- In the Dark (Angel)
Infobox Television episode
Angel being tortured.
Title=In the Dark
Series=Angel
Season=1
Episode=3
Airdate=October 19 1999
Production=1ADH03
Writer=Douglas Petrie
Director=Bruce Seth Green
Guests=James Marsters
(Spike)Seth Green
(Oz)
Kevin West
(Marcus)Malia Mathis
(Rachel)|(Hilary DUFF) Episode list=List of "Angel" episodes
Prev=Lonely Hearts
Next=I Fall to Pieces"In the Dark" is episode 3 of season 1 of the television show "Angel". Written by
Doug Petrie and directed by Bruce Seth Green, it was originally broadcast onOctober 19 1999 on the WB network. In "In the Dark"James Marsters guest stars as Spike andSeth Green reprises his role as Oz, both arriving in L.A. immediately following events of the "Buffy the Vampire Slayer" episode "The Harsh Light of Day". Oz brings Angel a magical ring that renders a vampire invincible, which Angel hides. Spike hires vampire Marcus to torture Angel into divulging the ring's location, but when Angel doesn't break, Spike negotiates a hostage exchange with Cordelia and Doyle. During the exchange, Marcus nabs the ring and disappears. Angel tracks and dusts Marcus, then wears the Gem of Amarra himself for the remainder of the day. Finally - deciding the ring only simulates the redemption he seeks and that possessing it would inevitably distance him from the suffering of the innocent he has sworn to protect - Angel crushes the Gem of Amarra to powder.Plot
A young woman, Rachel, runs down a dark alley, looking frantically over her shoulder for signs of pursuit, but no one is there. Puzzled, she stops and hides, then stands, looking back the way she came. Suddenly, a man grabs her from behind, threatens her, and slaps her to the ground. Telling her he can't take it anymore, Rachel's strung-out boyfriend Lenny points a gun at her head and starts to pull the trigger. Appearing out of nowhere, Angel grabs Lenny's gun hand, knocking his arm up and sending the shot high. Angel effortlessly disarms Lenny, then knocks him unconscious with one brutal punch. Standing on the rooftop of a neighboring building, Spike watches Rachel thank Angel in the alley below and improvises a cheesy narration for their gestures.
Listening to an L.A. radio station, Oz parks his van in front of Angel's building. Inside, Cordelia gleefully prints up an invoice for Rachel, their first paying customer. When Oz opens the door and walks in, Cordelia is thrilled to see her old
Sunnydale friend. After Angel and Oz's laconic greetings, Oz holds a ring out to Angel. "The Gem of Amarra," he says quietly. Doyle explains that the ring is a priceless talisman which "renders the wearer one hundred percent unkillable, if he's a vampire." Oz tells Angel, "Buffy wanted you to have it." While the others leave, Angel stays behind to hide the ring under a loose brick in one of the sewer tunnels.The next morning at the office, a tearful Rachel phones during Angel's Tai chi practice to say that Lenny has been released on a technicality. Angel promises to be right over. Before he can get into his car, Spike springs an ambush in the parking garage and the two vampires fight. Cordelia and Doyle rush in just as Angel defeats Spike. Spike recognizes and greets a flustered Cordelia, then threatens Angel one last time before running away from his grandsire. Angel tells Cordelia she must stay with Doyle in case Spike decides to make her a target. Angel meets Rachel at her apartment, where he listens with empathy to her story, then tries to encourage her to leave Lenny permanently. Slowly, Rachel responds to Angel's compassion, unaware of the many parallels between her circumstances and his.
On a tip from one of Doyle's unsavory contacts, Angel chases and corners Spike in a dead end blocked by a chainlink fence. Hands locked behind his head, Spike doesn't even attempt to leap the fence, but turns and surrenders with a strange air of smugness. Suddenly, a white-shirted figure whirling a long chain overhead appears from around the corner. Angel finds himself, abruptly, on his back on the ground, with the end of the heavy chain tightly wound around his neck, completely at the mercy of Spike's smiling henchman.
