Phillips' Sound Recording Services

Infobox Person
name = Phillips' Sound Recording Services


image_size =
caption = Percy Phillips in his studio, 1977
birth_name = Percy Francis Phillips
birth_date = March 1896
birth_place = Warrington
death_date = 1984
death_place = Royal Liverpool Hospital
death_cause =
resting_place =
resting_place_coordinates =
residence = 38 Kensington, Liverpool
nationality = English
known_for = recording The Quarrymen, who later became The Beatles
education =
occupation = Shop owner and studio engineer
religion =
spouse = Hilda Phillips
partner =
children = Son Frank Phillips, and daughter Carol Higgins (nee Phillips)
parents =
relations = Grandchildren Peter and Sue Phillips
website =
footnotes =

Phillips' Sound Recording Services was a studio in the house of Percy Francis Phillips (1896—1984) and his family at 38 Kensington, Liverpool, England. Between the years of 1955 and 1969, Phillips recorded numerous tapes and acetate discs for Liverpool acts, people and businesses in a small room behind the shop his family owned.

Phillips first sold bicycles and motorbikes, but later started selling and recharging batteries in a shop in the front room of his house in 1925. After a decline in demand for batteries in the early 1950s, he started selling electrical goods and popular records. In 1955, Phillips set up a recording studio called Phillips' Sound Recording Services.

In 1958, The Quarrymen (John Lennon, Paul McCartney, George Harrison, John 'Duff' Lowe and Colin Hanton) recorded "That‘ll Be The Day", and "In Spite of All the Danger" in the studio. Other clients included Billy Fury, Ken Dodd, and Marty Wilde. Phillips died in 1984. The Quarrymen recording and the site of the studio was commemorated in 2005, when a Blue Plaque was unveiled by two of The Quarrymen (Lowe and Hanton) on the front of the house.

Early years

Percy Phillips was born in March 1896, in Warrington, Lancashire,cite web |first= |last= |url=http://search.ancestry.co.uk/cgi-bin/sse.dll?gl=ROOT_CATEGORY&rank=1&new=1&so=3&MSAV=0&msT=1&gss=ms_f-2&_80004000=Percy+Phillips&_81004010=1896&msbpn__ftp=Warrington+England%2C+United+Kingdom&_81004030=1984&msdpn=92187&msdpn__ftp=Liverpool%2C+England%2C+United+Kingdom&sbo=0 |title=Results for Percy Phillips|publisher=Ancestry |accessdate=2008-09-08] and started selling bicycles and motorbikes in a small shop in Brunswick Street, in the Kensington Fields area of Liverpool.cite web |first= |last= |url=http://www.liverpool.gov.uk/Environment/Land_and_premises/Conservation/index.asp |title=Kensington Fields Conservation Area |publisher=Liverpool City Council |date=2007-11-27 |accessdate=2008-08-03] cite web |first=Larry |last=Neild |url=http://www.liverpooldailypost.co.uk/liverpool-news/regional-news/2007/10/20/it-s-kensington-fields-forever-64375-19980746/ |title=It’s Kensington Fields forever |publisher=Liverpool Daily Post |date=2007-10-20 |accessdate=2008-09-05] He began selling and recharging batteries in 1925, opening a shop in the front room of his family's three-storey Georgian terraced house, called Phillips’ Battery Charging Depot, and had to install large accumulators in the cellar.cite web |first= |last= |url=http://www.phillipsacetates.com/the-studio.html |title=The Studio |publisher=Phillip Acetates |accessdate=2008-08-03] Phillips ran the business for 30 years, even during wartime, but due to a decline in demand for batteries in the early 1950s (most people having electricity by then) he started selling household electrical goods. By late 1954, the shop was only selling records and record players; customers would buy recordings of American Country and Western, and Big Band music.cite web |first=Jane |last=Stern |coauthors=Stern, Michael
url=http://www.nytimes.com/2005/11/27/books/review/27stern.html |title=You Know You Should Be Glad |publisher=NYT |date=2005-11-27 |accessdate=2008-08-03] As Phillips had supplied batteries to the Burtonwood air base during the war, he could buy and sell the latest records from America via his contacts there.

