Charles "Charlie" White

For other people named Charles White, see Charles White (disambiguation).

For the entertainer " 'Cool' White" see John Hodges (minstrel)

Charles "Charlie" White (1821–1891), sometimes known as "Charley" White, was an early blackface minstrel entertainer.

Born in June 1821, he was originally noted for playing the accordion.^[1] After Daddy Rice popularized blackface with his Jim Crow character White first incorporated some "negro act" with his accordion playing and then founded White's Kitchen Minstrels in New York in the early 1840s, opening at the Melodeon on the Bowery.^[2] Whilst there he seems to have employed the famous dancer Master Juba,^[3] who apparently toured with his minstrel troupe.

White may also have formed part of the minstrel troupe the Ethiopian Serenaders which first visited London in January 1846.^[4]

In 1877 White was the victim of an attempted mugging. Described as "Charles White, the minstrel" and as living at No. 250 Hudson Street, he was attacked while drunk by two young men who tried to make off with his watch and pocketbook, but the theft was prevented by a police officer.^[5]

He was largely retired from the stage^[6] by 1887, although his obituary in the New York Times says that he had also been engaged to play the role of an elderly black woman in the popular 1890 Broadway musical Reilly and the 400, and that since retirement he had devoted himself to writing reminiscences of his career.

He died of pleuro-pneumonia in New York at his residence, 266 West 36th Street, on January 4, 1891.^[7]

References

1. ^ BROWN, Col. T. Allson, Early History of Negro Minstrelsy
2. ^ New York Times, May 19, 1907:- 'The Lay of the Last of the Old Minstrels: Interesting Reminiscences of Isaac Odell, Who Was A Burnt Cork Artist Sixty Years Ago':“While we were drawing big crowds to the Palmer House on Chambers Street Charley White was making a great hit playing an accordion in Thalia Hall on Grand Street. In those days accordions were the real attraction to the public. Charley White did a negro act in connection with his accordion playing, but he decided finally to open up with a minstrel troupe, too, so he opened at the Melodeum’’ (sic)’’ on the Bowery with White’s Kitchen Minstrels. The money was flowing in fast to us “(i.e.Christy’s Minstrels) "so we did not mind opposition.”
3. ^ New York Times, July 10, 1887, 'Drop-Curtain Monographs':"Dick Carroll, (originally Master Marks, a jig dancer who succeeded the negro boy Juba at Charlie White's Melodeon, Bowery, this city..."
4. ^ The Times, Saturday, Jan 24, 1846; pg. 7; Issue 19142; col D In an advertisement for their opening performance in England the members are listed as "Messrs. German, Stanwood, Harrington, Pell and White".
5. ^ New York Times, December 21, 1877: 'AN ATTEMPT TO ROB "CHARLIE" WHITE'
6. ^ New York Times, July 10, 1887, 'Drop-Curtain Monographs':"Charlie White and Bernard long ago shook themselves clear of professional harness..."
7. ^ New York Times, 5 January 1891: "Death of an old Minstrel"

External links

• BROWN, Col. T. Allson, Early History of Negro Minstrelsy

Persondata
Name	White, Charles
Alternative names
Short description
Date of birth	1815
Place of birth
Date of death	1900
Place of death