis-paul-220.rm "Inside the BC Studio: A Conversation with Ellis Paul".] Video interview at Boston College with Scott Alarik as part of the Boston College Arts Council Alumni Award weekend festivities. April 30, 2004.
* 1999 — [http://www.kennedy-center.org/programs/millennium/artist_detail.cfm?artist_id=PAULELLIS# Ellis Paul on The Millennium Stage of the Kennedy Center] Video performance in Washington, DC. June 22, 1999.

External links

* [http://www.ellispaul.com Ellis Paul Website]
* [http://www.ellispaularchives.org Ellis Paul Archives]
* [http://www.flemingartists.com/artists/details.php?id=13 Fleming Artists]

Persondata
NAME = Paul, Ellis
ALTERNATIVE NAMES = Plissey, Paul (birth name)
SHORT DESCRIPTION = American singer-songwriter and musician
DATE OF BIRTH = January 14, 1965
PLACE OF BIRTH = Fort Kent, Maine, United States
DATE OF DEATH =
PLACE OF DEATH =