Charles Aitken

For other people named Charles Aitken, see Charles Aitken (disambiguation).

Charles Aitken

Charles Aitken CB (12 September 1869 – 9 August 1936) was a British art administrator and was the third Keeper of the Tate Gallery (1911–1917) and the first Director (1917–1930).

Life and work

Charles Aitken was born at Bishophill, Bishophill Junior, York, England, the son of Henry Martin Aitken, a surgical instrument manufacturer, and his wife, Elizabeth Atkinson.^[1] Aitken studied at New College, Oxford.

He was the first Director of the Whitechapel Art Gallery from 1901 to 1911,^[2] and became Keeper at the Tate Gallery in 1911. In 1917 he changed his title from "Keeper" to "Director". Sir John Rothenstein described Aitken as "an ordinary man: his intelligence was relatively pedestrian, his powers of self-expression scarcely adequate". However, Rothenstein considered that the job "brought out qualities that made him a great director: clarity and firmness of purpose".^[2]

The Tate Gallery, now Tate Britain

When one of the greatest collections of the works of William Blake came on the open market, Aitken, who had no purchasing budget, put together a consortium to save it.^[3] Because of the problems caused by dark or foggy days, when the public could not see the artwork by natural light and attendants cleared the galleries due to the difficulty of proper surveillance, Aitken decided to install electric lighting.^[4] He also introduced the sale of prints, photographs and catalogues of the Collection.

After Aitken commissioned Rex Whistler to decorate the Tate's Refreshment Room with a mural, he persuaded Sir Joseph Duveen, an influential art dealer, to finance a similar scheme. Having chosen Morley College in London for the location of the new mural, Aitken and Duveen invited William Rothenstein, the Principal of the Royal College of Art, to submit the names and designs of six young students and ex-students to design the mural. The three chosen students were Edward Bawden, Eric Ravilious and Cyril Mahoney. The mural took them a total of two years to complete.^[5]

When the art critic of The Daily Telegraph wrote an article claiming that the sculptures of Jacob Epstein had been universally condemned by critics, Epstein wrote instancing the support of Aitken among other leading names in the art world.^[6] In 1909 Aitken co-founded the Modern Art Association, which in 1910 was renamed the Contemporary Art Society.^[7]

Following his retirement from the position of Director in 1930, he was appointed a Companion of the Order of the Bath (CB) in the 1931 King's Birthday Honours.^[8] He died on 9 August 1936.^[9]

Notes and references

1. ^ York parish records
2. ^ ^{a b} A Dictionary of Twentieth-Century Art by Ian Chilvers. Pub by Oxford University Press (1999)
3. ^ The Independent 2000-11-05 Retrieved on 2008-10-05
4. ^ Spalding, Frances (1998). The Tate: A History, p. 37. Tate Gallery Publishing, London. ISBN 1-85437-231-9.
5. ^ [1] The Mural Paintings at Morley
6. ^ Daily Telegraph 1929-01-13
7. ^ Walter Sickert: The Complete Writings on Art By Walter Richard Sickert. Contributor Anna Gruetzner Robins Published by Oxford University Press, (2002) ISBN 0199261695
8. ^ London Gazette: (Supplement) no. 33722. p. 3626. 2 June 1931. Retrieved 2008-10-08.
9. ^ London Gazette: no. 34342. p. 7534. 20 November 1936. Retrieved 2008-10-08.

External links

• Portraits of Aitken in the National Portrait Gallery
• Aitken's retirement in the National Archives
• Aitken in the University of Glasgow Manuscript Collection
• Archival material relating to Charles Aitken listed at the UK National Register of Archives

Cultural offices
Preceded by D. S. MacColl	Director of the Tate Gallery 1911–1930	Succeeded by J.B. Manson

Persondata
Name	Aitken, Charles
Alternative names
Short description
Date of birth	12 September 1869
Place of birth
Date of death	9 August 1936
Place of death