Smiley Lewis

Infobox musical artist
Name = Smiley Lewis


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Birth_name = Overton Amos Lemons
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Born = birth date|1913|7|5|mf=y
Died = death date and age|1966|10|7|1913|7|5|mf=y
Origin = DeQuincy, Louisiana
Instrument = vocals, guitar
Genre = Blues, New Orleans
Occupation = musician, songwriter
Years_active = 1940s-1960s
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Smiley Lewis (5 July 1913 – 7 October 1966 [http://www.oldies.com/artist-biography/Smiley-Lewis.html Oldies.com biography of Smiley Lewis - accessed January 2008] ] ) was an American New Orleans rhythm and blues musician.

Life and career

Lewis was born in DeQuincy, Louisiana, U.S., a rural hamlet near Lake Charles, to Jeffrey and Lillie Mae Lemons, as the second of three sons and given the name of Overton Amos Lemons. [ [http://www.mystrands.com/artist/10436/biography Mystrands biographial notes] ] His mother died while he was child, and later Lewis named a song [ [http://music.yahoo.com/track/668424 Lillie Mae by Smiley Lewis on Yahoo! Music ] ] and several automobiles after her. In his mid-teens, he hopped onto a slow moving freight train with some friends, who jumped off when the train began to speed up. Lewis alone remained on the train, getting off when it reached its stop in New Orleans. He found boarding with a Caucasian family in the Irish Channel, eventually adopting their surname of Lewis. [ [http://home.earthlink.net/~jaymar41/smileyl.html smileyl ] ]

He began playing clubs in the French Quarter and "Tan bars" in the 7th Ward, at times billed as Smiling Lewis, a variation of the nickname earned by his lack of front teeth, and often accompanied by pianist Isidore "Tuts" Washington, who he spent the mid-1930s with in Thomas Jefferson's Dixieland band. When the band dissolved, Lewis turned to going from one club to another, playing gigs for only tips. [ [http://offbeat.com/artman/publish/printer_284.shtml offBeat :: Masters of Louisiana Music:
Smiley Lewis ] ]

Smiley married Leona Robinson in 1938, the couple living with her mother until they began having children, when they moved to South Tonti Street while Lewis spent the day time hours working odd manual labor jobs and the nights singing. During World War II, he joined Washington again, this time with Ernest "Kid" Mollier's band entertaining soldiers stationed at Fort Polk outside of Bunkie, Louisiana while also serving as the house band at the Boogie Woogie Club. The two formed a trio with drummer Herman Seals after the war ended, and again began playing the French Quarter and down Bourbon Street.

An invitation by David Braun to record a session with his DeLuxe Records followed in 1947 for the trio and resulted in the release of his debut album, "Here Comes Smiley", [ [http://www.aaregistry.com/african_american_history/984/Smiley_Lewis_an_RB_music_pioneer African American Registry: Smiley Lewis, an R&B music pioneer! ] ] though Papa John French replaced Seals and played bass. The single "Turn On Your Volume" was a hit in local jukeboxes, but DeLuxe requested no more material and even left two other recorded sides unreleased.

An invitation by Dave Bartholomew, who grew up in the same neighborhood as Lewis and was then beginning a production career with Imperial Records, led the trio to record a session in March 1950 that resulted in the song "Tee Nah Nah". Smiley scored his first national hit song in 1952 with "The Bells Are Ringing" in 1952 and in 1955 his biggest sales with the original recorded version of "I Hear You Knocking" (written by Bartholomew and Pearl King) featuring Huey Smith on piano. [http://www.vh1.com/artists/az/lewis_smiley/bio.jhtml Smiley Lewis | View the Music Artists Biography Online | VH1.com ] ]

An attempt prompted by Imperial Records president Lew Chudd to attract new record buyers in 1957 saw Smiley recording pop and county music songs; the experiment failed and did nothing to boost Lewis's declining record sales. He was released from the label, and spent the early 1960s as an opening act for new performers, including Lee Dorsey, Irma Thomas, and Ernie K-Doe, the money short and Smiley arriving to gigs via the city bus. His career rounded out with a brief stint at Okeh Records in 1961 that consisted of one single, a 45 producted by Bill "Hoss" Allen in 1964 for Dot Records, and ended with a Loma Records release of "The Bells Are Ringing," remade with record producer Allen Toussaint.

He was hospitalized in 1965 and diagnosed with an ulcer, the operation led to the discovery that Lewis had stomach cancer, and quickly a benefit was organized by Bartholomew at La Ray's on Dryades Street. In the arms of his second wife, Dorothy Ester Lemons, whom he had married only six months prior, Smiley died on October 7, 1966, three days before the benefit.

In some ways, he was all but forgotten outside of his New Orleans home base. [ [http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:h9fpxqu5ldte~T1 All Music Guide biography] ]

Though Lewis' Imperial singles never sold more than 100,000 copies individually, they often lent themselves success to other artists. Gale Storm's pop version of "I Hear You Knocking" found its way into the top five on the charts. [ [http://www.vh1.com/artists/az/storm_gale/bio.jhtml Gale Storm | View the Music Artists Biography Online | VH1.com ] ] In the 1970s, Dave Edmunds covered the song as his first hit.

Lewis' own song "Blue Monday" was covered by Fats Domino and fared well. Elvis Presley's cover of the Lewis song "One Night" (altering one risque lyric) was #4 on the U.S. Billboard Hot 100 chart, and #1 on UK Singles Chart. Where Lewis' "I Hear You Knocking" had been too early to break from segregation involved in U.S. Radio at the time of its release, [ [http://www.classic45s.com/product_info.php?products_id=23431&cPath=21_26_47 Classic Rockin' RnB 45: Smiley Lewis-I Hear You Knocking ] ] Dave Edmunds' cover of the song reached number one in the UK and peaked at number four in the U.S.. [ [http://www.rockabillyhall.com/DaveEdmunds1.html Dave Edmunds ] ] His version of the song lyrics actually name checks Lewis (alongside Chuck Berry, Fats Domino and Huey Smith).

Lewis' track "Shame, Shame, Shame" appeared on the soundtrack accompanying a dramatic chase through a collapsing attic in the film "Baby Doll" in 1956. The song failed to find entry to the R&B chart. It was covered by The Merseybeats on their EP "On Stage"in 1964. Later, Aerosmith included it on their blues album, "Honkin' on Bobo".

Key recordings

*"Tee-Nah-Nah" - (1950) - Imperial Records
*"The Bells Are Ringing" - (1952) - Imperial
*"Blue Monday" - (1954)
*"(I Love You) For Sentimental Reasons" - (1954)
*"I Hear You Knocking" - (1955) - U.S. Black Singles #2
*"One Night" - (1956) - U.S. Black Singles #11
*"Please Listen To Me" - (1956) - U.S. Black Singles #9
*"Shame, Shame, Shame" - (1957) - Imperial
*"The Bells Are Ringing" (re-recording) - (1965) - Loma Records

ee also

*List of R&B musicians
*List of New Orleans blues musicians
*List of notable cover versions A-M

References

External links

* [http://www.aaregistry.com/african_american_history/984/Smiley_Lewis_an_RB_pioneer Smiley Lewis, an R&B pioneer]
* [http://www.oldies.com/artist-view/Smiley-Lewis.html Smiley Lewis]
* [http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:h9fpxqu5ldte~T1 Smiley Lewis biography] at Allmusic website
* [http://offbeat.com/artman/publish/printer_284.shtml Affectionate, but well researched, offbeat.com biography]
* [http://www.duvigneaud.net/Smiley_Lewis.html A Discography]