Cordelia and Doyle worry that Angel hasn't checked in. Little do they know, their friend is suspended by long, manacled chains from the ceiling of a large warehouse. Spike introduces him to his captor, Marcus, a master torturer with a taste for (eating and torturing) children. Accompanied by the strains of Mozart's Symphony #41 (which Spike mistakes for Brahms), the eerily reserved vampire prepares his instruments while Spike recites highlights from Marcus' gruesome "curriculum vitae". To begin, Marcus inspects Angel, inside and out, then asks, "What do you want, Angel?" When Angel is defiant, Marcus steps over to the brazier and returns with a red-hot poker which, abruptly, he rams through Angel's bared abdomen. Time passes as Marcus works into a rhythm of hurting Angel, then asking what he wants, then hurting him again, but it is Spike who cracks first. Breaking off a stake, he threatens to dust Angel then and there if he doesn't talk, until Marcus calmly points out that, knowing Spike won't kill him before learning the ring's location, Angel therefore also knows that Spike is bluffing. Disgusted, Spike tosses the stake to the floor. Angel takes advantage of the reprieve to tell Spike he's an idiot for believing that Marcus, a vampire, has no interest in obtaining the Gem of Amarra for himself. Unperturbed, Spike dismisses Marcus as a threat, deeming him too single-mindedly obsessed with the art of torture to care about anything else. In the sudden silence of the symphony coming to an end, Spike then taunts Angel about his own obsession with "Slutty" the Vampire Slayer, recounting news of her recent rebound disaster. Marcus begins the Mozart record again and Spike, rolling his eyes, leaves "to get some air." Marcus, who had covertly reacted to Angel's earlier insinuation, plunges another hot poker into his captive. Listening to Angel's strangled screams, Spike smiles and says, "Now "that's" music." Marcus shoots holes in the building's ceiling so that Angel, agonized by any movement, must stretch and hold himself at the limit of his chains to avoid the pencil-thin beams of sunlight.
Abandoning his fruitless search of Angel's apartment, Spike is confronted by Cordelia and Doyle, armed and waiting behind the door. Unperturbed, Spike tells them that if they want Angel to live, they must find the ring and turn it over before sundown. Angel, meanwhile, endures the abrupt removal of two pokers and makes Marcus believe he's about to break. He lures his tormentor closer by whispering, truthfully, that what he most wants is forgiveness. Entranced, Marcus draws near enough for Angel to make his move. Holding Spike's discarded stake between his booted feet, Angel brings his legs up high enough to plunge the jagged wooden point into Marcus' heart. Appearing out of nowhere, Spike grabs Angel's feet and disarms him. Enraged, Marcus punches Angel before Spike solicitously moves him out of Angel's reach. Selecting a pair of needlenose pliers, Spike chips in as Marcus resumes his interrupted torture session with a vengeance.
Having no more success than Spike had, Cordelia and Doyle conduct their own search for the Gem of Amarra in Angel's apartment. When Cordelia complains to Doyle that her list of cliched hiding places has inexplicably failed to yield results, it finally occurs to them both to search the sewers. They have no luck there either, until Doyle, letting Cordelia turn into the next tunnel ahead of him, quickly and surreptitiously uses his demon senses and immediately locates the ring under the brick where Angel hid it. Now all they need is a plan. Before sundown, they meet with Spike at the appointed spot and demand to see Angel before they reveal where they've stashed the ring. Spike reluctantly agrees and takes them to where he and Marcus are holding the now barely-conscious Angel. When Spike gloatingly admits he has no intention of going through with the trade, Doyle pulls the ring out of his pocket and throws it across the warehouse floor. Just as Spike reaches for it, he is forced to duck and roll when Oz smashes his van through the warehouse wall. From the driver's side window, Oz holds Spike and Marcus at bay with twin crossbows until Cordy and Doyle can get Angel into the back of the van. Once they're safely inside, Oz floors it in reverse and the van peels away. To Spike's intense dismay, the ring is no longer where Doyle tossed it. Angel's prediction was accurate—under cover of Angel's rescue, Marcus has pinched the Gem of Amarra for himself.
Knowing Marcus' predilection for children, Angel believes the vampire won't have gone far. In fact, a joyous Marcus makes his way along the boardwalk, clearly bemused by modern day beach wear, until he spots a cub scout troop clustered around a vending cart. While Marcus focuses on the children, Oz drives straight down the middle of the boardwalk, using the van's speed and bulk to knock the invincible vampire flying. Angel leaps out of the van, bursting into flame the moment sunlight touches him, and tackles Marcus off the pier, falling with him to the water below. In the shade under the boardwalk, the two vampires fight. Angel impales Marcus on a beam, but the Gem of Amarra protects him - until Angel yanks the ring off his finger and Marcus crumbles to dust. Angel slides the ring onto his own hand, then steps out into the sunlight for the first time in more than two hundred years.
That evening, enraptured, Angel watches the sun set in an ordinary, smoggy, southern California sky. To Doyle's extreme dismay, Angel has decided not to keep the ring. Angel tries to explain his feeling that the Gem of Amarra only appears to be the redemption he seeks, and that keeping it would somehow make him forget about the many people who need a champion to defend them from the powers of darkness. Doyle is unconvinced, but sees that Angel is determined to do what he believes to be the right thing. When the last sliver of sun disappears, Angel removes the Gem of Amarra and, deliberately, smashes it flat with a chunk of brick. After recovering in silence for a moment or two, Doyle remembers that Rachel called to say, "thanks, and that she found a little faith." Angel absorbs this and slowly begins to smile. "I don't know about you," he says to Doyle, "but I had a pretty good day." When Doyle doesn't seem to know how to respond, Angel adds, "You know — except for the bulk of it, where I was nearly tortured to death." Angel continues to joke with his friend as they leave the rooftop and head down the stairs together.