tudio

In 1955, several customers asked if Phillips could make demo discs, so he bought a 1/4 inch tape recorder (replaced in 1963 with a Vortexion portable), a MSS (Master Sound Systems) disc cutting machine, an amplifier, a 4-track mixer, three microphones (a Reslo, an HMV ribbon microphone, and an AKG), and three pairs of headphones for £400, Babiuk, Lewisohn, and Bacon, "Beatles Gear: All the Fab Four's Instruments, from Stage to Studio" (2002) p20] cite web |first= |last= |url=http://www.beatlesource.com/savage/1950s/58.07.14%20phillips/58.07.14phillips.html |title=The Quarry Men 14 July 1958 |publisher=Beatle Source |accessdate=2008-08-03] while on a trip to London to visit his son Frank, who was there for a sound recording course with EMI Electronics. When he returned to Liverpool, Phillips set up the equipment behind the record shop in the (12 square feet) middle living room, Spitz, "The Beatles" (2005) p141] with a piano and an overturned tin bath in the cellar (a speaker and microphone was linked to the studio above) as a reverb chamber. The recordings would normally be on tape, and then transferred to disc. The tape was recorded over again at the next session.cite web |first= |last= |url=http://www.beatlesource.com/bs/ao-qmen.html |title= That'll Be The Day b/w In Spite Of All The Danger |publisher=Beatle Source |accessdate=2008-09-08] Because of trams, trucks, and horses going up and down Kensington, Phillips had to hang heavy blankets over the studio door and rear window to minimise the noise. Phillips' first recording was of himself singing "Bonnie Marie of Argyle", (unaccompanied) and a few days later he recorded "Unchained Melody", with local dance band singer Betty Roy. The first disc he cut in the studio was on 7 August 1955, with his eight-year-old daughter, Carol, singing, "Mr Sandman". All the discs had "Play with a light-weight pick-up" on the label, as this would increase the life of the disc which would eventually wear out.

Phillips advertised the studio as Phillips' Sound Recording Services (also advertised as P. F. Phillips' Professional Tape & Disc Recording Service) and his business cards read, "PF Phillips, 38 Kensington, Liverpool, 7. Television and Battery Service. Gramophone Record Dealer. Professional Tape and Disc Recording Studio." Miles, Badman, "The Beatles Diary: After the Break-Up 1970-2001" (2001) p14] He started cutting discs for members of the public, as well as for actors from the Liverpool Playhouse, who often stayed in the first-floor boarding rooms above the studio, and who were asked by Phillips to record monologues and poems. Spitz, "The Beatles" (2005) p141] These included the actors John Thaw, Richard Briers, and the ventriloquist Ray Alan.

For the first couple of years, Phillips made music compilation discs for local businesses such as the local ice rink or cinema, men singing songs for loved ones, children playing an instrument, or even a neighbour’s dog howling along to piano accompaniment.cite web |first= |last= |url=http://www.phillipsacetates.com/index.html |title=Phillips Sound Recording Services |publisher=Phillip Acetates |accessdate=2008-08-03] As the record shop and studio took over the business, he had a brass plate made which he put on the wall just outside the front door, and had labels made for the discs, but changed the design of the disc label every year. By 1957, Phillips was recording more and more groups of young men with guitars, basses, washboards and drums, who played skiffle. Ron Wycherly (a.k.a. Billy Fury) recorded several songs onto disc in the studio,cite web |first= |last= |url=http://www.bbc.co.uk/dna/h2g2/A12921860 |title=Billy Fury, Singer/Songwriter |publisher=h2g2 |date=2006-07-31 |accessdate=2008-08-03] cite web |first= |last= |url=http://www.billyfury.com/ |title=Welcome to the site where the good times never ended |publisher=Billy Fury |accessdate=2008-08-03] including, "I'm Left You're Right She's Gone", "Playin' For Keeps", "Paralyzed" and "Come Go With Me" (all previously released by Elvis Presley) as well as, “Have I Told You Lately That I Love You“ (Lulu Belle and Scotty) and his own composition, “Yodelling Song“. Fury's mother sent the songs to impressario Larry Parnes, which started her son's singing career.cite web |first= |last= |url=http://www.spencerleigh.demon.co.uk/Fabs_Outofthecaverns.htm |title=Out of the caverns |publisher=Spencer Leigh |accessdate=2008-09-08] The songs were released on DVD/CD in 2008.cite web |first= |last= |url=http://www.billyfury.com/newcd.htm |title=25th Anniversary DVD/CD |publisher=Billy Fury tribute page |accessdate=2008-09-08]

The Quarrymen recording

Johnny 'Guitar' Byrne (from Rory Storm and The Hurricanes) and singer Paul Murphy recorded a version of "Butterfly" and "She’s Got it" in the studio on 22 June 1957,cite web |first= |last= |url=http://www.spencerleigh.demon.co.uk/Fabs_Outofthecaverns.htm |title=Spencer Leigh looks at the Merseybeat records that have been hiding in back rooms |publisher=Spencer Leigh |accessdate=2008-08-11] and Byrne later played the recording to Harrison. On 12 July 1958, a local skiffle group, The Quarrymen (Lennon, McCartney, Harrison, Lowe and Hanton) visited Phillips’ studio to record two songs, although the date has been disputed, as Lowe remembered that the recording was during cold weather (October or November, 1957) with the band wearing scarves. Hanton also mentioned the cold weather in interviews, and before recording, Lennon suggested that Hanton put his scarf over the snare drum to lower the volume, which supports the earlier date. Spitz (2005) p143] The group were surprised to see how small and technically basic the studio was, with only one microphone in the centre of the room. Spitz, "The Beatles" (2005) p142] Phillips demanded that they pay for the recording before they set up the equipment, so each member paid 3 shillings and 6 pence, but he then asked for an extra surcharge (£1) to cover the cost of transferring the tape recording to acetate disc.cite web |first= |last= |url=http://abbeyrd.best.vwh.net/quarrymen.htm |title=The Quarrymen Conquer America! |publisher=Alexandra Burack |accessdate=2008-09-08] As this was too expensive, Phillips said that for a cut-rate price they would not be taped first, but record directly to vinyl.

