- La Tène culture
The La Tène culture was a European
Iron Age culture named after the archaeological site of La Tène on the north side ofLake Neuchâtel inSwitzerland , where a rich trove of artifacts was discovered by Hansli Kopp in1857 .La Tène culture developed and flourished during the late Iron Age (from 450 BCE to the Roman conquest in the 1st century BCE) in eastern
France ,Switzerland ,Austria , southwestGermany , theCzech Republic , Slovakia andHungary . To the north extended the contemporaryJastorf culture of Northern Germany. [The Jastorf culture is the southern part of thePre-Roman Iron Age of the north.] La Tène culture developed out of the early Iron AgeHallstatt culture without any definite cultural break, under the impetus of considerable Mediterranean influence from Greek, and laterEtruscan civilization s. A shift of settlement centres took place in the 4th century.Our knowledge of this cultural area derives from three sources: from archaeological evidence, from Greek and Latin literary evidence, and more controversially, from ethnographical evidence suggesting some La Tène artistic and cultural survivals in traditionally Celtic regions of far western Europe. Some of the societies that are archaeologically identified with La Tène material culture were identified by Greek and Roman authors from the 5th century onwards as "keltoi" ("
Celt s") and "galli" ("Gaul s").Herodotus placed "keltoi" at the source of theDanube , in the heartland of La Tène material culture. Whether this means that the whole of La Tène culture can be attributed to a unifiedCelt ic people is difficult to assess; archaeologists have repeatedly concluded that language, material culture, and political affiliation do not necessarily run parallel. Frey notes (Frey 2004) that in the 5th century, "burial customs in the Celtic world were not uniform; rather, localised groups had their own beliefs, which, in consequence, also gave rise to distinct artistic expressions". In some cases where La Tène archaeological sites are overlain by Slavic culture, any identification of La Tène material culture with Celts may become a sensitive local issue.Extensive contacts through trade are recognized in foreign objects deposited in elite burials; stylistic influences on La Tène material culture can be recognized in Etruscan, Italic, Greek and
Scythia n sources. Dateable Greek pottery at La Tène sites anddendrochronology and thermoluminescence help provide date ranges in an absolute chronology at some La Tène sites.A disputed La Tène "homeland"
Though there is no agreement on the precise region in which La Tène culture first developed, there is a broad consensus that the center of the culture lay on the northwest edges of
Hallstatt culture , north of theAlps , within the region between the valleys of theMarne andMoselle in the west and modern Bavaria and Austria in the east. In1994 a prototypical ensemble of elite grave sites of the early 5th century BCE was excavated atGlauberg inHesse , northeast ofFrankfurt-am-Main , in a region that had formerly been considered peripheral to the La Tène sphere. [ [http://www.frankfurtlounge.de/Mystery_of_the_Celts.htm Mystery of the Celts] .]From their homeland, La Tène groups expanded in the 4th century to
Hispania , thePo Valley , theBalkans , and even as far asAsia Minor , in the course of several major migrations. In the 4th century, a Gallic army led by Brennus reached Rome and took the city. In the 3rd century, Gallic bands entered Greece and threatened the oracle of Delphi, while another band settledGalatia in Asia Minor.La Tène culture
As with many archaeological periods, La Tène history was originally divided into "early" (6th century BCE), "middle" ("ca" 450-100 BCE), and "late" (1st century BCE) stages, with the Roman occupation effectively driving the culture underground and ending its development. A broad cultural unity was not paralleled by overarching social-political unifying structures, and the extent to which the material culture can be linguistically linked is debated.
La Tène metalwork in bronze, iron and gold, developing technologically out of Halstatt culture, is stylistically characterized by inscribed and inlaid intricate spirals and interlace, on fine bronze vessels, helmets and shields, horse trappings and elite jewelry, especially the neck rings called
torc s and elaborate clasps called "fibulae". It is characterized by elegant, stylized curvilinear animal and vegetal forms, with elements akin toScythia n animal designs from the area ofUkraine , allied with theHallstatt traditions of geometric patterning.La Tène cultural material appeared over a large area, including parts of
Ireland andGreat Britain (the lake dwellings atGlastonbury, England , are a well known example of La Tène culture), northernSpain ,Burgundy , andAustria . Elaborate burials also reveal a wide network of trade. In Vix, France, an elite woman of the 6th century BCE was buried with a bronzecauldron made in Greece. Exports from La Tène cultural areas to the Mediterranean cultures were based on salt, tin and copper, amber, wool and leather, furs and gold.Initially La Tène folk lived in open settlements that were dominated by the chieftains’ towering hill forts. [ [http://www.frankfurtlounge.de/Mystery_of_the_Celts.htm frankfurt,kultur,highlights,mystery of the kelts ] ] The development of towns— "oppida"— appears in mid-La Tène culture. La Tène dwellings were carpenter-built rather than of masonry. La Tène peoples also dug ritual shafts, in which votive offerings and even human sacrifices were cast. Severed heads appear to have held great power and were often represented in carvings. Burial sites included weapons, carts, and both elite and household goods, evoking a strong continuity with an