Acting
Main cast
*
David Boreanaz as Angel
*Charisma Carpenter asCordelia Chase
*Glenn Quinn asAllen Francis Doyle Guest stars
*
Seth Green as Oz
*James Marsters as Spike
*Kevin West as Marcus
*Malia Mathis as RachelCo-stars
*Michael Yavnieli as Lenny
*Ric Sarabia as Vendor
*Tom Rosales as Manny the Pig
*Gil Combs as Bouncer
*Buck McDancer as Dealer
*Jenni Blong as Young WomanProduction
Responding to the statement that Angel's decision to destroy the ring is reminiscent of
Gloria Stuart throwing the priceless diamond into the ocean at the end of "Titanic", producerTim Minear says the difference is that "she throws it in the water as if that means something about Jack [but] it was the other guy’s diamond, and I have no idea why she’s throwing it in the water." However, "it makes perfect sense for [Angel] to destroy the ring. Can he be trusted? That is the point of the series," Minear says. "If he has the power to be invincible, what would happen if he spent eternity as Angelus? Angel knows that he can't be trusted - think aboutJenny Calendar . In that light, the ending makes perfect sense to me." [Citation |url=http://www.timminear.net/archives/angel/000039.html
title=ANGEL: Season One, Episode By Episode with Tim Minear |first=Edward |last=Gross |date=August 14, 2000 |accessdate=2008-02-22 ]Arc significance
* This isn't the last time Angel turns down a shortcut to happiness in his quest for redemption.
* This is Spike's first appearance on "Angel". Although he is portrayed as the Big Bad for this episode, he returns in season five as an ensouled Champion.
* This is the first time Angel and Spike fight hand to hand on screen.
Continuity
* Crossover with "Buffy": This episode continues a story begun in "The Harsh Light of Day," aired immediately before.
* Angel practicing Tai chi (with the accompanying score) is poignantly evocative of his long, painful rehabilitation after being returned to
Sunnydale in season three of "Buffy" ("Faith, Hope & Trick "). Bringing him pig's blood in "Band Candy," Buffy for the first time sees Angel, still in significant pain but clearly on the mend, practicing the forms with utter concentration. In "Revelations," they have regular "training" sessions together, during which they are both keenly aware that Angel's physical health has vastly improved. In this episode, Angel is clearly trying to work through his anguish at losing the Slayer, made freshly acute by the arrival of (only) Oz. The expectation that Angel's kata is being interrupted by a phone call from Buffy is reinforced by the initial silence on the line, reminiscent of the silent call he made to her near the end of the series pilot, "City of ", which she answered unaware in the first episode of season four of "Buffy", "The Freshman."* Cordelia tries to give Doyle some idea of what they're up against with Spike, and her catalogue of evilness includes the "whole deal with this arm in a box." This is a reference to Spike and Drusilla releasing the demon Judge during events in "Surprise" and "Innocence", in season two of "Buffy".
* In the non-canonical comic "", a second Gem of Amarra is revealed to exist. The comic contains several references to the events of "In the Dark," particularly Spike's feelings, after his soul is restored, on having hired someone to torture Angel.
* In this episode, Spike recognizes Cordelia the moment he sees her, although the two never met, let alone socialized on screen while in Sunnydale.
* This marks the first of only two episodes in which Spike and Cordelia exchange dialogue.The other is in season five's
You're Welcome Cultural references
*
Batmobile : Spike's line, "quickly! To the Angelmobile! Away!" is anhomage toBatman , in style as well as content.*
Matthew McConaughey : Cordelia tells Doyle that the only way she'll go on a cruise with him is in an alternate universe where he turns into the handsome actor (of Irish descent)—six years "before" McConaughey is selected as "People" magazine's 2005 "Sexiest Man Alive."*
Johnny Depp : Confronting Spike as he tosses Angel's apartment in search of the Gem of Amarra, Cordelia refers to a 1994 incident in which the famous actor was arrested in (alleged) connection with some serious damage to an NYC hotel suite.* "
I Love Lucy ": "Honey, I'm home!" Spike's final greeting to Marcus evokes is a famous line from the classic sitcom.Music
*Extreme music library - Smokers revenge"
*Mozart - "Symphony No. 41 in C Major, K. 551 "Jupiter": Menuetto. Allegretto"Translations
* German title: "Der Ring von Amarra" ("The Ring of Amarra")
* Italian title: "L'anello di Amarra" ("The Ring of Amarra")
* Spanish title: "En la obscuridad" ("In the darkness")
* French title: "La pierre d'Amarra" ("Amarra's stone")References
External links
*
ee also
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