Dana Hoey

Dana Hoey (b. Marin County, California) is a visual artist working with photography, using "the camera to reveal the inner life of women, especially young women." Her photographs are often ambiguous and have multiple meanings.^[1] In 1999, in an exhibition entitled Phoenix she showed a series of seventeen black-and-white photo-prints and one forty-one-foot-long digital billboard image; writing in Frieze, Vince Aletti said, "the exhibition is a mystery that bristles with clues but is ultimately unsolved; perhaps it is unsolvable."^[2]

Her work has been exhibited in the U.S., Germany, Switzerland, and London, England.^[3] Hoey's most notable solo exhibitions have been at the Tache Levy Gallery in Belgium and the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in Washington, D.C.^[4] Her work is included in collections at the Hirshhorn Museum and Sculpture Garden; the Los Angeles Museum of Contemporary Art, CA; the Middlebury College Museum of Art, VT; the National Museum of Women in the Arts, D.C.; the San Francisco Museum of Modern Art, CA; and the Solomon R. Guggenheim Museum, NY.

Hoey holds a B.A. from Wesleyan University (1989) and an M.F.A. from Yale University (1997).^[5][6] She also teaches at Columbia University.

References

1. ^ Roberta Smith, "Art in Review," The New York Times, September 12, 1997
2. ^ Vince Aletti,"Dana Hoey," Frieze, November 1999.
3. ^ http://art.umbc.edu/visiting/2010/hoey.php
4. ^ http://muse.tulane.edu/dana-hoey/
5. ^ http://www.nytimes.com/2003/11/16/nyregion/art-review-old-faces-inaugurate-a-renovated-gallery-for-wesleyan.html?pagewanted=2
6. ^ http://www.columbia.edu/cu/arts/neiman/Hoey/

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Name	Hoey, Dana
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