- Paul Phillips (songwriter/singer)
Articleissues
COI = September 2008
tone = September 2008
unreferenced = September 2008Paul Phillips is an English
singer-songwriter ,journalist at "Music Week ", and a former A&R man andrecord producer atCBS Records .Biography
Career
Phillips began songwriting at age 14 and performed in a band in his hometown of
Wolverhampton . This was at a time when even leading acts such asThe N'Betweens (laterSlade ) were doing strictlycover versions . While at CBS Records, he met American musicianPete Zorn , signed to the label with the trio Fishbaugh, Fishbaugh and Zorn. The two hit it off and from then, Zorn was on almost every session where Phillips was producer. They also started demoing their own songs. Phillips trekked aroundLondon record companies for nearly three years until he finally landed a deal for him and Zorn withLogo Records , home ofThe Tourists (laterEurythmics ) andThe Streetband (lead singer,Paul Young ).While arrangements were being made for their debut album, Phliips played Logo's md a demo he had made of a
novelty song called "Car 67 ", written during idle moments in a three month stint as what he has called "possibly the worst cab driver London has ever known". Logo immediately wanted the song as a single. Recorded for £850, it went on to sell nearly half a million copies, peaking in the top 10 at number seven. In its biggest week, orders were coming in for 20,000 copies a day, which would have put it at number one. The pressing plant only managed to press and distribute 20,000 copies and it dropped down to number 11.The record doomed their career as an act to
one-hit wonder status.BBC Radio refused to play the follow up, "Headlights", because of its controversial content (a truck driver menaces lone girl on isolated back road), and because it was completely at odds with the novelty aspect of "Car 67". A subsequent dispute overroyalties dragged on for two years, after which Phillips, completely disillusioned with the record industry, returned to journalism. The album he and Zorn made, "Hey Mr Record Man ", included asatire on A&R men, and a spoken word playlet in two acts about the end of the world. The album ended with another satire on the illegal copying of music, addressing listeners as "You Stupid Turkeys". The final nail in its coffin was that it included an Americanised version of "Car 67" rather than the original hitBrummie version. The record company buried the album.Since then, Phillips went on to success as a magazine publisher, and later as partner in a London design business. He now imports vintage guitars from America and is planning a major website launch.
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