The first song they recorded was "That‘ll Be The Day" (sung by Lennon with harmonies by McCartney). Phillips wanted them to immediately record the next song, but Lennon and McCartney could not decide on a song for the B-side of the disc. McCartney suggested the doo-wop ballad, "In Spite of All the Danger" (by McCartney and Harrison, but sung by Lennon)cite web |first= |last= |url=http://www.users.bigpond.com/justin.shears/onlyanorthernsong/OnlyANorthernSong/Studio/StudioLiverpool/Inspite.html |title=In Spite Of All The Danger |publisher=Big Pond |date=2008-04-12 |accessdate=2008-08-03] even though Lowe and Hanton had never heard it before.cite web |first=Alan W. |last=Pollack |url=http://www.icce.rug.nl/~soundscapes/DATABASES/AWP/shellac.shtml |title=Notes on the "Percy Phillips Shellac" |publisher=Alan W. Pollack |accessdate=2008-08-03] cite web |first= |last= |url=http://www.originalquarrymen.co.uk/html/colin.html |title=Colin Hanton - Drummer |publisher=Original Quarrymen |accessdate=2008-05-30] They asked for some time to rehearse, but Phillips refused, saying, "For seventeen and six 17/6d you're not here all day". Spitz, "The Beatles" (2005) p143] Lowe and Hanton busked through the song, which was cut short by Phillips waving his hands to indicate that the cutting needle was getting close to the centre of the acetate. He then handed the band a fragile 78rpm 10-inch acetate record. It was later lost until Lowe rediscovered it in 1981, and planned to put it up for auction at Sotheby's, but sold it to McCartney for an undisclosed amount. McCartney later had the two songs digitally re-mastered and pressed 50 copies, giving them to friends as a Christmas present, although the two songs were released on 21 November 1995, as part of "The Beatles Anthology" (Anthology 1). McCartney later said, "The strangest thing for me, listening to it, is that it's like drowning, it's like your life flashing by in front of you. From the earliest things by me and John when we used to sag off school and the earliest demo tape we ever made, to the first little record we made which was a version of John singing "That'll Be The Day", and a little song of mine [and Harrison] on the other side that's never been released before."

Later years

Other customers of Phillips’ studio included The Swinging Blue Jeans, Brian Epstein, Freddie Starr, Billy Butler, Willy Russell, Liverpool F.C. supporters club, and players from Everton F.C..cite web |first= |last= |url= http://www.phillipsacetates.com/the-recordings.html |title=The Recordings |publisher=Phillip Acetates |accessdate=2008-08-03] cite web |first= |last= |url=http://www.barbaradickson.net/blood_brothers_willy_russell.html |title=Blood Brothers Willy Russell |publisher=Barbara Dickson webpage |accessdate=2008-08-03] Denny Seyton and The Sabres recorded "Little Latin Lupe Lu" (Bill Medley) in the studio in 1963.Phillips closed the studio in 1969, the record shop in 1974, and died in 1984, at the Royal Liverpool Hospital. The recording of The Quarrymen acetate and the site of Phillips' Sound Recording Services was commemorated in 26 August 2005, when a Blue Plaque was unveiled by two of The Quarrymen (Lowe and Hanton) on the front of the house.cite web |first=Nick |last=Coligan |url=http://www.liverpoolecho.co.uk/liverpool-news/local-news/2007/10/23/victorian-terraces-win-heritage-status-100252-19992787/ |title=Victorian terraces win heritage status |publisher=Liverpool Echo |date=2007-10-23 |accessdate=2008-09-08] cite web |first= |last= |url=http://news.bbc.co.uk/2/hi/uk_news/england/merseyside/4185972.stm |title=Plaque marks Quarrymen recording |publisher=BBC |date=2005-08-26 |accessdate=2008-08-03] cite web |first= |last= |url=http://www.phillipsacetates.com/blue-plaque-day.html |title=Blue Plaque Day |publisher=Phillips Acetates |date=accessdate=2008-09-08]

Notes

References

*
*
*Miles, Barry | title=Many Years From Now | publisher=Vintage-Random House | year=1997 | id=ISBN 0-7493-8658-4
* Shotton, Pete and Shaffner, Nicholas "John Lennon — In My Life", (New York: Stein and Day, 1983)
*

External links

* [http://maps.google.com/maps?f=q&hl=en&geocode=&time=&date=&ttype=&q=38+Kensington+Street,+Liverpool&sll=51.354712,-0.446556&sspn=0.009836,0.015514&ie=UTF8&z=16&iwloc=cent&om=1 Google map of 38 Kensington, Liverpool]
* [http://www.phillipsacetates.com/index.html phillipsacetates.com: A comprehensive site dedicated to Percy Phillips' studio]
* [http://www.beatlesource.com/bs/mains/audio/1958/1958.html An edited version of "In Spite of All the Danger"]