afterlife .Discovery: La Tène site
La Tène is a village on the northern shore of
Lake Neuchâtel ,Switzerland . It is both an archaeological site and the eponymous site for the lateIron Age La Tène culture, also spelt "Latène" or "La-Tène".In 1857, prolonged
drought lowered the waters of the lake by about 2 m. On the northernmost tip of the lake, between the riverThièle and a point south of the village ofMarin-Epagnier , Hansli Kopp, looking for antiquities for Colonel Frédéric Schwab, discovered several rows of wooden piles that still reached about 50 cm into the water. From among these, Kopp collected about forty iron swords.The Swiss archaeologist
Ferdinand Keller published his findings in1868 in his influential first report on the Swisspile dwellings ("Pfahlbaubericht"). In 1863 he interpreted the remains as aCelt ic village built on piles.Eduard Desor , ageologist fromNeuchâtel , started excavations on the lakeshore soon afterwards. He interpreted the site as an armory, erected on piles over the lake and later destroyed by enemy action. Another interpretation accounting for the presence of cast iron swords that had not been sharpened, was of a site of sacrifices.With the first systematic lowering of the Swiss lakes from 1868 to
1883 , the site fell completely dry. In 1880, Emile Vouga, a teacher from Marin-Epagnier, uncovered the wooden remains of two bridges (designated "Pont Desor" and "Pont Vouga") originally over 100 m long, that crossed the little Thièle River (today a nature reserve) and the remains of five houses on the shore. After Vouga had finished, F. Borel, curator of the Marin museum, began to excavate as well. In1885 the canton asked the Société d'Histoire of Neuchâtel to continue the excavations, the results of which were published by Vouga in the same year.All in all, over 2500 objects, mainly made from metal, have been excavated in La Tène. Weapons predominate, there being 166
sword s (most without traces of wear), 270 lanceheads, and 22 shield bosses, along with 385brooch es, tools, and parts ofchariot s. Numerous human and animal bones were found as well.Interpretations of the site vary. Some scholars believe the bridge was destroyed by high water, while others see it as a place of
sacrifice after a successful battle (there are almost no female ornaments).An exhibition marking the 150th anniversary of the discovery of the La Tène site was launched in June 2007 at the Musée Schwab in Bienne, Switzerland. It is scheduled to move to
Zürich in 2008 and the Mont Beuvray inBurgundy in 2009.La Tène sites
*
La Tène
*Bern ,Engehalbinsel : oppidum
*Manching: oppidum
*Münsingen , burial field
*Basel : oppidum
*Bibracte , oppidum of theAedui at Mont Beuvray in Burgundy
*Erstfeld hoard
*Hochdorf Chieftain's Grave
*Bopfingen : "Viereckschanze", a characteristic rectangular enclosure
*Fellbach-Schmiden , near Stuttgart: "Viereckschanze"; ritual objects recovered from a well
*Kleinaspergle : elite graves of La Tène I
*Waldalgesheim : an elite chariot burial, 4th century
*Glauberg , oppidum and elite graves
*Dürrnberg nearHallein : Burial field and earthworks of late Hallstatt–early La Tène
*Donnersberg : oppidum
*Vill nearInnsbruck : remains of dwellings
*Sandberg Celtic city near Platt andRoseldorf inLower Austria
*Vix/Mont Lassois: oppidum and elaborate graves
*Titelberg : oppidum inLuxembourg ome outstanding La Tène artifacts
*"Strettweg Cart" (7th century BCE), found in southeast Austria, a four-wheeled cart with a goddess, riders with axes and shields, attendants and stags. (Landesmuseum Johanneum,
Graz , Austria)*A woman in Vix (Châtillon-sur-Seine, Burgundy) buried with a 1,100 litre (290 gallon) bronze Greek vase, the largest ever found.
*The silver "
Gundestrup cauldron " (3rd or 2nd century BCE), found ritually broken in a peat bog near Gundestrup, Denmark, but probably made near the Black Sea, perhaps inRomania . (National Museum of Denmark ,Copenhagen )*"
Battersea Shield " (350-50 BCE), found in the Thames, made of bronze with red enamel. (British Museum )*"
Witham Shield " (4th century BCE). (British Museum ,London ) [http://www.24hourmuseum.org.uk/nwh/art12215.html]*"
Turoe stone ",Galway , Ireland*Chariot burial at
Waldalgesheim , Bad Kreuznach, Germany, late 4th century BCE. (Bonn: Rheinisches Landesmuseum)*Chariot burial at La Gorge Meillet (St-Germain-en-Laye: Musée des Antiquités Nationales).
*A life-sized sculpture of a warrior that accompanied the
Glauberg burials.*A gold-and-bronze model of an oak tree found at the
Oppidum of Manching .*
Noric steel Notes
Further reading
* Cunliffe, Barry. "The Ancient Celts". Oxford: Oxford University Press. 1997
* Collis, John. "The Celts: Origins, Myths, Invention". London: Tempus, 2003.
* James, Simon. "The Atlantic Celts". London: British Museum Press, 1999.
* James, Simon, and Valerie Rig. "Britain and the Celtic Iron Age". London: British Museum Press, 1997.External links
* [http://www.archaeologisch.de/forschung/latene/latene.html Excellent and detailed summary of excavations and interpretations] (in German)
* [http://www.edunet.ch/classes/marin/la_tene.htm La Tène site] : brief text, illustrations (in French)
* [http://www.hp.uab.edu/image_archive/uj/ujk.html Images from World History: Iron Age Western Europe]
* [http://gate.cia.edu/cbergengren/arthistory/celtic/slides.html Charles Bergengren, Cleveland Institute of Art, 1999:] illustrations of La Tène artifacts
* [http://www.ria.ie/publications/journals/journaldb/index.asp?select=fulltext&id=100427. Otto Hermann Frey, "A new approach to early Celtic art"] . Setting the Glauberg finds in context of shifting iconography.
* [http://www.beloit.edu/~museum/logan/paleoexhibit/ironage.htm Images from the Logan Museum of Anthropology at Beloit College]
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