Orchestral Suites (Bach)

Orchestral Suites (Bach)

The four Orchestral Suites or Ouvertures BWV 1066–1069 are a set of compositions by Johann Sebastian Bach, probably composed between 1725 and 1739 in Leipzig. The word overture refers to an opening movement in which a section of slow dotted-note rhythm is followed by a fugue; at the time, this name was also used to refer to a whole suite of dance-pieces in the French baroque style.

Contents

Suite No. 1 in C major, BWV 1066

  1. Ouverture
  2. Courante
  3. Gavotte I/II
  4. Forlane
  5. Minuet I/II
  6. Bourrée I/II
  7. Passepied I/II

Instrumentation: Oboe I/II, bassoon, violin I/II, viola, basso continuo

Suite No. 2 in B minor, BWV 1067

  1. Ouverture
  2. Rondeau
  3. Sarabande
  4. Bourrée I/II
  5. Polonaise (Lentement) - Double
  6. Minuet
  7. Badinerie

Instrumentation: Solo flute, violin I/II, viola, basso continuo

The badinerie has become a show-piece for solo flautists, due to its quick pace and difficulty.

Suite No. 3 in D major, BWV 1068

  1. Ouverture
  2. Air
  3. Gavotte I/II
  4. Bourrée
  5. Gigue

Instrumentation: Trumpet I/II/III, timpani, oboe I/II, violin I/II, viola, basso continuo

The Air is one of the most famous pieces of baroque music. An arrangement of the piece by German violinist August Wilhelmj (1845–1908) has come to be known as Air on the G String.

Suite No. 4 in D major, BWV 1069

  1. Ouverture
  2. Bourrée I/II
  3. Gavotte
  4. Menuet I/II
  5. Réjouissance

Instrumentation: Trumpet I/II/III, timpani, oboe I/II/III, bassoon, violin I/II, viola, basso continuo

The opening movement of this suite was reused by Bach as the choral opening to his cantata Unser Mund sei voll Lachens, BWV 110. The voices come in at the opening of the fugal gigue, so that their singing of Lachen (laughter) sounds like "ha ha ha", a technique Bach used a few times in his vocal works.

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